Mandakranta, ѲԻԳ, Manda-akranta, Manda-kranta, ѲԻԳ, Mamdakramta: 12 definitions
Introduction:
Mandakranta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nṭya-śstraѲԻԳ (मन्दाक्रान्त�) is another name for Śrīdhara, which refers to a type of syllabic metre (ṛtٲ), according to the Nṭyaśstra chapter 16. In this metre, the first four, the tenth, the eleventh, the thirteenth, the fourteenth and the seventeenth syllables of a foot (岹) are heavy (guru), while the rest of the syllables are light (laghu).
⎼⎼⎼¦⎼⏑¦⏑¦⎼⎼⏑¦⎼⎼¦⏑⎼¦¦⎼⎼⎼¦⎼⏑¦⏑⏑¦⎼⎼¦⎼⎼⏑¦⎼¦¦
⎼⎼⎼¦⎼⏑¦⏑¦⎼⎼⏑¦⎼⎼¦⏑⎼¦¦⎼⎼⎼¦⎼⏑¦⏑⏑¦⎼⎼¦⎼⎼⏑¦⎼¦¦
ѲԻԳ falls in the Atyaṣṭi class of chandas (rhythm-type), which implies that verses constructed with this metre have four 岹s (‘foot� or ‘quarter-verse�) containing seventeen syllables each.
: Shodhganga: Mankhaka a sanskrit literary genius (natya)ѲԻԳ (मन्दाक्रान्त�) is the name of a Sanskrit metre (chandas) of the ṛtٲ-type (ṣaԻ岹: metres regulated by ṣa, syllabes).—The metre ѲԻԳ, containing seventeen syllables in each and every quarter and the ṇa are ma, bha, na, ta and ta. This metre is found to be employed in the Śrīkaṇṭhacarita.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Chandas (prosody, study of Sanskrit metres)
: Shodhganga: a concise history of Sanskrit Chanda literature1) ѲԻԳ (मन्दाक्रान्त�) refers to one of the 27 metres mentioned in the Suṛtٲtilaka ascribed to ṣeԻ (11th century). The Suṛtٲtilaka is a monumental work of Sanskrit prosody considered as unique in its nature. In this work ṣeԻ neither introduces any new metre nor discusses all the metres used in his time. He discusses 27 popular metres (e.g., ѲԻԳ) which were used frequently by the poets.
2) ѲԻԳ (मन्दाक्रान्त�) is the alternative name of a Sanskrit metre (chandas) mentioned by Hemacandra (1088-1173 C.E.) in his auto-commentary on the second chapter of the ԻDzԳśԲ. ѲԻԳ corresponds to Śrīdharī (according to Bharata). Hemacandra gives these alternative names for the metres by other authorities (like Bharata), even though the number of ṇa or letters do not differ.
3) ѲԻԳ (मन्दाक्रान्त�) refers to one of the 135 metres (chandas) mentioned by ñṇḍ (1794-1868 C.E.) in his ṛtٲratnvalī. ñṇḍ was a poet of both Kannada and Sanskrit literature flourished in the court of the famous Kṛṣṇarja Woḍeyar of Mysore. He introduces the names of these metres (e.g., ѲԻԳ) in 20 verses.
4) ѲԻԳ (मन्दाक्रान्त�) refers to one of the 130 varṇaṛtٲs (syllabo-quantitative verse) dealt with in the second chapter of the ṛtٲmuktvalī, ascribed to ٳܰ岹ٳٲ (19th century), author of eight Sanskrit work and patronised by Hindupati: an ancient king of the Bundela tribe (presently Bundelkhand of Uttar Pradesh). A Varṇaṛtٲ (e.g., ԻԳ) refers to a type of classical Sanskrit metre depending on syllable count where the light-heavy patterns are fixed.
5) ѲԻԳ (मन्दाक्रन्ता) refers to one of the 34 varṇaṛtٲs (syllabo-quantitative verse) dealt with in the ṛtٲmaṇimañjūṣ�, whose authorship could be traced (also see the “New Catalogus Catalogorum� XXXI. p. 7).
6) ѲԻԳ (मन्दाक्रान्त�) refers to one of the seventy-two sama-varṇaṛtٲ (regular syllabo-quantitative verse) mentioned in the 334th chapter of the Ծܰṇa. The Ծܰṇa deals with various subjects viz. literature, poetics, grammar, architecture in its 383 chapters and deals with the entire science of prosody (e.g., the ԻԳ metre) in 8 chapters (328-335) in 101 verses in total.

Chandas (छन्दस्) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.
Kavyashastra (science of poetry)
: Shodhganga: Bhismacaritam a critical studyѲԻԳ (मन्दाक्रान्त�) is the name of a Sanskrit metre (chandas) employed in the Bhīṣmacarita (Bhishma Charitra) which is a 屹ⲹ (‘epic poem�) written by Hari Narayan Dikshit.—In describing the calamity of living abroad in the rainy season, ѲԻԳ excels others. In describing the earth which has become beautiful because of rain, our poet has used ѲԻԳ metre in verse VIII.6 of the Bhīṣmacarita.

Kavyashastra (काव्यशास्त्र, 屹ⲹśٰ) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryѲԻԳ (मन्दाक्रान्त�).—Name of a metre; see App.I; सुवश� कालिदासस्य मन्दाक्रान्त� प्रवल्गत� � सदश्�- दमकस्येव काम्बोजतुरगाङ्गन� (suvaś klidsasya ԻԳ pravalgati | sadaśva- damakasyeva kmbojaturagṅgan) || According to prof. Sukumra Sen, Klidsa is the inventor of this metre.
ѲԻԳ is a Sanskrit compound consisting of the terms manda and Գ (आक्रान्त�).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryѲԻԳ (मन्दाक्रान्त�).—f.
(-Գ) A species of the Atyashti metre.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryѲԻԳٲ (मन्दाक्रान्त).—[adjective] slowly approaching; [feminine] [Name] of a metre.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) ѲԻԳٲ (मन्दाक्रान्त):—[from manda > mad] mfn. slowly advancing
2) ѲԻԳ (मन्दाक्रान्त�):—[from mandkrnta > manda > mad] f. Name of a metre (like that of the Megha-dūta), [Śrutabodha etc.]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusMaṃdkrṃta (ಮಂದಾಕ್ರಾಂತ):—[noun] (pros.) a verse of four lines, each line having five groups of three syllables each and with two long syllables at the end (—-, -uu, uuu, —u, —u, -, -, totally twenty seven prosodic units).
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English DictionaryѲԻԳ (मन्दाक्रान्त�):—n. a particular kind of meter in poetic composition;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Kranta, Akranta, Manda.
Full-text: Bharakranta, Shridhari, Shridhara, Atyashti, Mandaka, Urdhva, Urdhvavartana, Sarasvati, Caturashra.
Relevant text
Search found 44 books and stories containing Mandakranta, ѲԻԳ, Manda-akranta, Manda-Գ, Manda-kranta, Mand-krnt, ѲԻԳ, Mand-krant, ѲԻԳٲ, Mamdakramta, Maṃdkrṃta; (plurals include: Mandakrantas, ѲԻԳs, akrantas, Գs, krantas, krnts, ѲԻԳs, krants, ѲԻԳٲs, Mamdakramtas, Maṃdkrṃtas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Annadatri-carita (study) (by Sarannya V.)
6. Poetic Beauty (a): Metre (Vritta) < [Chapter 3 - An Introduction to Annadatri-carita]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Sanskrit dramas by Kerala authors (Study) (by S. Subramania Iyer)
9. Literary estimate of the Ashcharya Chudamani < [Chapter 4: Ascaryacudamani (Ashcharya Chudamani) (Study)]
7. Literary Estimate of the Pradyumna Abhyudaya < [Chapyer 5: Pradyumnabhyudaya (Pradyumna Abhyudaya) (study)]
1. Purnasarasvati (Identification and Biography) < [Chapter 7: Kamalinirajahamsa (Kamalini Rajahamsa) (Study)]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 6.2 - Metres Employed in the Mlatīmdhava < [Chapter 2 - Literary Study of the Mlatīmdhava]
Literary Study (Conclusion) < [Chapter 2 - Literary Study of the Mlatīmdhava]
Mudrarakshasa (literary study) (by Antara Chakravarty)
2.13. Use of ѲԻԳ metre < [Chapter 4 - Employment of Chandas in Mudrrkṣasa]
3. Conclusion < [Chapter 4 - Employment of Chandas in Mudrrkṣasa]
Vasudevavijaya of Vasudeva (Study) (by Sajitha. A)
Metres used in Vsudevavijaya < [Chapter 4 - Vsudevavijaya—A Literary Appreciation]