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poem of four steps whereas the cauti艣膩 is an alphabetical composition serially from ka to k峁�a which contains the musical songs composed on traditional music patterns. It also bears the sastric r膩ga-s and t膩la-s. So a caupadi can be included within a cauti艣膩. In Odia the number 34 is known as cautirisi and the name cauti艣膩 indicates about the thirty-four songs alphabetically. In the temple of Jagannatha at Pur沫 the traditional dance and song are performed on different occasions. Therefore, Pur墨 remained as a famous place for the discussion about music and song. From the time of Caitanya many pilgrims and intellectuals have been coming to Pur墨. Odisha was politically and commercially related to South India and O岣峣a literature, music were also seriously influenced by the South. So the caupadi and cauti艣膩 songs contain many words of that O岣峣a language which was under the impact of the South-Indian language. 03 For easy memorisation, romantic in nature and musical character the cauti艣膩 songs are still popular in Odisha. 84 There are thirty-four Odia songs in traditional cauti艣膩 style joined to KCC which proves it's belonging to the ancient style. 4.5.3: KCC verses caupadi-cauti艣膩 83 85 In the middle of the sixteenth century Odisha has lost its political
freedom due to Mughal invasion. But the tradition of composing the caupadi-
cauti艣膩 was not restricted. The poets from that period gave more stress on the
composition of musical songs rather than the puranic literature.
The songs
are composed not only in the sastric r膩ga-s but also in the chanda-s, a local
pattern of song. The term chanda has been coined from the rootword chandas
83. Mahanty, J.V., Odia caupadi sahitya, p.24
84. Manasinha, Mayadhar, A History of Odia literature, p.42
85. Dasa, Kulamani, Ed. Kavis眉rya Granth膩val墨, p.59
86.Mahanty, J.V., O岣峣膩 caupad墨 s膩hi峁瓂a, pp.21-34
141