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93
Adbhuta, Raudra and Karuna Rasas. Bh膩sa serves
as a good instance to show the futility of the impression
of some, that a dramatic piece does not appear at its
best unless Srigara plays a prominent part in it. Only
two dramas of Bh膩sa have that sentiment to some degree,
viz. the Svapna and Avi, but there also the poet does not
leave proper bounds.
bounds.
It is love of the highest kind.
ones.
is
As for the different figures of speech, Bh膩sa
content only with the simple
He employs only
Upam膩, Utpreks膩, Rupaka, Arth膩ntarany膩sa, Anum膩na
It is not necessary to give examples, generally each
verse exemplifying one or the other of the above
补濒补峁僰腻谤补蝉.鲁
etc.
K膩lid膩sa takes ideas from Bh膩sa, and at times, the
figures also, but he presents them in quite a different garb
owing to his superior genius. The greatness of Bh膩sa
in the domain of ala峁僰膩ra is attested thus by K膩lid膩sa
who, in imitating our poet shows "his practical
appreciation of the merits of the dramatist with whose
established fame his nascent genius had to "
iv. DESCRIPTIONS OF NATURE etc.
"
Bh膩sa being a close observer of nature, his descriptions
are interesting and realistic. He gives diverse details and
various facts connected with the phenomenon he wishes
to describe. Thus, e. g., sunset is pictured in all its
details in the Svapna, I. 16;
啶栢�椸�� 啶掂ぞ啶膏�嬥お啷囙い啶距�� 啶膏げ啶苦げ啶�啶掂�椸ぞ啶⑧�� 啶�啷佮え啶苦�溹え啶�
啶�啷嵿ぐ啶︵��啶�啷嵿い啷嬥そ啶椸�嵿え啶苦ぐ啷嵿き啶距い啶� 啶�啷嵿ぐ啶掂た啶氞ぐ啶む�� 啶о�傕ぎ啷� 啶�啷佮え啶苦さ啶ㄠぎ啷� 啷�
啶�啶班た啶�啷嵿ぐ啶粪�嵿�熰�� 啶︵�傕ぐ啶距う啷� 啶班さ啶苦ぐ啶�啶� 啶� 啶膏�傕�曕�嵿し啶苦お啷嵿い啶曕た啶班ぃ啷�
啶班ぅ啶� 啶掂�嵿く啶距い啷嵿く啶膏�� 啶�啷嵿ぐ啶掂た啶多い啶� 啶多え啷堗ぐ啶膏�嵿い啶多た啶栢ぐ啶�啷� ||
[khag膩 v膩sopet膩岣� salilamavag膩岣峢o munijana岣�
prad墨pto'gnirbh膩ti pravicarati dh奴mo munivanam |
paribhra峁ａ弓o d奴r膩d ravirapi ca sa峁僰峁�iptakira峁噊
ratha峁� vy膩tyasau pravi艣ati 艣anairasta艣ikharam ||
] 1 Anticipating some objections to the inclusion of Vatsala as a sentiment,
the following quotation from the Sahityadarpana III. 251-254 is given.
啶膏�嵿か啷佮�熰�� 啶氞ぎ啶む�嵿�曕ぞ啶班た啶むく啶� 啶掂い啷嵿じ啶侧�� 啶� 啶班じ啶� 啶掂た啶︵�佮�� 啷�
啶膏�嵿ぅ啶距く啷� 啶掂い啷嵿じ啶侧い啶� 啶膏�嵿え啷囙す啶� 啶�啷佮い啷嵿ぐ啶距う啷嵿く啶距げ啶�啷嵿が啶ㄠ�� 啶�啶むぎ啷� 啷�
啶夃う啷嵿う啷�啶�啶ㄠぞ啶ㄠ�� 啶む�氞�嵿�氞�囙し啷嵿�熰�� 啶掂た啶︵�嵿く啶距ざ啷屶ぐ啷嵿く啶︵く啶距う啶�啶� 啷�
啶嗋げ啶苦�權�嵿�椸え啶距�權�嵿�椸じ啶傕じ啷嵿お啶班�嵿ざ啶多た啶班ざ啷嵿�氞�佮ぎ啷嵿が啶ㄠぎ啷�啶曕�嵿し啶｀ぎ啷� [sphu峁璦峁� camatk膩ritay膩 vatsala峁� ca rasa峁� vidu岣� |
sth膩y墨 vatsalat膩 sneha岣� putr膩dy膩lambana峁� matam ||
udd墨pan膩ni tacce峁ａ弓膩 vidy膩艣auryaday膩daya岣� |
腻濒颈峁単补苍腻峁単补蝉补峁僺辫补谤艣补艣颈谤补艣肠耻尘产补苍补尘墨办峁�a峁嘺尘 ] 11
啶�啷佮げ啶曕ぞ啶ㄠえ啷嵿う啶掂ぞ啶粪�嵿お啶距�氞�� 啶呧え啷佮き啶距さ啶距�� 啶�啷嵿ぐ啶曕��啶班�嵿い啶苦い啶距�� 啷�
啶膏え啷嵿�氞ぞ啶班た啶｀�嬥そ啶ㄠた啶粪�嵿�熰ざ啶權�嵿�曕ぞ 啶灌ぐ啷嵿し啶椸さ啶︵く啷� 啶�啶むぞ啶� [pulak膩nandav膩峁�p膩c膩 anubh膩v膩岣� prak墨rtit膩岣� |
sanc膩ri峁噊'ni峁ａ弓a艣a峁卥膩 har峁�agavadayo mat膩岣� ] 1
啶�啶︵�嵿ぎ啶椸ぐ啷嵿き啶氞�嵿�涏さ啶苦ぐ啷嵿さ啶班�嵿ぃ啷� 啶︵�堗さ啶む�� 啶侧�嬥�曕ぎ啶距い啶班�� 啷�
[padmagarbhacchavirvar峁噊 daivata峁� lokam膩tara岣� |
] 2 In a subsequent chapter dealing with each play we have quoted some
verses as illustrating some figures. The subh膩峁�ita as given in an appendix also serve
as instances of many ala峁僰膩ras found in every one of the plays. 3 Keith, SD.
P. 120.