Essay name: Sankalpa Suryodaya of Venkatanatha (Critical Study)
Author:
R. Laxmi
Affiliation: Karnatak University / Department of Sanskrit
This is an English study of the Sankalpa Suryodaya鈥攁n allegorical Sanskrit drama by Venkatanatha, a distinguished philosopher-poet and dramatist of the Vishishtadvaita Vedanta tradition. This work of Venkata-natha (or, Vedanta Deshika). stands out for integrating allegory to convey moral and philosophical truths. The thesis examines its place in Sanskrit literature.
Chapter 3 - Significance
19 (of 85)
External source: Shodhganga (Repository of Indian theses)
Download the PDF file of the original publication
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guide house-holders in the attainment of Mok峁 and that any one can be attracted
by the charms of young women. To this, Dve峁 draws the attention of R氓ga to
difference of opinion among scholars in marrying celestial woman (which is
regarded as Mok峁) supported by V盲tsy膩yana and his associates. He proclaims
that even the Supreme Brahman is subject to certain desires. R氓ga regrets that
Vedantins consider charming women as mere form of flesh and blood, while the fact
is that they are imbude with honey.
"These (Ved膩ntins) consider as mere flesh the breasts of beautiful women
which are as charming as golden goblets full of honey; and they deceive the
ignorant like evil spirits." 3
Looking up, he adds that it is difficult to convince blind persons that water is
clear and transperant. Under this situation, Dve峁 bemoans the attitude of
Ved膩ntins who are guided by Viveka. He further calls the followers of Viveka as
demons and express surprise. Similarly, he points out that 'the notes of the quail,
have no charm for the ears of the deaf' and again reminds their ultimate aim, i.e.
Viveka is to be conquered. He further tells that the conquest of Viveka will mean the
conquest of scholars, just as the creepers fall off when the supporting tree is cut off.
R膩ga expresses delight. Dve峁 rediculously says that Viveka is drowned in the
doctrines of Upanisads and cannot establish the existance of God.
After this conversation, a voice is heard behind the curtain as to who are
there? It is learnt, the voice is that of Viveka's followers. So, at once R膩ga and
Dve峁 anticipate some trouble and feel diffident in carrying out their master's
mission. Both realise that Virakti and Vi峁ａ箛ubhakti have joined Viveka. They are
overpowered at the sight of Viveka coming with his queen Sumati; and the joy felt
by Virakti and Vi峁ａ箛ubhakti at the turn of situation. They become disheartened and
express as to how they can defeat Viveka and his followers who are right now
3.
啶ぇ啷佮き啶班た啶むす啷囙ぎ啶曕啶啶啶ぇ啷佮ぐ啶苦ぎ啶о啶班啶 啶く啷嬥ぇ啶班 啶膏啶︵啶多ぞ啶 啷�
啶た啶多た啶むぎ啶苦い啶� 啶ぞ啶掂く啶ㄠ啶む 啶た啶多ぞ啶氞啶侧啶ぞ啶� 啶啶班げ啷嬥き啶え啷嵿い啶� 啶溹ぁ啶距え | [madhubharitahemakumbh墨madhurimadhuryo payodharau sud峁浥浤乵 |
pi艣itamiti bh膩vayanta岣� pi艣膩cakalp膩岣� pralobhayanti ja岣嵞乶a | ] S.S. III-8, p. 344
