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The words indicating pleasant and charming effect is said to be 笔谤补蝉腻诲补, as stated, by Bharata.^[1] 痴腻尘补苍补 uses the term 艣补颈迟丑颈濒测补 to interpret 笔谤补蝉腻诲补.^[2] It is the easiness regarding composition which is called 笔谤补蝉腻诲补 by 痴腻尘补苍补. Again, 惭补尘尘补峁璦 is of the opinion that, that is considered as 笔谤补蝉腻诲补, which appears immediately like fire kindled with dried up fuel or clean cloth with clear water and this is a common quality of all the rasas.^[3] 痴颈艣惫补苍腻迟丑补 also expresses similar view. According to him, that is 笔谤补蝉腻诲补, which exists in all the flavours and the four styles of composition, pervades the heart, as fire spreads itself through dry fuel. Words conveying 笔谤补蝉腻诲补 serve to manifest their meaning as soon as they are heard.^[4] Again, this 驳耻峁嘺 is said to be existing in a poetical composition irrespective of the sentiment prevailing.^[5] Lucidness or Arthavyakti is included under the merit named perspicuity or 笔谤补蝉腻诲补, because lucidness of words is none other than their conveying the meaning immediately.^[6] It may be mentioned here that 顿补峁囜笉颈苍, in his K膩vy膩dar艣a opines that the quality 笔谤补蝉腻诲补 is very famous one, like that of the moonlight.^[7]

As the style of 惭补峁卥丑补办补 is quite complex and this complexity of expression, somehow substantially lessens the degree of the quality 笔谤补蝉腻诲补 in 惭补峁卥丑补办补鈥檚 poem, even then there are so many instances, where the perspicuity is beautifully revealed

In canto III of the 艢谤墨办补峁囜弓丑补肠补谤颈迟补, in the verse, kuberasakhy膩岣� kakubho^[8] 鈥�.., there is 笔谤补蝉腻诲补驳耻峁嘺. Here in this verse, there is the reference of Kashmir, which is familiar to Kubera, the Lord of wealth and this place is situated at the north direction as well as this place bears the name 厂补迟墨蝉补谤补, which is, as it were, a bathing place of the creator, after creating the world, full of diversity, in the like manner of accomplishing a sacrifice.

Again, in canto XIII, in the verse, where there is the description of applying saffron on a body which is of the colour of gold. It sounds like applying sandal paste on crystal stone. The purport of this is, as both the body and saffron are of same colour, as well as sandal paste and crystal stone are also of same colour, therefore, it does not matter whether applied or not. Actually, it is an appreciative statement for the golden hued body of a particular female, where there is 笔谤补蝉腻诲补.

Besides this, there is 笔谤补蝉腻诲补 in canto XXV, in iti sa 艣ravanotta峁僺a峁�^[9] 鈥�.., 迟颈驳尘腻苍补濒补诲峁浥沘岣�^[10] 鈥�.., svaya峁� maul墨ndu^[11] 鈥�.., prabandhena jagadbandhu^[12] 鈥�.., aho dhanyo鈥檚mi^[13] 鈥�.., 尘补丑补迟办补峁ａ弓补尘补丑辞^[14] 鈥�.., 尘腻苍耻峁�y补箩补苍尘补^[15] 鈥�., 诲丑颈办迟腻苍办峁泃补辫濒耻迟颈谤测别峁Ｄ佱箖^[16] 鈥�.., 诲峁涐梗峁璱岣� 蝉腻谤补蝉惫补迟墨^[17] 鈥�.., ki峁� v膩nyad驳耻峁嘺^[18] 鈥�.., 肠腻尘墨办补谤补蝉测补 saurabhya^[19] 鈥�.., yatkimapyasti m奴rkh膩峁嚹乵^[20] 鈥�.., vimatsara艣ca vidv膩峁兣沜a^[21] 鈥�.., 蝉补苍迟补艣肠补 迟腻诲峁浥浤佱弗^[22] 鈥�.., 尘补诲补驳谤补箩补苍尘补苍补岣�^[23] 鈥︹�� and 迟补迟补岣� 蝉腻辫丑补濒测补诲墨办峁Ｄ乱补颈^[24] 鈥︹赌�.

Footnotes and references:

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[1]:

apyanukto vudhairyatra 艣abdov膩 prat墨yate/
sukha 艣abd膩rtha sambodhan膩t pras膩da parik墨rtyate// N膩峁瓂a艣膩stra., XVII. 97, page 151

[2]:

艣补颈迟丑颈濒测补峁� pras膩da岣�/
K膩vy膩la峁僰膩ras奴trav峁泃ti., III. I. 6

[3]:

艣u峁�kendhan膩gnivat svacchajalavatsahasaiva ya岣�/
vy膩pnotyanyatpras膩do鈥檚au sarvatra vihitasthiti岣�// K膩vyaprak膩艣a., VIII. 70, page 294

[4]:

citta峁� vy膩pnoti ya岣� k峁�ipra峁� 艣u峁�kendhanamiv膩nala岣�/
sa pras膩da岣� samastesu rase峁�u racan膩su ca/
艣adastadvya帽jak膩 arthabodhak膩岣� 艣rutim膩trata岣�// S膩hityadarpa峁嘺., VIII. 7-8

[5]:

samarpakatva峁� k膩vyaoya yattu sarvaras膩峁� prati/
sa pras膩do gu峁噊 j帽eya岣� sarvas膩dh膩ra峁嘺 kriy膩岣�// Dhvany膩loka., II. 10

[6]:

arthavyakte岣� pras膩dakhyagu峁噀naiva parigraha岣�/
arthavyakti岣� pad膩n膩峁� hi jha峁璱yarthasamarpa峁嘺峁�// S膩hityadarpa峁嘺., VIII. 11

[7]:

pras膩davat prasiddh膩rthamidorind墨varadyuti/
lak峁�ma lak峁�mi峁� tanotiti prat墨ti subhaga峁� vaca岣�// K膩vy膩dar艣a., I. 45

[8]:

kuberasakhy膩岣� kakubho lal膩峁璱k膩 yadeti ka艣m墨rapad膩bhidheyat膩峁�/
sat墨saron膩ma tadasti ma峁囜笉ala峁� vicitrasarg膩vabh峁泃ha岣� praj膩pate岣�// 艢谤墨办补峁囜弓丑补肠补谤颈迟补., III. 1

[9]:

Ibid., XXV. 1

[10]:

Ibid., XXV. 2

[11]:

Ibid., XXV. 3

[12]:

Ibid., XXV. 4

[13]:

Ibid., XXV. 5

[14]:

Ibid., XXV. 6

[15]:

Ibid., XXV. 7

[16]:

Ibid., XXV. 8

[17]:

Ibid., XXV. 9

[18]:

Ibid., XXV. 10

[19]:

Ibid., XXV. 11

[20]:

yatkimapyasti m奴rkh膩峁嚹乵am膩tsarya峁� tu s奴kti峁�u/
tatkvopayogi saundarya峁� 峁�a峁囜笉hasyeva pura峁卍hri峁�u// Ibid., XXV. 12

[21]:

Ibid., XXV. 13

[22]:

Ibid., XXV. 14

[23]:

Ibid., XXV. 15

[24]:

迟补迟补岣� 蝉腻辫丑补濒测补诲墨办峁Ｄ乱补颈 svapari艣ramavipru峁Ｄ佱箖/
tadev膩sya prabandhasya ne峁�y膩mi nika峁Ｄ伵沵at膩峁�// Ibid., XXV. 16