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In Sanskrit literature scattered information about poetics is first availed from some 笔耻谤腻峁嘺蝉 like 础驳苍颈辫耻谤腻峁嘺 and 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺. But the history of poetics starts from Bharata the renowned author of 狈腻峁瓂补艣腻蝉迟谤补^[1] and almost ends with 闯补驳补苍苍腻迟丑补 笔补峁囜笉颈迟补鈥檚 搁补蝉补驳补峁単腻诲丑补谤补.^[2] 狈腻峁瓂补艣腻蝉迟谤补 is an encyclopedic manual of theatre arts dealing with almost all the aspects of drama and dramaturgy. Bharata鈥檚 main contribution to Sanskrit poetics is his 谤补蝉补蝉奴迟谤补. It explains the genesis of rasa and it is accepted as a formula for explaining the aesthetic experience of arts. It is notable that no concept in western poetics is as much important as rasa in Indian poetics. Some other poetic texts that evolved after 狈腻峁瓂补艣腻蝉迟谤补 are 碍腻惫测腻濒补峁卥腻谤补 of 叠丑腻尘补丑补^[3] and 搁耻诲谤补峁璦,^[4] 碍腻惫测腻诲补谤艣补 of 顿补峁囜笉颈苍,^[5] 碍腻惫测腻濒补峁卥腻谤补s奴trav峁泃ti of 痴腻尘补苍补,^[6] 碍腻惫测补辫谤补办腻艣补 of 惭补尘尘补峁璦^[7] and 厂腻丑颈迟测补诲补谤辫补峁嘺 of 痴颈艣惫补苍腻迟丑补.^[8] In 碍腻惫测腻濒补峁卥腻谤补, 叠丑腻尘补丑补 establishes poetic figure or 补濒补峁卥腻谤补 as major element in poetry. 搁耻诲谤补峁璦, author of 碍腻惫测腻濒补峁卥腻谤补 is the final representative of 补濒补峁卥腻谤补 School. According to 顿补峁囜笉颈苍, all the attributes adding beauty to poetry are 补濒补峁卥腻谤补. 痴腻尘补苍补, the protagonist of 谤墨迟颈 school gives a systematic theory of poetics in his text 碍腻惫测腻濒补峁卥腻谤补s奴trav峁泃ti. He was the first rhetorician who had great urge to search for the soul of poetry. 惭补尘尘补峁璦, 痴颈艣惫补苍腻迟丑补 and 闯补驳补苍苍腻迟丑补 笔补峁囜笉颈迟补 are the ardent followers of dhvani theory of 膧nandhavardhana.

Poetics texts deal with the topics like purpose of poetry, definition of poetry, figures of speech etc. Apart from the topics mentioned above, some other topics are also discussed in poetic texts. Bhoja鈥檚 艢峁涐箙驳腻谤补辫谤补办腻艣补^[9] discusses about grammar. The texts like 础濒补峁卥腻谤补蝉补谤惫补蝉惫补^[10] and 碍耻惫补濒补测腻苍补苍补诲补^[11] discuss only figures of speech. The poetic text named 碍腻惫测补尘墨尘腻峁僺腻 of 搁腻箩补艣别办丑补谤补^[12] deals with topics like instruction to the poets, poetic conventions etc. Some other prominent poetic texts in Sanskrit are 顿丑惫补苍测腻濒辞办补 of 膧nandhavardhana,^[13] Vyaktiviveka of 惭补丑颈尘补产丑补峁�峁�补,^[14] 痴补办谤辞办迟颈箩墨惫颈迟补 of Kuntaka^[15] and 搁补蝉补驳补峁単腻诲丑补谤补 of 闯补驳补苍苍腻迟丑补 笔补峁囜笉颈迟补.^[16] 顿丑惫补苍测腻濒辞办补 with the commentary of Locana of Abhinavagupta is a widely discussed poetic text in Sanskrit literature in Indian tradition. 痴腻尘补苍补 talks about arrangement of word as soul of poetry. Taking a step further 膧nandhavardhana establishes the deeper essence of meaning as the soul of poetry. Vyaktiviveka written in 11^th Century C.E. postulates a new theory named 补苍耻尘颈迟颈惫腻诲补. 惭补丑颈尘补产丑补峁�峁�补 establishes that dhvani is the same as the logical process of inference. 础产丑颈苍补惫补产丑腻谤补迟墨 of Abhinavagupta, a commentary on 狈腻峁瓂补艣腻蝉迟谤补 is yet another notable poetic text of Sanskrit literature. Abhinavagupta was a man of acute intellect and encyclopedic scholarship. 础产丑颈苍补惫补产丑腻谤补迟墨 discusses all the matters discussed in 狈腻峁瓂补艣腻蝉迟谤补. 痴补办谤辞办迟颈箩墨惫颈迟补 adorns a prominent position among the rhetoric works of post-dhvani period as it paved an independent and original path for itself in Sanskrit poetics.