Tripurantaka, Tripura-antaka, °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹: 13 definitions
Introduction:
Tripurantaka means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Shaivism (Shaiva philosophy)
Source: Wisdom Library: Åšaivism1) °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•, “The one who has burnt three forts (active, dream, deep sleep)â€�):—One of the eleven epithets of Rudra, as adressed to in the second chapter of ÅšrÄ«-rudram. These names represent his various attributes.
2) °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) is the Sanskrit name of a deity presiding over KailÄsa, one of the sixty-eight places hosting a ²õ±¹Äå²â²¹³¾²ú³ó³Ü±¹²¹±ô¾±á¹…g²¹, which is one of the most sacred of ±ô¾±á¹…g²¹²õ according to the Åš²¹¾±±¹Äå²µ²¹³¾²¹²õ. The list of sixty-eight ²õ±¹Äå²â²¹³¾²ú³ó³Ü±¹²¹±ô¾±á¹…g²¹s and presiding deities (e.g., °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹) is found in the commentary on the ´³¾±°ùṇo»å»å³óÄå°ù²¹-»å²¹Å›²¹°ì²¹ by NigamajñÄnadeva. The word ±ô¾±á¹…g²¹ refers to a symbol used in the worship of Åšiva and is used thoughout Åšaiva literature, such as the sacred Ä€gamas.

Shaiva (शै�, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Purana and Itihasa (epic history)
: archive.org: Shiva Purana - English Translation°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) refers to the “slayer of the Tripurasâ€� and is used to describe Åšiva, according to the ÅšivapurÄṇa 2.5.11 (“The Godsâ€� prayerâ€�).—Accordingly, as BrahmÄ eulogized Åšiva: “O holy lord, lord of the gods, O slayer of the Tripuras (³Ù°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹), O Åšiva, O great lord, let my devotion to you remain eternal. O Åšiva, let me always remain your charioteer. O lord of the gods, O supreme lord, be favourable to me alwaysâ€�.
: Cologne Digital Sanskrit Dictionaries: The Purana Index°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•).â€�(Tripuradhvaṃsa): see Åšiva.*
- * BrahmÄṇá¸a-purÄṇa III. 23. 32; 25. 13.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Shilpashastra (iconography)
Source: Wisdom Library: Åšilpa-Å›Ästra°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) is a Sanskrit name referring to one of the eight manifestations of Unmatta, who is a form of Bhairava. According to the ¸é³Ü»å°ù²¹²âÄå³¾²¹±ô²¹, there are eight main forms of Bhairava who control the eight directions of this universe. Each form (e.g., Unmatta) has a further eight sub-manifestations (e.g., °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹), thus resulting in a total of 64 Bhairavas.
When depicting °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ according to traditional iconographic rules (Å›¾±±ô±è²¹Å›Äå²õ³Ù°ù²¹), one should depcit him (and other forms of Unmatta) having a white color and good looks; he should carry in his hands the °ì³ÜṇḲ¹, the °ì³ó±ðá¹a°ì²¹, the parigha (a kind of club) and ²ú³ó¾±á¹‡á¸¾±±èÄå±ô²¹. The word Åš¾±±ô±è²¹Å›Äå²õ³Ù°ù²¹ refers to an ancient Hindu science of arts and crafts, dealing with subjects such as painting, sculpture and iconography.
: Shodhganga: Iconographical representations of Åšiva (shilpa)1) °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) or °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹³¾Å«°ù³Ù¾± refers to one of the eighteen forms (³¾Å«°ù³Ù¾±) of Åšiva mentioned in the °Äå°ù²¹á¹‡Äg²¹³¾²¹ (±è°ù²¹³Ù¾±³¾Äå±ô²¹°ìá¹£aṇa±¹¾±»å³ó¾±-±è²¹á¹a±ô²¹): the fourth among the SiddhÄntaÅ›aivÄgamas. The forms of Åšiva (e.g., Tripura-antaka) are established through a process known as ³§Äå»åÄå°ì³ó²â²¹, described as a five-fold process of creation.
2) °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ is also listed among the ten forms (³¾Å«°ù³Ù¾±) of Åšiva mentioned in the ´¡Âá¾±³ÙÄå²µ²¹³¾²¹ (under the RaudrarÅ«pa heading): the fifth among the SiddhÄntaÅ›aivÄgamas.

Shilpashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, Å›¾±±ô±è²¹Å›Äå²õ³Ù°ù²¹) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram1) °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) refers to one of the eight Heroes (²ÔÄå²â²¹°ì²¹-²¹á¹£á¹²¹°ì²¹) associated with CandrapÄ«á¹ha (or CandrapÄ«á¹hapura), according to the ManthÄnabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess KubjikÄ.—[...] The eight Heroes (²ÔÄå²â²¹°ìÄåṣṲ¹°ì²¹): VibhÅ«ti, VaravÄ«reÅ›a, Sarvajñakamala, KÄmeÅ›a, Kaustubha, KÄmÄrta, °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹, Anaá¹…ga.
2) °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) refers to one of the “nine Siddhasâ€� belonging to the Siddhaugha (“the current of the Siddhasâ€�), as discussed in the Yogakhaṇá¸a of the ManthÄnabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess KubjikÄ.—[The seven Siddhas] are followed by the Nine Siddhas who are emanated from the deity’s radiant energy and are worshipped in the Cavity of BrahmÄ. Of these nine, three are in the sky, three are in the netherworlds and three are on the earth.—°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²� is also associated with Vibhīṣaṇa of the Divyaugha or Gurvogha (“current of the teachersâ€�) and with Anaá¹…ga of the DivyÄdivya (“divine-cum-mortal currentâ€�).

Shakta (शाकà¥à¤�, Å›Äkta) or Shaktism (Å›Äktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
General definition (in Hinduism)
: Tamil Arts Academy: TripurantakaTripurantaka images are called Tripura-samhara-murti, Tripura-sundara, Tripura-vijaya, Purari and by other names. The images may, according to texts, have 2,4,8,or 10 arms. Some texts list eight types of Tripurantaka images, the differences between them being mainly in the postures of legs and arms.
Siva as Tripurantaka should always be accompanied by his consort Gauri Uma. Of the legs only the left should be placed on the dwarf. These have symbolic as well as deep theological meanings.
The Aghora-sivacharya-paddhati, an influential text states that the image of Tripurantaka should be taken in procession on the sixth day of the annual festival.
There are several segments in the legend of Tripurantaka Siva. The Asuras of Tripura were originally worshipers of Linga but were so arrogant they were causing havoc in the worlds. The Devas performed a Vedic sacrifice called Upasad which gave them a very powerful weapon but the Devas were unable to use it and so they approached Rudra to discharge the weapon.
The ultimate message of Tripurantaka legend is to worship Siva through a Linga and become Siva, meaning achieve unfettered, unbounded knowledge. "The myth of Siva is the myth of God as consciousness" says Stella Kramrisch (Manifestations of Siva p. xxiii)
Procession of Tripurantaka images are prescribed under two headings in agamic texts. One list gives the names of metal images to be taken out in Procession. For example the Suprabheda-agama gives the following list:�
- Sukhasana
- Siva seated with Uma
- Vrshabharudha
- Tripurantaka
- Nritta-murti
- Chandra-sekhara
- Ardha-nari
- Harihara
- Bhikshadana
- Kalari
- Kamantaka
- Linga-purana
Similarly all the agamas give the nature of different festivals as
- Bhiksha-yatra,
- Mriga-yatra,
- Ratha-yatra,
- Tirta-yatrea,
- and Kalyana-mahotsavas.
Languages of India and abroad
Sanskrit dictionary
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•).—m.
(-°ì²¹á¸�) A name of Siva. E. tripura, and antaka ender, destroyer: see tripuradahana .
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•).—[masculine] = ³Ù°ù¾±±è³Ü°ù²¹²µ³óÄå³Ù¾±²Ô.
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•) as mentioned in Aufrecht’s Catalogus Catalogorum:—son of Bhaá¹á¹apÄda (?): YÄcaprabandha. [Mackenzie Collection] 98.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•):—[=³Ù°ù¾±-±è³Ü°ùÄå²Ô³Ù²¹°ì²¹] [from tri-pura > tri] m. = ra-ghna, [MahÄbhÄrata ii; Harivaṃśa 1579; Åšatarudriya-upaniá¹£ad] ([interpolation]), [KathÄsaritsÄgara ciii]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary°Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹ (तà¥à¤°à¤¿à¤ªà¥à¤°à¤¾à¤¨à¥à¤¤à¤•):—[³Ù°ù¾±±è³Ü°ùÄå+²Ô³Ù²¹°ì²¹] (°ì²¹á¸�) 1. m. A name of Shiva.
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (²õ²¹á¹ƒs°ìá¹›t²¹³¾), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Tri, Tripura, Antaka.
Starts with: Tripurantakalakshana, Tripurantakamurti, Tripurantakara, Tripurantakashivapuja.
Full-text (+13): Tiripurantakan, Tripurantakalakshana, Tripurantakamurti, Yacaprabandha, Mrigayatra, Purari, Puraristhapana, Dindin, Dindi, Alidhasana, Sarvajnakamala, Varaviresha, Chakranarayana, Brihadishvara, Unmatta, Kamarta, Kailasa, Somaskandasthapana, Candrashekharasthapana, Lingodbhavapratishtha.
Relevant text
Search found 34 books and stories containing Tripurantaka, Tripura-antaka, °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹, Tri-purantaka, Tri-purÄntaka; (plurals include: Tripurantakas, antakas, °Õ°ù¾±±è³Ü°ùÄå²Ô³Ù²¹°ì²¹s, purantakas, purÄntakas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The history of Andhra country (1000 AD - 1500 AD) (by Yashoda Devi)
Part 20 - Vijayagandagopala (A.D. 1250-1285) < [Chapter XII - The Pallavas]
Part 3 - Tripurari Deva (A.d. 1271-1273) < [Chapter XIX - The Kayasthas (A.D. 1220-1320)]
Part 2 - Jannigadeva (A.D. 1258-1271) < [Chapter XIX - The Kayasthas (A.D. 1220-1320)]
Kashyapa Shilpa-shastra (study) (by K. Vidyuta)
7. Favourable Directions for Installing the Åšiva MÅ«rtis < [Chapter 3 - PrÄkÄra Laká¹£aṇa]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Prayogamanjari and Saivagamanibandhana (Study) (by R. Suthashi)
Description of Tripurantaka-Murti < [Chapter 4 - Anthropomorphic forms of Shiva in Kerala Tantric works]
Silparatna of Srikumara (summary) < [Chapter 1 - Introduction]
Srikara Bhashya (commentary) (by C. Hayavadana Rao)
The Structural Temples of Gujarat (by Kantilal F. Sompura)
4.16. Temples built during the reign of Bhima II (A. D. 1178-1242) < [Chapter 4 - Structural temples of the Caulukyan period (942-1299 A.D.)]
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