Amaravati Art in the Context of Andhra Archaeology
by Sreyashi Ray chowdhuri | 2018 | 90,477 words
This page relates 鈥榤onkey offers honey to Buddha鈥� of the study on Amaravati Art in the Context of Andhra Archaeology, including museum exhibitions of the major archeological antiquities. These pages show how the Buddhist establishment of Amaravati (Andhra Pradesh) survived from 4th century BCE to 14th century CE. It includes references and translations of episodes of Buddha鈥檚 life drawn from the Avadanas and Jatakas which are illustrated in Amaravati art.
Go directly to: Footnotes.
A monkey offers honey to Buddha
[Full title: Depiction of scenes from the life of Buddha: A monkey offers honey to Buddha]
Story:-
When Buddha was residing in the Ghasita monastery at Kosambi his monks quarrelled among themselves. So he retired to the Parileyyaka forest and resided at the foot of the 艢腻濒 tree where a noble elephant attended on him. A monkey noticed this and desired to perform a similar service. One day he saw a honeycomb on a stick. He offered the honey to the Master on a plantain leaf. The Master did not partake it until the monkey removed the insect eggs sticking to it. When the Master took it the monkey was so delighted that he jumped from one branch to another. But one of the branches broke and he died. He was born in the world of thirty three.[1]
Depiction:-
This story is visible on a fragmented slab preserved in the British Museum. Here one monkey stands with a bowl in his left hand. To the left is another monkey seated on a leaf. Another monkey stands to the left with the garland.[2] (Pl 26d).
This incident is also represented in 狈腻驳腻谤箩耻苍补办辞峁囜笉补.
Footnotes and references:
[1]:
Sivaramamurti C, Op.cit, pp190-191.
[2]:
Knox Robert, Op.cit, pp 128-129, pl 67.