Essay name: Panchatantra: A reflex of Arthashastra
Author:
M. N. Indrani
Affiliation: Karnatak University / Department of Sanskrit
The essay studies the Panchatantra in relation to the Arthashastra by proposing that that Indian fable literature divides into educative and entertaining narratives, both traced back to the sacred Vedic texts. It highlights the 'Pancatantra' and its kin as representative of educative stories.
Chapter 1 - A survey of the Niti-Katha-Sahitya
6 (of 28)
External source: Shodhganga (Repository of Indian theses)
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elements of fable literature are available. One might say that in
the post-Vedic period a preceptor used to instruct his disciples
the teachings of Vedānta by means of narrating a relevant story
in order to attract the mind of the disciples. Hence even the
major Upaniṣads known for their philosophical doctrines,
abound in narrative aspects. In this context, the Talavakāra
Upanisad belonging to a branch of the Samaveda, opens with
narration of a legend in a dialogue form.
Here, a dialogue between Supreme Brahman in the form of
Yakṣa and the gods like Agni, Vāyu, Indra, Śiva, Brahmā, etc.
makes it evident that one should not be proud of one's own
prowess, whether be mundane or divine. No doubt, gods won
victory over demons due to the impelling power of the Supreme
Brahman. As gods were puffed up with ignorance, they could
not realize the truth in their victory. But the Lord made them
known of the reality. Thus the part of this dialogue gives a
lesson on the moral teachings. The moral precept suggested
here is not being proud of one's own riches.
Further, the Katha Upanisad, belonging to Katha branch of
Kṛṣṇayajurveda reads an interesting story of Naciketa, which
also occurs in the Taittiriya Brāhmaṇa [3.1.8] and in the
Anusāsana-parva of the Mahābhārata. In this story, Naciketa is
characterised as an extraordinary guest of god Yama. At the
outset of the upaniṣad, Uddālaka is seen as performing Viśvajit
sacrifice wherein he is engaged in giving away the useless cows
