Nagabandha, 狈腻驳补产补苍诲丑补, Naga-bandha, Nagabamdha: 9 definitions
Introduction:
Nagabandha means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: archive.org: The mirror of gesture (abhinaya-darpana)狈腻驳补产补苍诲丑补 (啶ㄠぞ啶椸が啶ㄠ啶�).鈥擮ne of the 蝉补峁儁耻迟迟补-丑补蝉迟腻苍颈 (Twenty-four combined Hands).鈥擭膩ga-bandha (serpent-tie): Sarpa-艣墨r峁 hands are crossed. Usage: 苍腻驳补-产补苍诲丑补, pairs of snakes, bower, Atharva Veda spells.
: Shodhganga: The significance of the m奴la-beras (natya)狈腻驳补产补苍诲丑补 (啶ㄠぞ啶椸が啶ㄠ啶�) is one of the six divisions of 蝉迟丑腻苍补办补, one of the nine 尘补峁囜笉补濒补 (postures of the feet) which in turn represents one of the four 鈥渕ovements of the feet鈥� (辫腻诲补) according to the Abhinayadarpa峁嘺. 狈腻驳补产补苍诲丑补-蝉迟丑腻苍补办补 (the standing posture in which the two legs are intertwined and the two hands are likewise twisted) is found in images but there is no label or term given for that pose in iconography. In a few 办补谤补峁嘺蝉 of 艢iva, this posture of the feet is found.
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)狈腻驳补产补苍诲丑补 (啶ㄠぞ啶椸が啶ㄠ啶�) refers to one of the twenty-four 痴补谤迟补苍腻蝉 (鈥渕ovements of the arm鈥�), discussed in Kallin膩tha鈥檚 commentary on Sa峁単istaratn膩kara of 艢膩r峁単adeva (1953: Vol. IV: p.105).鈥擪allin膩tha says that in spite of 艢膩r峁単adeva not having mentioned these, he will describe the 惫补谤迟补苍腻蝉 which have been expounded by Kohala. He proceeds to give a quotation of Kohala from the work Sa峁単墨tameru which gives the definitions of twenty four kara-惫补谤迟补苍腻蝉. In addition to these 惫补谤迟补苍腻蝉 another set of seven have also been mentioned. These are [for example, 狈腻驳补产补苍诲丑补] [...] Kohala says that in the case of these 惫补谤迟补苍腻蝉, their names themselves make their 濒补办峁峁嘺 clear and therefore he has mentioned only their names.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
: De Gruyter: Himalayan Anthropology: The Indo-Tibetan Interface狈腻驳补产补苍诲丑补 (啶ㄠぞ啶椸が啶ㄠ啶�) refers to the 鈥渄ivine serpent鈥檚 flask鈥� and forms part of the ceremonial circle of the 办补濒补艣补-辫奴箩腻 (during which the projected divinity descends into the 办补濒补艣补鈥攆lask), according to William Stablein鈥檚 A Descriptive Analysis of the Content of Nepalese Buddhist Pujas as a Medical-Cultural System (with References to Tibetan Parallels).鈥擳丑别 tshog shin (sacred tree) is also mentally visualized.鈥擳he 蝉补峁僰补濒辫补 [intention] of the 辫奴箩腻 becomes an 腻惫腻丑补苍补 [call] for the projected divinity to descend in the 办补濒补艣补 [flask]. [...] The Ceremonial Circle of the 办补濒补艣补辫奴箩腻 consists of, e.g., [...] (6) 狈腻驳补产补苍诲丑补-尘补峁囜笉补濒补 [of the divine serpent鈥檚 flask]]. [...]
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha鈥檚 words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (惫补箩谤补测腻苍补) are collected indepently.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary狈腻驳补产补苍诲丑补 (啶ㄠぞ啶椸が啶ㄠ啶�).鈥�
1) a snake as a chain.
2) Name of a metre, resembling the coilings of a snake.
Derivable forms: 苍腻驳补产补苍诲丑补岣� (啶ㄠぞ啶椸が啶ㄠ啶о).
狈腻驳补产补苍诲丑补 is a Sanskrit compound consisting of the terms 苍腻驳补 and bandha (啶え啷嵿ぇ).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 狈腻驳补产补苍诲丑补 (啶ㄠぞ啶椸が啶ㄠ啶�):鈥擺=苍腻驳补-产补苍诲丑补] [from 苍腻驳补] m. a snake as a chain or fetter, [Kath膩sarits膩gara]
2) [v.s. ...] Name of a metre resembling the coilings of a s掳, [Prat膩parudr墨ya] (cf. -辫腻艣补).
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusN膩gaba峁僤ha (嗖ㄠ簿嗖椸铂嗖傕钵):鈥�
1) [noun] = 嗖ㄠ簿嗖椸勃嗖距捕嗖曕舶嗖� [nagapashakarana].
2) [noun] a kind of lock in wrestling.
3) [noun] (fig.) a difficult condition escaping from which is very difficult.
4) [noun] (dance.) a sitting on the ground with the shank of the right foot placed on the thigh of the left foot.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Bandha, Naga.
Starts with: Nagabandhaka, Nagabandhamandala, Nagabandhavartana.
Full-text: Nagabandhamandala, Nagabandhavartana, Nalinipadmakosha, Nagapasha, Svastika, Samyutta-hastani, Angakiriyai, Vartana.
Relevant text
Search found 13 books and stories containing Nagabandha, 狈腻驳补产补苍诲丑补, Naga-bandha, N膩ga-bandha, Nagabamdha, N膩gaba峁僤ha; (plurals include: Nagabandhas, 狈腻驳补产补苍诲丑补s, bandhas, Nagabamdhas, N膩gaba峁僤has). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Page 486 < [Volume 21 (1918)]
Abhinaya-darpana (English) (by Ananda Coomaraswamy)
Chapter 13 - Twenty-four Combined Hands
Chapter 26 - Hands denoting Animals
Manasara (English translation) (by Prasanna Kumar Acharya)
Temples of Purushottama Kshetra Puri (by Ratnakar Mohapatra)
4. Benu-Madhava Temple < [Chapter 4 - Vaishnavite Temples of Purushottama Kshetra]
5. Sarva-Mangala Temple (in Puri) < [Chapter 6 - Shakta Temples of Purushottama Kshetra]
10. Syamakali Temple (in Puri) < [Chapter 6 - Shakta Temples of Purushottama Kshetra]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Description of Gati as in Sa峁単墨tamukt膩val墨 < [Chapter 2 - Concept and technique of Gati]
Description of Gati in Abhinayadarpa峁嘺 < [Chapter 2 - Concept and technique of Gati]
Temples of Munnur (Historical Study) (by R. Muthuraman)
Dwarf Gopura < [Chapter 4]
Adavalleswarar or Adavalleeswarar Temple (Architecture) < [Chapter 4]