Shaivacintamani (analytical study)
by Swati Sucharita Pattanaik | 2022 | 84,311 words
This page relates ‘Story of Lord Lingaraja—its Shape and Size� of the English study on the Shaivacintamani—an unstudied text on Shaiva or Shiva worship by Lakshmidhara Mishra, written in the late 17th century and edited for the first time in 1994 by Shri Dukhisyam Pattanaik from the Orissa State Museum. The present research aims to offer a comprehensive study of the Saivacintamani, filling the knowledge gap by being the first to provide in-depth analysis and commentary.
Part 1.5 - The Story of Lord ṅgrāja—its Shape and Size
The temple dedicated to Lord ṅgrāja at Bhubaneswar dominates the landscape for miles together. Built in about the middle of the 11th century A.D. it rightly denoted as the best representation of ṅg type of Architecture. It consists of a high curvilinear tower (վԲ), an assembly hall (Jagamohana), a dancing hall (ṭa ṇḍ貹) and hall of offerings (bhoga ṇḍ貹). Each structure increasing in the height to its predecessor. It has several smaller shrines gathering around.
The ṅg of Lord ṅgrāja is not like the common vertical column but a huge piece of granite having a ridge at centre. Its diameter is 8 feet. The line at the top separates the black colour of վṣṇ and the white colour of Ś. The dust colour represents the presence of holy rivers Ҳṅg and ۲ܲ. Apopular legend as regards to the formation and present shape of the ṅg is narrated by the temple priests.
Originally there used to be Sphaṭika ṅg with inherent power to turn all metal objects into gold or costly jewels. This caused immense scramble for possession among the priests. This caused immense scramble for possession among the priests. When the matter was brought to the notice of the king, he arranged a stone covering over this ṅg. This not only preserved the efficacy of the ṅg for a pretty long time but also prevented the greedy ūᲹ첹 (priests) from putting everything metal over it to turn in to gold. What we find at present is nothing but the stone covering over it. It is believed that, when 岹 invaded Odisha and destroyed Hindu Monuments in the entire coastal tract, the priest with a view to save the deity from the hands of this religious bigot covered the ṅg with a large quantity of straw so that 岹 would think that there is nothing except a huge quantity of paddy stored therein. The trick produced desired results. 岹 entered the temple, saw the heavy stock of straw and turned his attention from the Ҳṛh to the minor deities and ś𱹲 placed around the main shrine. The infuriated mind of the religious bigot thus caused immense damage to the priceless image of Ҳṇeś, ٳپⲹ and ī. The minor shrines within the premises and the large number of alasakanyas on the outer faces of the main deity could survive his destructive hands which worked with a feat of vengeance. Thus, ḍa left the place leaving the Śṅg covered huge quantity of straw.