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Essay name: Surgery in ancient India (Study)

Author: P. P. Prathapan
Affiliation: Sree Sankaracharya University of Sanskrit / Department of Sanskrit Sahitya

This essay studies Surgery in ancient India based on Sanskrit sources such as the Sushruta Samhita. These references indicate evidence of theoretical and practical knowledge of hygiene rivaling contemporary routine practices. Further topics include Ayurveda, a historical study of surgery, surgical schools and instruments used in ancient India.

Chapter 3 - Schools of Surgery in ancient India

Page:

34 (of 46)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 34 has not been proofread.

191
knowledge systems in India. The 'gurukulam' of Kūṭiyāṭṭam are the great
informal centres of Sanskrit education and they contribute substantily for
informal Sanskrit education. As mentioned earlier, some of the centres
simultaneously follow the traditional method of teaching confined to their
own community and introduce the innovative modes of teaching without
rejecting the tradition for the benefit of all. As a result the art form which
was once on the verge of extinction has been revived with new energy.
ūٳٳ
ūٳٳ (show or act) is the family tradition of Cākyār. This ūٳٳ is
mainly known as three: Prabandham ūٳٳ, Nanngiar ūٳٳ, and
Kūṭiyāṭṭam. Kūṭiyāṭṭam has been dealt with in the previous section.
Usually Cākyār artists use ūٳٳ for the propagation of Bhakti, advice for
the people in moral codes and for the criticism of social evils through.
humorous narration. In Prabandham ūٳٳ they use short Sanskrit campus
written on epic and purāṇic themes. Since a single Cākyār is acting in
Prabandham ūٳٳ it is called Cākyār ūٳٳ also.
Sometimes, Nannyār the wife of Nambyār presents the ūٳٳ. It is
called Nannyār ūٳٳ. The subject matter of Naṃṃyār ūٳٳ is the tenth
Skanda of Bhāgavata Purāṇa. ūٳٳ is also divided into three on the basis.
of presentation on the stage namely Atiyantarakūttu, Vazhivadukūttu and
Kazhchakkūttu. These were patronized by the rulers of Tranvancore, Kochi

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