鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of Svadh墨napatik膩 [Part 13]

Ashta Nayikas and Dance Forms (study)

by V. Dwaritha | 2013 | 71,711 words

This page relates 鈥楿ttama, Madhyama and Adhama of Svadhinapatika鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.

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Part 13 - 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of Svadh墨napatik膩

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Examples of 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of the Sv膩dh墨na-patik膩 character of woman heroine:

啶膏啶掂ぞ啶о啶ㄠお啶むた啶曕ぞ啶ぞ啶� 啶曕ぅ啶た啶むた啶氞啶む 啶啶班た啶啶� 啶啶班ぃ啶啶侧す啶曕ぞ啶班た啶｀ 啶膏啶掂く啶え啷佮え啶距く啶苦い啶� 啶ㄠぞ啶た啶曕啶む啶むぎ啶� 啷� 啶啶班ぃ啶啶侧す啶� 啶膏啶掂く啶� 啶曕啶む啶掂ぞ啶膏啶掂く啶え啷佮え啶い啶� 啶膏ぞ啶ぇ啷嵿く啶ぞ啷� 啶膏啶掂く啶� 啶啶班ぃ啶啶侧す啶� 啶曕啶む啶掂ぞ啶ㄠぞ啶啶距え啷佮え啶 啶ぞ啶啶班啶曕啶粪い啷� 啶膏ぞ啶呧ぇ啶ぞ啷�

sv膩dh墨napatik膩y膩峁� kathamiti cet priye峁嘺 pra峁嘺yakalahak膩ri峁嚹� svayamanun膩yit膩 n膩yikottam膩 | pra峁嘺yakalaha峁� svaya峁� k峁泃v膩 svayamanunayati s膩 madhyam膩 | svaya峁� pra峁嘺yakalaha峁� k峁泃v膩 n膩yak膩nunaya峁� y膩 prek峁te s膩 adham膩 |^[1]

The definition given by 艢峁涐箙驳腻谤补尘补帽箩补谤墨鈥擮ne who falls out in 笔谤补峁嘺测补-碍补濒补丑腻 and comes around herself is an 鲍迟迟补尘腻. One who herself picks up a tiff and then herself pacifies her lover is a 惭补诲丑测补尘腻. One who picks up a quarrel and is looking out for the lover to pacify her is an 础诲丑补尘腻.

A 厂惫腻诲丑墨苍补辫补迟颈办腻苍腻测颈办腻 is an epitome of Sambhoga 艢峁涐箙驳腻谤补, while 笔谤补峁嘺测补 Kalaha is the external manifestation of 笔谤补峁嘺测补惭腻苍补. 笔谤补峁嘺测补惭腻苍补 is a division of Viprayoga 艢峁涐箙驳腻谤补.

啶掂た啶啶班く啷嬥啶膏啶む 啶掂た啶多啶侧啶粪 啶班 啶⑧さ啶苦じ啷嵿ぐ啶啶く啷嬥 啶︵啶掂た啶оぞ啷�
啶ぞ啶ㄠお啷嵿ぐ啶掂ぞ啶膏き啷囙う啷囙え, 啶ぞ啶ㄠ啶洁お啶� 啶啶班ぃ啶啶班啶粪啶く啷嬥 啷�

viprayogastu vi艣le峁 r奴岣峢avisrambhayo岣� dvidh膩 ||
m膩naprav膩sabhedena, m膩no'pi pra峁嘺yer峁ayo岣� |^[2]

Thus it may not be right to bring this into the realm of a 厂惫腻诲丑墨苍补辫补迟颈办腻.

Also, according to the words of 艢峁涐箙驳腻谤补尘补帽箩补谤墨 itself, a 厂惫腻诲丑墨苍补辫补迟颈办腻 will cease to be a 厂惫腻诲丑墨苍补辫补迟颈办腻, if she gets angry with her husband. If the hero gets interested in another girl then he is no more an 础苍耻办奴濒补苍腻测补办补. His infidility being the cause of her anger results in the 苍腻测颈办腻 being a 碍丑补峁囜笉颈迟腻.

Since the concept of the 厂惫腻诲丑墨苍补辫补迟颈办腻苍腻测颈办腻 getting angry and the hero appeasing her will not be valid, the division of the 鲍迟迟补尘腻, 惭补诲丑测尘腻 and 础诲丑补尘腻 varieties of 厂惫腻诲丑墨苍补辫补迟颈办腻 should not be based on her anger and his appeasing her but should be based on her confidence of his love.

A wonderful example, indicating why a 厂惫腻诲丑墨苍补辫补迟颈办腻 cannot get angry with her loyal husband:

啶忇い啶む啶曕た啶傕お啷嵿ぐ啶｀く啶苦え啷嵿く啶た啶啶班ぃ啶た啶ㄠ 啶え啷嵿ぎ啶距え啶苦え啷€ 啶溹ぞ啶い啷�, 啶え啷嵿く啷� 啶ぞ啶ㄠさ啶苦ぇ啷� 啶さ啶苦し啷嵿く啶むた啶膏啶栢 啶曕た啶� 啶氞た啶︵啶掂た啶多た啶粪啶熰啶班じ啶距え啷� 啷� 啶掂ぞ啶炧啶涏ぞ啶むじ啷嵿く啶膏啶栢じ啷嵿く啶啶洁お啶� 啶灌啶︵く啷� 啶溹ぞ啶椸ぐ啷嵿い啶� 啶ㄠた啶む啶 啶ぐ啶, 啶膏啶掂お啷嵿え啷囙し啷嵿く啷囙し啶� 啶啶洁お啶班ぞ啶о啶い啶� 啶い啶苦 啶曕啶啶ぞ啶た啶むじ啷嵿ぎ啷� 啶曕ぅ啶 啷�

etatki峁僷ra峁嘺yinyapi pra峁嘺yin墨 yanm膩nin墨 j膩yate, manye m膩navidhau bhavi峁ati sukha峁� ki峁� cidvi艣i峁ａ弓auras膩n | v膩帽ch膩 tasya sukhasya me'pi h峁沝aye j膩garti nitya峁� param, svapne峁e峁 na me'par膩dhyati pati岣� kupy膩mi tasmai katham ||^[3]

How is this that a ladylove gets angry on her husband who loves her a lot in return? I am sure there must be a special pleasure in getting angry with one鈥檚 loved one. My heart yearns for that pleasure. But what to do! My husband does not do any offence even in his dreams, then how am I to be angry with him -like this a 苍腻测颈办腻 boasts of her good fortune!