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Jivanandana of Anandaraya Makhin (Study)

by G. D. Jayalakshmi | 2019 | 58,344 words

This page relates ‘Act II (Summary)� of the study on the Jivanandana (in English) which is a dramatic play written by Anadaraya Makhin in the 18th century. The Jivanandana praises the excellence of Advaita Vedanta, Ayurveda (medical science) and Dramatic literature as the triple agency for obtaining everlasting bliss.

Go directly to: Footnotes.

Dramatis Personae.

�(Cough) an attendant of King ۲ṣm
Chardi�(Vomiting, emesis) 's second wife
ṇḍ�(Anaemia, low levels of hemoglobin in blood) Son of Ჹⲹṣm and also his minister.
Ҳṇḍ�(ҴǾٱ) ٲܱ첹, Door-keeper.
ԲԾٲ�(Fever) the commanders of ۲ṣm.
ṣṭ󲹲�(쾱 diseases) An eighteen member team
Գ岹�(Mania; Psychiatric illness) A six member team
հṇa�(Ulcers) A team of fifteen types
Arśobhedas�(Hemorrhoids or piles) A team of six types
Pramehas�(Carbuncle) A team of twenty types.
ś�(Renal Calculus) A twenty member team
پ�(Diarrhoea or loose bowels) A seven member team.
Gulma-plīhānas�(Phatom or false tumor and spleen diseases) Gulma are four and ʱī are four.
ṇaū�(Ṣotajvara) (Parotitis)–Inflammation of the parotid gland–A spy.

Note: ṣṭ to Gulma–Plīhānas are the various factions of the army of King ۲ṣm.

Scene I: Enemy Side: Near Prince ṇḍ’s Secret Place: Dawn

, a servant of king ۲ṣm, is sent by him to meet his son and minister ṇḍ and find out whether he was aware of the news of king ī taking steps to undermine his (۲ṣm’s) power. is proceeding towards ṇḍ’s abode. On his way, he meets his wife Chardi. Fearing that if Chardi identifies him she may pester him about his promise, he tries to avoid her. However, on being accosted by her, he explains to her reluctantly his secret mission.

Unexpectedly, Chardi informs him that the prince is surrounded by a five member team of powerful warriors headed by . She had heard this news being reported to queen վṣūc, mother of ṇḍ. She further assures , that prince ṇḍ is watchful of king ī’s movements and is quite aware of the fact that ī had gone to perform penance. Making an assignation to meet later they part–� to meet prince ṇḍ and Chardi to the place of (Jaundice), wife of ṇḍ. (End of ʰś첹)

Scene II: Prince ṇḍ’s Secret Chamber: Morning

The main Act begins with the entry of prince ṇḍ, who has just then woken up. He calls the door-keeper Ҳṇḍ and orders him to bring in all the army chiefs. The thirteen ԲԾٲ[1] enter with folded hands.

Looking at the worried Prince, they wait upon him to take order from him. ṇḍ tells them about the message of their king ۲ṣm and asks them to be ready with their army.

To allay the worries, these ԲԾٲ speak together to ṇḍ encouraging him. They enlist the powerful groups of their army and request Ҳṇḍ the door-keeper to bring the army-units before the prince. When they stand before the prince, he asks for their opinions about the impending war. Then, ṣṭ󲹲, Գ岹, հṇa, ś and Pramehas tell him about their special features one by one and their prowess. Then ś, Atiśaras, Gulmas and ʱīs also proclaim their capability. By their speeches, the prince gains confidence.

In the meantime, their spy ṇaū who had been to ī’s camp returns there. ṇḍ asks him for details. ṇaū reports that on the orders of ṇḍ when he entered the ʳṇḍī첹ܰ, he saw king ī having his eyes fixed on one-object, ears listening to Vedic hymns, and offering floral tribute at the holy feet of the Lord Ś. There was not a bit of place on ī’s body which was not protected and hence he could not carry out his master's orders of overpowering king ī.

As he wandered around the city, he found three people (ٲ, Pitta and Kapha). Two of them (Pitta and Kapha) were lame and the third one (ٲ) was carrying them. They were wandering in between three places namely between neck and heart, between heart and naval and below the naval area. Being quite alert, they drove him away at first.

However, after gaining their confidence ṇaū told them about his intention to get a place for the night-stay there. All the three consulted each other, and said that since their king was extremely busy with an important new assignment, permission for a stranger’s night-stay in that place was strictly prohibited. ṇaū, had to return to report the matter.

On hearing this, ṇḍ much enraged, ridicules this effort of the enemies; he declares that inspite of obtaining the desired Rasa and Gandhaka, their power can be mitigated by irregular food habits and that deep devotion and penance towards lord Ś shall also be disturbed.

On being asked by ṇḍ about the nature of the citizens there, ṇaū states that they are three-folded as ٲ, Pitta and Kapha. Of them, the popular and powerful one is ٲ who is inspired by oil-applications (medicinal oil). Going along with ٲ is Pitta who can be controlled by the sweet and tasty preparations. The helpless third one Kapha can also be managed by the intakes of a few of the six tastes with medicinal effect.

Regarding the state of mind of king ī, ṇaū says that the brilliant minister վñԲ Ś's guidance helps the king in his every movement. He very cleverly organizes the day-to-day affairs of the kingdom and the people remain safe and well protected. When enquired about the other minister ñԲ Ś, ṇaū reports that he remains silent.

ṇḍ now decides that it would be easy luring the mind, which is by nature fickle, with the help of four in-born inimical qualities like desire and anger by this process it would be easy to destroy the entire enemy-force.

By then, comes back from king ۲ṣm and whispers the king's message in ṇḍ's ears. On hearing this, ṇḍ asks the entire team to go to their places of duty; he also tells them that the further course of their task would be decided after hearing the plans of king ۲ṣm. All exit and the Act comes to an end.

Note: There are seven verses in the interlude of which the first six verses are in 's speech and the seventh one is spoken by Chardi who switches over to Sanskrit here.

There are thirty four verses in this main Act. The total number of verses in the second Act is forty one.

Footnotes and references:

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[1]:

ԲԾٲ are fever caused by the aggravation of ٲ, Pitta and Kapha and totally thirteen types). They are: Visphāraka, Āsukāri, Kampana, Babhru, Viddhakhya, Phalgu, Kūtapākala, Sammohaka, Pākala, 峾ⲹ, Krakaca, Karkotaka and Vaidārika.

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