Essay name: Svacchandatantra (history and structure)
Author: William James Arraj
The essay represents a study and partial English translation of the Svacchandatantra and its commentary, “Uddyota�, by Kshemaraja. The text, attributed to the deity Svacchanda-bhairava, has various names and demonstrates a complex history of transmission through diverse manuscript traditions in North India, Nepal, and beyond.
Page 343 of: Svacchandatantra (history and structure)
343 (of 511)
External source: Shodhganga (Repository of Indian theses)
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of terrain, muddy, uneven, and so forth, traversed by the feet.
After enunciating the general principle that the organs of
perception (budhindriyÄni) operate through contact with the
intellect (buddhi�), the text next (pp. 8-13) discusses them by
enumerating the range of objects and properties (visaya�) covered
by their perceptive activity. For the first, hearing, there follows
an extensive list of notes, scales, musical instruments, and the
like. For the others, the text has shorter lists, such as soft, hard,
and the like, for the skin, or colors for the eye. At the end of this
list, a half-verse marks the field possessor (ká¹£etri) or knower,
deluded by the ego as one who perceives the objects. This remark
evidently echoes the common SÄmkhya notion that the puruá¹£aá¸�
and not the perceptive organ cognizes objects. 1
After the organs, comes a verse and a half that (pp. 13-14)
briefly characterizes the activity of the internal perceptive organ
(manah), which by intention (sankalpa�) and conception
(vikalpa�) coordinates the activities of the other organs. 2 Next a
group of general verses (pp. 14-16) correlates each sensory
medium (tanmÄtram) with the operation of a single sense organ,
and the perception of a single object. As explained by Ká¹£emarÄjaá¸�,
the sensory medium, for example, of smell (gandhatanmÄtram),
as an agent, localizes and restricts the sense organ of smelling
(ghrÄṇÄ�), as an instrument, to a specific location, such as the tip
of the nose, and to a single property, such as smell (gandha�) as
its object. Through their association with and location in the
1 V. p.13, vs.30b: “yenÄsau buddhyate ká¹£etri ahaṃkÄreṇa
³¾´Ç³ó¾±³ÙÄåá¸�
.
" Ká¹£emarÄjaá¸� interprets this apparently SÄmkhya
statement in a non-dual fashion: "Å›ariradau baddhÄbhimÄnatvÄdeva
vyatirekeṇa visayanvetti. "V. for this distinction in early
SÄmkhyam, Edgerton, The Beginnings of Indian Philosophy, p.288,
n.2.
2 V. the similar characterization of the mana� in
SÄmkhyakÄrikÄ, 27, JÄwaji, The Sänkhya KÄrikÄ, pp.351.
