Nrittamurti, 狈峁泃迟补尘奴谤迟颈, Nritta-murti: 3 definitions
Introduction:
Nrittamurti means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 狈峁泃迟补尘奴谤迟颈 can be transliterated into English as Nrttamurti or Nrittamurti, using the IAST transliteration scheme (?).
In Hinduism
Shilpashastra (iconography)
Source: Wisdom Library: 艢ilpa-艣膩stra狈峁泃迟补尘奴谤迟颈 (啶ㄠ啶む啶むぎ啷傕ぐ啷嵿い啶�) refers to 鈥渄ancing aspects鈥�. It is one of the five classes of 艣颈惫补尘奴谤迟颈 (鈥榠mage of 艢iva鈥�).
狈峁泃迟补尘奴谤迟颈 refers to an image (尘奴谤迟颈) of an aspect of 艢iva. 狈峁泃迟补 literally means 鈥渄ancing鈥�. The P奴rva-k膩ra峁嚹乬ama states that the figures of 艢iva in the 苍峁泃迟补-尘奴谤迟颈 aspect should have near them the figure of the Devi. The colour, according to the 碍腻谤补峁嚹乬补尘补, of the 苍峁泃迟补-尘奴谤迟颈 aspect of 艢iva is to be white.
Shilpashastra (啶多た啶侧啶ざ啶距じ啷嵿い啷嵿ぐ, 艣ilpa艣膩stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Shaivism (Shaiva philosophy)
: Shodhganga: Iconographical representations of 艢iva1) 狈峁泃迟补尘奴谤迟颈 (啶ㄠ啶む啶むぎ啷傕ぐ啷嵿い啶�) or simply 狈峁泃迟补 refers to one of the twenty-three forms (尘奴谤迟颈) of 艢iva mentioned in the 笔奴谤惫补办腻尘颈办腻驳补尘补 (辫谤补迟颈尘腻濒补办峁峁嘺惫颈诲丑颈-辫补峁璦濒补): first and foremost among the M奴l膩gama. The forms of 艢iva (e.g., 狈峁泃迟补-尘奴谤迟颈) are established through a process known as 厂腻诲腻办丑测补, described as a five-fold process of creation.
2) 狈峁泃迟补尘奴谤迟颈 is also listed among the eighteen forms (尘奴谤迟颈) of 艢iva mentioned in the 碍腻谤补峁嚹乬补尘补 (辫谤补迟颈尘腻濒补办峁峁嘺惫颈诲丑颈-辫补峁璦濒补): the fourth among the Siddh膩nta艣aiv膩gamas.
3) 狈峁泃迟补尘奴谤迟颈 is also listed among the twelve forms (尘奴谤迟颈) of 艢iva mentioned in the 厂耻辫谤补产丑别诲腻驳补尘补 (辫谤补迟颈尘腻濒补办峁峁嘺惫颈诲丑颈-辫补峁璦濒补): the tenth among the Siddh膩nta艣aiv膩gamas.
4) 狈峁泃迟补尘奴谤迟颈 is also listed among the eighteen forms (尘奴谤迟颈) of 艢iva mentioned in the 艢ilparatna (twenty-second 补诲丑测腻测补): a technical treatise by 艢r墨kum膩ra on 艢ilpa艣膩stra.
: eScholarship: The descent of scripture: a history of the Kamikagama狈峁泃迟补尘奴谤迟颈 (啶ㄠ啶む啶むぎ啷傕ぐ啷嵿い啶�) refers to 鈥溑歩va鈥檚 form as a dancer鈥�, according to the 碍腻尘颈办腻驳补尘补: an ancient 艢aiva 膧gama scripture in 12,000 Sanskrit verses dating to at least the 5th century and represented as an encyclopedic account of ritual instructions (办谤颈测腻辫腻诲补).鈥擨n modern print editions, the K膩mika-膩gama is structured in two major parts. The Uttarabh膩ga consists of 98 chapters (辫补峁璦濒补蝉) [...] Chapters 35 to 71 are mainly concerned with installation and construction rites. [...] Chapters 43 to 46 detail the installation of images of Sad膩艣iva, the Goddess, Ga峁噀艣a, and 艢iva as dancer (苍峁泃迟补尘奴谤迟颈-sth膩pana).
Shaiva (啶多啶�, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
See also (Relevant definitions)
Partial matches: Nritta, Murti.
Starts with: Nrittamurtisthapana.
Full-text: Nrittamurtisthapana, Shivamurti, Nritta, Mahisha, Tripurantaka.
Relevant text
Search found 8 books and stories containing Nrittamurti, 狈峁泃迟补尘奴谤迟颈, Nritta-murti, 狈峁泃迟补-尘奴谤迟颈, Nrttamurti, Nrtta-murti; (plurals include: Nrittamurtis, 狈峁泃迟补尘奴谤迟颈s, murtis, 尘奴谤迟颈s, Nrttamurtis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Prayogamanjari and Saivagamanibandhana (Study) (by R. Suthashi)
Description of Nritta-Murti < [Chapter 4 - Anthropomorphic forms of Shiva in Kerala Tantric works]
Cosmic dance of Siva in murals < [Iconography in Prayogamanjari and Saivagamanibandhana]
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.6 - (m) Symbology of Fire < [Volume 2 - Nampi Arurar and Mythology]
Chapter 4.6 - (e) Symbology of Malu (the axe) < [Volume 2 - Nampi Arurar and Mythology]
Chapter 1.1 - Arurar鈥檚 Language of Mythology < [Volume 2 - Nampi Arurar and Mythology]
Semantic Attitudinisation < [July 鈥� September, 1985]
Dance Traditions of South India < [May-June 1935]
Hindu Architecture in India and Abroad (by Prasanna Kumar Acharya)
A Summary of the Amsumad-Bheda of Kasyapa < [Chapter 4 - Shilpa Shastras]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
16. Notes and References for chapter 2 < [Chapter 2 - Dance in the Puranas]
Pallava period (Social and Cultural History) (by S. Krishnamurthy)
Shaivism during the Pallava period < [Chapter 3 - Socio-Religious Life]
Coiffure of Men < [Chapter 4 - Material Culture of the People]
Scheme of Pallava Sculptures < [Chapter 2 - Origin of Sculptural Art鈥擨ts Development and Scheme]
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