Vatavriksha, Vata-vriksha, ղṭaṛkṣa: 2 definitions
Introduction:
Vatavriksha means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term ղṭaṛkṣa can be transliterated into English as Vatavrksa or Vatavriksha, using the IAST transliteration scheme (?).
In Hinduism
Shilpashastra (iconography)
: Sreenivasarao’s Blog: Sri Dakshinamurthy iconography and some other questionsVatavriksha refers to a banyan tree which is commonly associated with the iconography of of Sri Dakshinamurthi—an aspect of Shiva as the universal teacher (i.e., the young and radiant Adi-Guru imparting knowledge that liberates), according to texts such as the Amsumadbheda, Karanagama, Kamikagama, Shilparatna.—The vatavriksha under which the Guru sits symbolizes creation as also the expanding universe which regenerates itself. The tree known as akshya-vriksha with its unique growth pattern also represents the eternal principle, the Dharma.�(Vata derived from vat means: to expand, to surround and to encompass).—It is meant to suggest that Sri Dakshinamurti [Dakshinamurthy] who sits under the vatavriksha tree presides over the cyclic processes of srishti (creation), sthiti (preservation), samhara (absorption or gathering up), tirobhava (suppression) and anugraha (revealing true knowledge). [...] In iconographic accounts, Sri Dakshinamurti is depicted as a young person with serene, tranquil and pleasing countenance seated in a secluded spot in the Himalayas, under a banyan tree (vatavrksa), upon a throne or a rock or an elevated platform covered with tiger-skin or deer-skin. Sri Dakshinamurti who is kevala-murti (single or not accompanied by another deity or a consort) is always depicted singly.

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
General definition (in Hinduism)
: Bodhayanti Parasparam: The Goal of Life and the MeansVatavriksha refers to a “Banyan tree�.—[Cf. Vatapatra-sayi] [...] If we start changing our attitudes and not only pray for ourselves but pray for all the people in this world, we grow out of this limitation and our banyan tree grows bigger. It is still a tree, it is bound to have its existence but our Banyan Tree is much bigger. That is the reason why we say God is a �vatapatra-sayi�. The importance of the concept of a vatapatra or a vatavriksha is, we want to spread like that. Our concern is not only for our shade but the shade for all and try to provide some shelter to others.
See also (Relevant definitions)
Partial matches: Vriksha, Vata.
Full-text: Vada, Vatapatra, Patrashayi, Bandh, Pancavati, Vatapatrashayi, Siddhartha.
Relevant text
Search found 8 books and stories containing Vatavriksha, Vata-vriksha, ղṭaṛkṣa, Vaṭa-vṛkṣa, Vatavrksa, Vata-vrksa; (plurals include: Vatavrikshas, vrikshas, ղṭaṛkṣas, vṛkṣas, Vatavrksas, vrksas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Hanuman Nataka (critical study) (by Nurima Yeasmin)
7. Information of Various Flora and Fauna < [Chapter 5]
Historical Elements in the Matsya Purana (by Chaitali Kadia)
The concept of Saptadvīpa (seven islands) < [Chapter 4 - Geographical history in the Matsya-Purāṇa]
Isanasivagurudeva Paddhati (study) (by J. P. Prajith)
3. Worship of Aghora in Isanasivagurudeva-paddhati < [Chapter 4 - Worship of Gods and Goddesses]
3. The Supremacy of Lord Siva in Isanasivagurudeva-paddhati < [Chapter 3 - Depiction of Gods and Goddesses]
Bhagavad-gita-rahasya (or Karma-yoga Shastra) (by Bhalchandra Sitaram Sukthankar)
Prayaga-Mahatmya: A Study < [Purana, Volume 9, Part 1 (1967)]