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again describes the impact of that divine union as; that prevailed as fragrant as that lotus crushed by an elephant, the moonbeam as the glow of a lime stone, the song of a cuckoo was heard which is the companion of the spring and exciting for the lovers. The tinkling of ornaments started and that sound broke the conscience. Whether the sweet murmuring conversations between R膩dh膩 and K峁涐梗峁嘺 has reduced or improved the credit of K膩ma has remained as a matter of doubt for the poet. The divine flowers were showered by the dwellers of the heaven over that forest. The sweet sound of m峁沝anga and other musical instrument were heard everywhere. The divine beings started dancing. Baladeva followed the tradition of r墨ti age where eroticism was a major element of poetry. Though he gave importance to that sentiment but he explained with very much control under the veil of R奴pakas and avoids rustic language."1 Kavis奴rya brings celestial quality in R膩dh膩 and K峁涐梗峁嘺 while drawing the picture of the union of the nature and the almighty respectively.12 4.2.1.2 Treatment of vipralambha艣峁沶g膩ra. In the camp奴 the mental conflict of R膩dh膩 and K峁涐梗峁嘺 due to the witty dispositions of the lady companion Lalita, is seen in the form of vipralambha艣峁沶g膩ra or erotics in separation." 4.2.1.3 Different stages of vipralambha: For depicting Purvar膩ga stage the poet has taken the help of six stages of ten K膩moda艣膩s :- 11. Chatterji, S.K., Ed. Kavis奴rya Baladeva Ratha O Kisorcandr膩nandacamp奴, p.55 12. Nanda, G.C., Contribution of Odisha authors to Sanskrit camp奴 literature, p.116 13. ibid, p.116 126