Recitation: 1 definition
Introduction:
Recitation means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Purana and Itihasa (epic history)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana1) Recitation (in Sanskrit: ±Ê³ÜṣṲ¹°ì²¹±¹Ä峦²¹²Ô²¹) refers to one of the “sixty four kinds of Artâ€�, according to the Kamasutra of Vatsyayana.—Indian tradition, basically includes sixty four Art forms are acknowledged. The history of Indian Art covers approximately five thousand years which presents a rich and almost continuous record. The references of sixty four kinds of Kala (कलà¤�, °ì²¹±ôÄå) are found in the Bhagavatapurana, Shaiva-Tantras, Kamasutra of Vatsyayana etc.
2) Recitation of verse (in Sanskrit: DhÄraṇamÄtá¹›kÄ) was considered as another one of the “sixty four kinds of Artâ€�.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
See also (Relevant definitions)
Full-text (+928): Nigada, Nyunkha, Vacana, Svastyayana, Divakirtya, Svadhyaya, Japa, Ukthapatra, Stotra, Pariplaviya, Japamala, Astava, Duhshasta, Nipatha, Anuvacana, Sthitapathya, Padapatha, Uccarana, Brahmayajna, Suktavaka.
Relevant text
Search found 335 books and stories containing Recitation, Recitations; (plurals include: Recitations, Recitationses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Some Important Shiksha Vedangas (study) (by Mala Laha)
Part 5 - Process of Good recitation < [Chapter 1 - PÄṇinÄ«ya Åšiká¹£Ä]
Part 6 - Symbolic representation of accent < [Chapter 2 - YÄjñavalkya Åšiká¹£Ä]
Mahabharata (English) (by Kisari Mohan Ganguli)
Section CXCIX < [Mokshadharma Parva]
Section CC < [Mokshadharma Parva]
Section CXCVI < [Mokshadharma Parva]
Guhyagarbha Tantra (with Commentary) (by Gyurme Dorje)
Introduction 2.2: Making of offerings to the Maṇá¸ala < [Chapter 9 (Text And Commentary)]
Text 5.8 (Commentary) < [Chapter 5 (text and commentary)]
Text 7.2 (Commentary) < [Chapter 7 (text and commentary)]
Harivamsha Purana (by Manmatha Nath Dutt)
Chapter 42 - The Gods Go to Kashyapa < [Book 3 - Bhavishya Parva]
Chapter 48 - The Fruits of the Recitation of the Bharata < [Book 3 - Bhavishya Parva]
Chapter 49 - The Fruits of the Recitation of Harivamsha < [Book 3 - Bhavishya Parva]
Buddhist Education in Thailand (critical study) (by Smitthai Aphiwatamonkul)
4. Buddhist Sacred Recitation in Thailand < [Chapter 4 - Role of the Buddhist Education in The Thai Society]
2.3. Life of a Buddhist Monk in Thailand < [Chapter 4 - Role of the Buddhist Education in The Thai Society]
2.1. Popular Buddhism in Thailand: Activities < [Chapter 4 - Role of the Buddhist Education in The Thai Society]
Skanda Purana (by G. V. Tagare)
Chapter 52 - The Story of DÄ«rghatapas < [Section 3 - RevÄ-khaṇá¸a]
Chapter 3 - Dialogue between ParÄ«ká¹£it and Uddhava < [Section 6 - BhÄgavata-mÄhÄtmya]
Chapter 193 - The Greatness of ÅšrÄ«pati TÄ«rtha < [Section 3 - RevÄ-khaṇá¸a]
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