Parivaradevata, ʲ𱹲ٲ, ʲ𱹲, Parivara-devata: 5 definitions
Introduction:
Parivaradevata means something in Hinduism, Sanskrit, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Shilpashastra (iconography)
Source: Wisdom Library: Elements of Hindu IconograpyIn a ⲹԲ temple of Subrahmaṇya there are required to be set up eight 貹-𱹲ٲ, namely,
- ۲ṣeԻ,
- ṣaԻ,
- ʾś峦Ի,
- ūٲ�,
- Gandharva,
- Kinnara,
- Daityanāyaka and
- Բ貹.
The figures of these are to be placed on the eight cardinal points of the ; Yakṣendra being on the east, Rākṣasendra on the south-east and so on. These Parivāra-devatās are to be sculptured as having two or four arms and they should be of dark complexion and terrific look. If they have four arms, two of the hands are to be held in the varada and the abhaya poses, while the remaining two should carry the ḍg and the ṭa첹. But if they have only two arms, the hands should keep the ḍg and the ṭa첹.
The ܳ-ٲԳٰ mentions a much larger number of 貹-𱹲; eight, twelve, sixteen or thirty-two devatas are prescribed in it. If eight devatas are to be set up, we are told that
- on the east, facing the deity, should be the figure of an elephant;
- on the south-east, Śāsta;
- in the south, Brahmā;
- on the south-west, the Sapta-mātṛkās;
- on the west, Jyeṣṭhā;
- on the north-west Durgā;
- on the north, Kṣetrapa
- and on the north-east, Sumitraka.
The names of the 貹-𱹲ٲ of the groups of twelve are:
- the elephant,
- ūⲹ,
- Śٲ,
- ,
- Yama,
- ٲ-ṛk,
- ղṇa,
- Agastya,
- ٳܰ,
- 岹,
- Śrīśa and
- Sumitra.
The following are the names of the sixteen 貹-𱹲:�
- the elephant,
- ,
- Agastya,
- 岹,
- Sumitraka,
- Śܰ,
- ṛh貹پ,
- ٳܰ,
- پī,
- 徱ī,
- Dhandra,
- ūⲹ,
- Śٲ,
- Ѳṣmī,
- Bhāratī and
- the Sapta-mātṛkās.
To make up the thirty-three 貹-𱹲ٲ, the following are added to the above mentioned sixteen deities, namely, the
- ṣṭ-徱첹,
- Sudeha,
- ܰś,
- Sukukha,
- ṛṅ,
- ܰ쾱,
- ṣṭ
- (vakra ?),
- ṛṅ
- (Bhṛgu ?),
- ٲṣa-ʰ貹پ,
- ī,
- Śܰ,
- ū,
- ṣṭ
- and two others.
ʲ𱹲 (परिवारदेवत�) refers to the “subsidiary deities�, as discussed in chapter 10 (Kriyāpāda) of the ʲ峾ṃh: the most widely followed of Saṃhitā covering the entire range of concerns of Pāñcarātra doctrine and practice (i.e., the four-fold formulation of subject matter�ñԲ, yoga, and ) consisting of roughly 9000 verses.—Description of the chapter [貹徱𱹲-첹貹Բ]: [...] In each of the five courtyards it is proper to install certain aspects of the Lord [貹𱹲]. For examples, Garuḍa, Viṣvaksena, Śaṅkara, Kṣetrapāla, Ṣaṇmukha, etc., are in the first courtyard (94-99); ūⲹ, Candra, Hayagrīva, and others will be located in the second courtyard (100-105); the twelve Ādityas, Manmatha, the Pitṛgaṇas, Gaṇeśa, etc., will be found in the third courtyard (106-1102); Upendra, the Gaṇadevatās, etc., will be placed in the fourth courtyard (110b-144a—no mention is made of the fifth courtyard).
Also see chapter 22 (貹-—“rules regarding the attendant deities�): Iconometry continues, this chapter being given over to rules for the attendant deities [貹𱹲]: Hayagrīva (2b-8a), Garuḍa (8b-12a), Sūrya (12b-14), Soma (15), Kāma (16-18a), Gajānana (18b-20), Ṣaṇmukha (21-27a), Dhanada (27b-31a), Rudra (31b-33), Kṣetrapāla (34-35), Viṣvaksena (36-41), Brahmā (42), Vīrabhadra (43a), Vināyaka (43b-44a), Ajāmukha (44b-46), Āditya (47), Pitṛs (48) and Viśvedeva (49a). Also continuing the list are the following: Saptarṣis, Rudra貹, Viṣṇupārṣada, Upendra, the Aśvinīs, Indra and the other guardians of the cosmic directions (49-61а). Then the discussion turns to the vehicles of the gods, namely Brahmā’s Swan and Rudra’s Ox, etc. (61b-64).
: Shodhganga: The significance of the mūla-beras (śilpa)ʲ𱹲ٲ (परिवारदेवत) refers to the “gods related in a family� whose images are found scattered within Hindu temples.—T. A. Gopinath Rao points out the specificities of each temple by saying that each temple is filled with numerous images of gods, goddesses, 貹-𱹲ٲ (gods related in a family), devas (attendants to the gods), ś峾 (cakra–an ammonite shell), Բṅg (egg-shaped pebbles), yantras (mystic and magical diagrams engraved upon metallic plates), navagrahas (the nine planetary divinities), certain divine animals and birds, certain holy rivers, tanks, trees and sepulchers of saints.

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Pancaratra (worship of Nārāyaṇa)
: archive.org: Catalogue of Pancaratra Agama Texts1) ʲ𱹲 (परिवारदेवत�) refers to a group of deities situated in the courtyard of temples, as discussed in the fifteenth chapter of the 辱ñᲹṃh: a Pāñcarātra work consisting of 1550 verses dealing with a variety of topics such as worship in a temple, choosing an Ācārya, architecture, town-planning and iconography. Description of the chapter [-]:—[...] The location of the 貹𱹲s in the various courtyards is given (38b-50). Snānāsana is to be offered to the Lord—and this is explained in detail (toothbrush, tongue-scraper, etc.) (51-55)—after which the Lord is adorned [ṅkԲ] and offered the honors of flowers, food, etc. Only when this is done is worship directed to 貹𱹲s allowed. The liturgical routine closes with a fire-ritual, verses of praise addressed to the Lord, bali-offerings, and other nityotsava-activities. After all is done, and before darkness descends, the doors of the temple are to be closed and the Ācārya is to go home (56-64).
2) ʲ𱹲 (परिवारदेवत�) refers to the “Lord’s retinue� (placed in the temple-compound), as discussed in chapter 5 of the Indrarātra section of the Բٰܳṃh: an encyclopedic Sanskrit text written in over 3500 verses dealing with a variety of topics such as yoga, temple-building, consecration ceremonies, initiation and dhanurveda (martial arts).—Description of the chapter [貹-ⲹ]: Sanatkumāra notes that the members of the retinue of the Lord differ according to the posture in which He is to be found sitting or standing—and in each case he gives three alternative sets of retinue-members classed according to “good,� “better,� and “best�. Further, the placement of the 貹𱹲s will be different according to whether one is referring to those in the immediate presence of the Lord or around the temple precincts. [...]

Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
India history and geography
: Harmonia Journal: 8th Century Musical Instrument on Kalasan Temple’s Reliefʲ𱹲 (परिवारदेवत�) refers to a “group of Gods� that are not positioned in ṛh (the temple’s main room), yet the corridor instead (Liebert, 1976, p. 214). ʲ𱹲 is divided into subs 貹 and main 貹. The small 貹 have specific names, but their existence is not known specifically in the mythology of Indian Gods (Nugrahani, D.S, 2009, p. 9).

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
See also (Relevant definitions)
Partial matches: Devata, Parivara.
Starts with: Parivaradevatapuja.
Full-text (+54): Vishvaksena, Parivaradevatapuja, Upendra, Surya, Pitri, Ajamukha, Kshetrapala, Gajanana, Rudraparivara, Vishnuparshada, Kama, Garuda, Dhanada, Virabhadra, Vinayaka, Shanmukha, Saptarshi, Vishvedeva, Brahma, Vainateyamudra.
Relevant text
Search found 10 books and stories containing Parivaradevata, ʲ𱹲ٲ, ʲ𱹲, Parivara-devata, Parivāra-devata, Parivāra-devatā, Parivara-devatas, Parivaradevatas; (plurals include: Parivaradevatas, ʲ𱹲ٲs, ʲ𱹲s, devatas, devatās, devatases, Parivaradevatases). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Middle Chola Temples (by S. R. Balasubrahmanyam)
Mahamandapa and Mukhamandapa < [Tanjavur/Thanjavur (Rajarajesvaram temple)]
Temples in Tirumangalam < [Chapter II - Temples of Rajaraja I’s Time]
Temples in Malur < [Chapter II - Temples of Rajaraja I’s Time]
Temples of Munnur (Historical Study) (by R. Muthuraman)
Siddhi Vinayaga shrine < [Chapter 4]
Images of Jeshta (Jyestha) < [Chapter 5]
Sub shrines < [Chapter 4]
Early Chola Temples (by S. R. Balasubrahmanyam)
Ashta Parivara Devatas < [Chapter XIII - Prasada: Component Parts]
Temples in Erumbur (Urumur) < [Chapter II - Temples of Parantaka I’s Time]
Temples in Erumbur (28th year) < [Chapter X - Historical Survey]
Samarangana-sutradhara (Summary) (by D. N. Shukla)
Chapter 58 - Meru and others, 16 Prāsādas (Meru-ādi-ṣoḍaśa Prāsāda)
Later Chola Temples (by S. R. Balasubrahmanyam)
Temples in Tidaavur (Tadavur) < [Chapter XII - Temples of Kulottunga III’s Time]
Temples in Suryanarkoyil < [Chapter II - Temples of Kulottunga I’s Time]
Isanasivagurudeva Paddhati (study) (by J. P. Prajith)
34. Description of Jambhala (rites and rituals) < [Chapter 4 - Worship of Gods and Goddesses]
30. Description of Ganapati (rites and rituals) < [Chapter 4 - Worship of Gods and Goddesses]
31. Description of Shasta (rites and rituals) < [Chapter 4 - Worship of Gods and Goddesses]
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