Essay name: Panchatantra: A reflex of Arthashastra
Author:
M. N. Indrani
Affiliation: Karnatak University / Department of Sanskrit
The essay studies the Panchatantra in relation to the Arthashastra by proposing that that Indian fable literature divides into educative and entertaining narratives, both traced back to the sacred Vedic texts. It highlights the 'Pancatantra' and its kin as representative of educative stories.
Chapter 1 - A survey of the Niti-Katha-Sahitya
13 (of 28)
External source: Shodhganga (Repository of Indian theses)
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13
sufficient to satisfy his hunger. The pair praised this action of
the merchant with all heart, and in consequence of that virtue,
they were born as prince Citrasena and princess Padmāvatī in
their next birth and became husband and wife. This was
composed in Sam. 1524 [1580 A.D.].
13. Kālikācāryakathā: In prose it gives the tale of
Kālikācārya, a Jain Sthavira. Samayasundara, pupil of
Sakalacandra, composed it. It narrates also the ancient tales of
the establishment of the Vikrama and Śaka. According to it,
Śaka kings took their name from the Śaka coast or bank and
were defenders of the Jaina faith until Vikramāditya conquered
them. But one hundred and thirty-five years after that
conquest, there was a Śaka king who destroyed the successor of
Vikramāditya and set up an era of his own.
14. Kavikuñjara's Rājasekharacarita or Sabhārañjana-
prabandha is a poem inculcating morals of means of stories
abridged from those which are said to have been originally
related in the court of Rajasekhara and which were afterwards
repeated by Rajasekhara Subuddhi.
15. Vidyāpati's Puruṣaparīkṣa is a collection of forty-four
stories and has been noticed. Ananda's Madhuānalakathā
relates in prose the story of Madhvānala and Kāmakaṇḍala.
16. The Muktacarita is anonymous. In simple prose, it
narrates the story of the miraculous power of pearls sown and
