Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楶ortrayal of Svadhinapatika鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 3 - Portrayal of 厂惫腻诲丑墨苍补辫补迟颈办腻
啶掂た啶氞た啶む啶班啶溹啶溹さ啶侧さ啷囙し啶� 啶� 啶啶班ぎ啷嬥う啷嬥う啷嵿く啷嬥い啶苦い啶距え啶ㄠぞ 啷�
啶夃う啷�啶班啶｀ざ啷嬥き啶距い啶苦ざ啶ぞ 啶曕ぞ啶班啶ぞ 啶膏啶掂ぞ啶о啶ㄠき啶班啶む啶曕ぞ 啷�
vicitrojjavalave峁Ｄ� ca pramododyotit膩nan膩 |
ud墨r峁嘺艣obh膩ti艣ay膩 k膩ry膩 sv膩dh墨nabhart峁沰膩 ||[1]
A 厂惫腻诲丑墨苍补产丑补谤迟峁沰腻 (厂惫腻诲丑墨苍补辫补迟颈办腻) should be portrayed as well dressed up in radiant and gaudy clothes, beaming with pleasure and having a happy countenance.
Footnotes and references:
[1]:
狈腻峁瓂补艣腻蝉迟谤补, XXIV. ccxxi. 676.