Gandharva, ³ÒÄå²Ô»å³ó²¹°ù±¹²¹, Gamdharva, Gamdharvadurve: 52 definitions
Introduction:
Gandharva means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, the history of ancient India, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Purana and Itihasa (epic history)
: Wisdom Library: VarÄha-purÄṇaGandharva (गनà¥à¤§à¤°à¥à¤�).—One of the nine divisions of BhÄrata, a region south of mount Meru, according to the ³Õ²¹°ùÄå³ó²¹±è³Ü°ùÄåṇa chapter 74. Gandharva is surrounded by an ocean (²õÄå²µ²¹°ù²¹) and is one thousand yojanas in extent. Meru is one of the seven mountains located in JambÅ«d±¹Ä«pa, which is ruled over by Ä€gnÄ«dhra, a grandson of SvÄyambhuva Manu, who was created by BrahmÄ, who was in turn created by NÄrÄyaṇa, the unknowable all-pervasive primordial being, who was created by BrahmÄ, who was in turn created by NÄrÄyaṇa, the unknowable all-pervasive primordial being.
: Google Books: Cultural History from the VÄyu PurÄnaThe Gandharvas of the VÄyu-purÄṇa are connected with the ritual especially in connection with the chanting of the SÄmaveda. In the Vedas they are no doubt associated with the ritual and especially with Soma and not with the SÄmaveda.
: archive.org: Puranic Encyclopedia1) Gandharva (गनà¥à¤§à¤°à¥à¤�).—Gandharvas are sons born to the famous °²¹Å›²â²¹±è²¹prajÄpati of his wife, Ariá¹£á¹hÄ (Agni Puraṇa, Chapter 19). Both belonged to the race of the Devas.
2) Gandharva (गनà¥à¤§à¤°à¥à¤�).—A King born in the dynasty of Janamejaya. (BhÄgavata, Navama Skandha).
3) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ).—A marriage settled by the boy and the girl of their own accord. A love marriage. There are six different kinds of marriage: ³ÒÄå²Ô»å³ó²¹°ù±¹²¹, Ä€rá¹£a, PrÄjÄpatya, RÄká¹£asa, Ä€sura and PaiÅ›Äca. (See under VivÄha).
: Cologne Digital Sanskrit Dictionaries: The Purana Index1a) Gandharva (गनà¥à¤§à¤°à¥à¤�).—A KÄdraveya NÄga,1 lives in trees.2
- 1) BrahmÄṇá¸a-purÄṇa III. 7. 36: VÄyu-purÄṇa 61. 79: 62. 100: 69. 73: 100. 159: 101. 3 and 28: 106. 59.
- 2) BrahmÄṇá¸a-purÄṇa I. 7. 84: 8. 40.
1b) A kingdom noted for horses;1 a division of the BhÄratavará¹£a.2
- 1) BrahmÄṇá¸a-purÄṇa IV. 16. 17: Matsya-purÄṇa 114. 8: 121. 48.
- 2) VÄyu-purÄṇa 45. 79: Viṣṇu-purÄṇa II. 3. 7.
1c) A god to be worshipped in housebuilding.*
- * Matsya-purÄṇa 253. 25.
1d) The fourteenth kalpa; here GÄndhÄrasvara and NÄda came into being.*
- * VÄyu-purÄṇa 21. 32.
1e) Born of ´¡°ù¾±á¹£á¹Äå and °²¹Å›²â²¹±è²¹;1 worshipped for personal beauty;2 sent by Indra to disturb MÄrkaṇá¸eya's ³Ù²¹±è²¹á¹�;3 killed in crores by Bharata;4 other references to.5 A gaṇa moving with the sun by turns praising him;6 sang SÄma in VÄruṇÄ� yajña.7 Three steps inferior to gods; semidivine like Yaká¹£as, RÄká¹£asas and PiÅ›Äcas; frequent KailÄsa; vanquished by RÄvaṇa; Citraratha was their overlord.8 milked the earth and preserved its essence Gandha (s.v.); worship Barhiá¹£ad manes; attended with Apsaras at the yajña of Arjuna KÄrta±¹Ä«rya;9 world of;10 live in trees,11 ety. from singing;12
- 1) Matsya-purÄṇa 5. 1: 6. 29 and 45: Viṣṇu-purÄṇa I. 5. 46: 21. 25.
- 2) BhÄgavata-purÄṇa II. 3. 6.
- 3) Ib. XII. 8. 16.
- 4) Ib. IX. 11. 13.
- 5) Ib. IV. 6. 9: V. 1. 8; VI. 7. 3; VII. 7. 50; 8. 38; X. 3. 6: 4. 11: 25. 31: 55. 23: 62. 19; 85. 41; XI. 6. 3: 12. 3: 14. 5: 16. 33: 31. 2: XII. 11. 47: BrahmÄṇá¸a-purÄṇa IV. 1. 155: 2. 26: 4. 2: 9. 77: 15. 24: 20. 48 and 101: 33. 15: 39. 56.
- 6) BrahmÄṇá¸a-purÄṇa II. 23. 27 and 50: 32. 1-2: 35. 191.
- 7) BrahmÄṇá¸a-purÄṇa III. 1. 25.
- 8) BrahmÄṇá¸a-purÄṇa III. 7. 167-70, 255: 8. 10: 10. 37: 24. 59. IV. 36. 16: Matsya-purÄṇa 8. 6.
- 9) Matsya-purÄṇa 10. 24: 13. 17; 15. 3; 37. 2 and 4: 43. 22.
- 10) Matsya-purÄṇa 78. 11: 246. 61: 247. 11.
- 11) BrahmÄṇá¸a-purÄṇa II. 7. 84: VÄyu-purÄṇa 9. 55: 21. 33: 30. 86: 33. 64: 34. 55.
- 12) BrahmÄṇá¸a-purÄṇa II.
13) VÄyu-purÄṇa 66. 73.
1f) (Mauneya) in number 60 crores, overcame the NÄgas of RasÄtala and deprived them of their jewels, etc.; ultimately defeated by Purukutsa, son of MÄndhÄta.*
- * Viṣṇu-purÄṇa IV. 3. 4-9.
2a) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ).—One of the nine divisions of BhÄratavará¹£a.*
- * BrahmÄṇá¸a-purÄṇa II. 16. 9. Matsya-purÄṇa 48. 7.
2b) A form of marriage by which Kṛṣṇa married RukmiṇÄ�, and Duá¹£yanta married ÅšakuntalÄ. Princesses usually chose their husbands.*
- * BhÄgavata-purÄṇa III. 3. 3; IX. 20. 15-16; BrahmÄṇá¸a-purÄṇa IV. 15. 5; Viṣṇu-purÄṇa III. 10. 24.
2c) The science of music; a ±¹¾±»å²âÄå; mÅ«rchanas and their laká¹£aṇas in;1 the music displayed at the court of BrahmÄ; also the music played upon by Kṛṣṇa.2
- 1) VÄyu-purÄṇa 86. 26, 36-69. Viṣṇu-purÄṇa III. 6. 28.
- 2) BhÄgavata-purÄṇa IX. 3. 30; X. 21. 5[1]; BrahmÄṇá¸a-purÄṇa III. 61. 21, 26-8.
Gandharva (गनà¥à¤§à¤°à¥à¤�) is a name mentioned in the ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (cf. I.59.7, I.65, I.61.62) and represents one of the many proper names used for people and places. Note: The ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (mentioning Gandharva) is a Sanskrit epic poem consisting of 100,000 Å›±ô´Ç°ì²¹²õ (metrical verses) and is over 2000 years old.
: Shodhganga: The saurapurana - a critical studyGandharva (गनà¥à¤§à¤°à¥à¤�) refers to the offspring of ´¡°ù¾±á¹£á¹Äå: one of thirteen of ¶Ù²¹°ìá¹£a’s sixty daughters given to °²¹Å›²â²¹±è²¹ in marriage, according to one account of ³Õ²¹á¹ƒÅ›a (‘genealogical descriptionâ€�) of the 10th century ³§²¹³Ü°ù²¹±è³Ü°ùÄåṇa: one of the various UpapurÄṇas depicting Åšaivism.—Accordingly, Daká¹£a gets married to Asikni, the daughter of PrajÄpati Viraṇa and begot sixty daughters [viz., °²¹Å›²â²¹±è²¹]. °²¹Å›²â²¹±è²¹â€™s thirteen wives are [viz., ´¡°ù¾±á¹£á¹Äå]. Gandharvas were born to ´¡°ù¾±á¹£á¹Äå.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Vaishnavism (Vaishava dharma)
: ISKCON Press: GlossaryGandharva (गनà¥à¤§à¤°à¥à¤�).—The celestial demigod dancers, singers, and musicians of the heavenly planets.
: Pure Bhakti: Bhagavad-gita (4th edition)Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to “singers and musicians from the higher planetsâ€�. (cf. Glossary page from Åš°ùÄ«³¾²¹»å-µþ³ó²¹²µ²¹±¹²¹»å-³ÒÄ«³ÙÄå).
: Pure Bhakti: Brahma-samhitaGandharva (गनà¥à¤§à¤°à¥à¤�) refers to—A class of demigods who are celestial musicians.

Vaishnava (वैषà¥à¤£à¤µ, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnuâ€�).
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: NÄá¹ya-Å›Ästra1a) Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to a group of deities to be worshipped during °ù²¹á¹…g²¹±èÅ«ÂáÄå, according to the NÄá¹yaÅ›Ästra 3.1-8. Accordingly, the master of the dramatic art who has been initiated for the purpose shall consecrate the playhouse after he has made obeisance (e.g., to gandharvas).
1b) Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to a “musicianâ€� who can be assigned the role of an assesor (±è°ùÄåÅ›²Ô¾±°ì²¹) of dramatic plays (²ÔÄåá¹a°ì²¹) according to the NÄá¹yaÅ›Ästra chapter 24. These assessors (e.g., the gandharvas) are to point out the faults of a dramatic performance (²ÔÄåá¹a°ì²¹) as well as the merits of actors (nartaka) whenever a controversy (²õ²¹á¹ƒg³ó²¹°ùá¹£a) arises among persons ignorant of the ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹.
2) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ) refers to “musical performanceâ€� composed of notes, time-measure and verbal themes, according to the NÄá¹yaÅ›Ästra chapter 28. It is a combination of vocal music and the music of instruments:—“that which is made by the stringed instruments (Äå³Ù´Ç»å²â²¹) and depends as well on various other instruments, and consists of savra (notes), ³ÙÄå±ô²¹ (time-measure) and pada (verbal theme) should be known as the ²µÄå²Ô»å³ó²¹°ù±¹²¹. As it is very much desired by gods and as it gives much pleasure to Gandharvas, it is called the ²µÄå²Ô»å³ó²¹°ù±¹²¹ (i.e. a thing belonging to Gandharvas.)â€�
³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (musical performance) is of three kinds:
- that of the notes (svara),
- that of the time-measure (³ÙÄå±ô²¹),
- that of the verbal theme (pada).
³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ, “musicâ€�).—In ancient times music is indicated by the word ²µÄå²Ô»å³ó²¹°ù±¹²¹. By later authors, however, it is called ²µÄ«³Ù²¹ or saṃ²µÄ«³Ù²�. In Vedic texts the term ²µÄå²Ô»å³ó²¹°ù±¹²¹ does not occur. We find the following musical terms: ±¹Äå»å¾±³Ù²¹ for instrumental music, ²µÄ«³Ù²¹ for vocal music and ²µÄå³Ù³ó²¹ to indicate originally religious, later on also secular musical recitations (“sprechgesangâ€�) or songs in a simple recitative style in contradistinction to the more complicated ²õÄå³¾²¹²Ô-melodies.
According to Dattilam, “in the very beginning music (²µÄå²Ô»å³ó²¹°ù±¹²¹) was given by the Self-existing One (SvayambhÅ«) to NÄrada and the other gandharvas. Then, it was duly taken down to the earth by NÄrada. A collection of notes (svara), which is based on words (pada), which is well-measured by time-measurement (³ÙÄå±ô²¹) and which is executed with attentiveness, is called music (²µÄå²Ô»å³ó²¹°ù±¹²¹).â€�
According to NÄá¹yaÅ›Ästra 28.9: “as it is very much desired by gods and as it gives much pleasure to Gandharvas, it is called the ²µÄå²Ô»å³ó²¹°ù±¹²¹ (i.e. a thing belonging to Gandharvas)â€�.
According to the Saṃ²µÄ«³Ù²¹ratnÄkara 4.2: “that, which from eternity exists as a traditional and which is always performed by celestial musicians as something which brings happiness, is what the experts call ²µÄå²Ô»å³ó²¹°ù±¹²¹â€�.
: Google Books: Saá¹…²µÄ«³Ù²¹Å›iromaṇi: A Medieval Handbook of Indian Music³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ, “classical musicâ€�).—That which master musicians (gandharva) have been performing in an unbroken tradition down to thhis dayâ€�±è°ù²¹°ì²¹°ù²¹á¹‡a songs and other compositions vased on fundamental melodic forms (²µ°ùÄå³¾²¹°ùÄå²µ²¹), modes (ÂáÄå³Ù¾±), etc.—is classical music (²µÄå²Ô»å³ó²¹°ù±¹²¹). (cf. Saá¹…²µÄ«³Ù²¹Å›iromaṇi 13.1)
: archive.org: Natya ShastraGandharva (गनà¥à¤§à¤°à¥à¤�).—Description of a women of gandharva type;—A woman who enjoys roaming in many gardens, is adorned with good nails and teeth, speaks with a smile, is slim-bodied, has a slow gait, loves sexual pleasure, is always pleased to hear music (²µÄ«³Ù²¹ and ±¹Äå»å²â²¹) and to witness dance, is careful about cleanliness of the body and has soft skin, glossy hairs and charming eyes, is known to possess the nature of a gandharva.

Natyashastra (नाटà¥à¤¯à¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Dhanurveda (science of warfare)
Source: Wisdom Library: Dhanurveda³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ) refers to a weapon (Arjuna received this weapon from tribe Tumbari (Gandharvas)). It is a Sanskrit word defined in the Dhanurveda-saṃhitÄ, which contains a list of no less than 117 weapons. The Dhanurveda-saṃhitÄ is said to have been composed by the sage Vasiá¹£á¹ha, who in turn transmitted it trough a tradition of sages, which can eventually be traced to Åšiva and BrahmÄ.

Dhanurveda (धनà¥à¤°à¥à¤µà¥‡à¤¦) refers to the “knowledge of warfareâ€� and, as an upaveda, is associated with the á¹»¶±¹±ð»å²¹. It contains instructions on warfare, archery and ancient Indian martial arts, dating back to the 2nd-3rd millennium BCE.
Shaktism (Shakta philosophy)
Source: Wisdom Library: ÅšÄktismGandharva (गनà¥à¤§à¤°à¥à¤�) refers to one of the 53 gods to be worshipped in the southern quarter and given ±èÄå²â²¹²õ²¹ (rice boiled in milk) according to the ³ÕÄå²õ³Ù³Ü²âÄå²µ²¹ rite in Åšaktism (cf. ÅšÄradÄtilaka-tantra III-V). The worship of these 53 gods happens after assigning them to one of the 64 compartment while constructing a µþ²¹±ô¾±³¾²¹á¹‡á¸²¹±è²¹. VÄstu is the name of a prodigious demon, who was killed by 53 gods (e.g., Gandharva).

Shakta (शाकà¥à¤�, Å›Äkta) or Shaktism (Å›Äktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Kavya (poetry)
: Shodhganga: The Kavyamimamsa of RajasekharaGandharva (गनà¥à¤§à¤°à¥à¤�) is the name a locality mentioned in ¸éÄåÂᲹś±ð°ì³ó²¹°ù²¹â€™s 10th-century KÄvyamÄ«mÄṃsÄ.—One of the nine parts of the BhÄratavará¹£a, in the KÄvyamÄ«mÄṃsÄ. some of the PurÄṇas mentioned it as ³ÒÄå²Ô»å³ó²¹°ù±¹²¹. In the Uttarkanda (ch - cxiii, 10-11 and cxiv-11) in ¸éÄå³¾Äå²â²¹á¹‡a described this region is the valley of the KÄbul, with a small tract of the land to the east of the Indus.

Kavya (कावà¥à¤�, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetryâ€� and natya, or ‘dramatic poetryâ€�.
Ayurveda (science of life)
Veterinary Medicine (The study and treatment of Animals)
: archive.org: The Elephant Lore of the Hindus1) Gandharva (गनà¥à¤§à¤°à¥à¤�) or Gandharvasattva refers to the “Gandharva-like characterâ€� (of certain elephants), according to the 15th century ²ÑÄå³Ù²¹á¹…g²¹±ôÄ«±ôÄå composed by NÄ«lakaṇá¹ha in 263 Sanskrit verses, dealing with elephantology in ancient India, focusing on the science of management and treatment of elephants.—[Cf. chapter 8, “on marks of characterâ€]: â€�4. A Gandharva (heavenly musician) [=gandharvasattva] they call him who has an odor like Gaertnera racemosa, ²âÅ«³Ù³ó¾±°ìÄå (kind of jasmine), abja (kind of lotus), Rottleria tinctoria, ²ÔÄå²µ²¹ (some plant), or yellow sandal; who is fond of song, has an excellent gait, and handsome tusks, eyes, temporal bosses, head, trunk, and trunk tips, and has few (or small) spots (on the body)â€�.
2) Gandharva (गनà¥à¤§à¤°à¥à¤�) of Gandharvagati refers to a type of gait for elephants, according to the 15th century ²ÑÄå³Ù²¹á¹…g²¹±ôÄ«±ôÄå.—[Cf. chapter 2, “on favorable marksâ€]: â€�12. A gait like an antelope, lion, parrot, ape, wrestler, ³ó²¹á¹ƒs²¹ or °ìÄå»å²¹³¾²ú²¹-bird shall be regarded as excellent [... gatiá¸� sadṛśÄ� Å›ubhÄ syÄt], or like a gandharva, kinnara, eagle, boar, tiger, king, Å›²¹°ù²¹²ú³ó²¹ (fabulous animal), serpent, or ³¦²¹°ì°ù²¹±¹Äå°ì²¹-²ú¾±°ù»åâ€�.
: Shodhganga: Portrayal of Animal Kingdom (Tiryaks) in Epics An Analytical studyGandharva (गनà¥à¤§à¤°à¥à¤�) (lit. “one who is a heavely singerâ€�) is a synonym (another name) for the [Female] Cuckoo (Kokila), according to scientific texts such as the Má¹›gapaká¹£iÅ›Ästra (Mriga-pakshi-shastra) or “the ancient Indian science of animals and birdsâ€� by Hamsadeva, containing the varieties and descriptions of the animals and birds seen in the Sanskrit Epics such as the Ramayana and Mahabharata.

Ä€yurveda (आयà¥à¤°à¥à¤µà¥‡à¤¦, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Ä€yurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Jyotisha (astronomy and astrology)
Source: Wisdom Library: Brihat Samhita by Varahamihira1) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ) refers to a country belonging to “AiÅ›ÄnÄ« (north-eastern division)â€� classified under the constellations of RevatÄ«, AÅ›vinÄ« and BharaṇÄ�, according to the system of °Å«°ù³¾²¹±¹¾±²ú³óÄå²µ²¹, according to the Bá¹›hatsaṃhitÄ (chapter 14), an encyclopedic Sanskrit work written by VarÄhamihira mainly focusing on the science of ancient Indian astronomy astronomy (Jyotiá¹£a).—Accordingly, “The countries of the Earth beginning from the centre of BhÄratavará¹£a and going round the east, south-east, south, etc., are divided into 9 divisions corresponding to the 27 lunar asterisms at the rate of 3 for each division and beginning from Ká¹›ttikÄ. The constellations of RevatÄ«, AÅ›vinÄ« and BharaṇÄ� represent the north-eastern consisting of [i.e., ³ÒÄå²Ô»å³ó²¹°ù±¹²¹] [...]â€�.
2) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ) refers to “singersâ€�, according to the Bá¹›hatsaṃhitÄ (chapter 15).—Accordingly, “[...] Those who are born on the lunar day of Má¹›gaÅ›irá¹£a will delight or deal in perfumes, dress, pearls, flowers, fruits, precious stones, wild beasts, birds and deer; will be Somayajis or singers (²µÄå²Ô»å³ó²¹°ù±¹²¹); will be lascivious; will be good writers or painters. [...]â€�.

Jyotisha (जà¥à¤¯à¥‹à¤¤à¤¿à¤�, Âá²â´Ç³Ù¾±á¹£a or jyotish) refers to ‘astronomyâ€� or “Vedic astrologyâ€� and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Vastushastra (architecture)
: Brill: Åšaivism and the Tantric Traditions (architecture)Gandharva (गनà¥à¤§à¤°à¥à¤�) (or Gandharvaka) refers to one of the deities to be installed in the ground plan for the construction of houses, according to the Bá¹›hatkÄlottara, chapter 112 (the ±¹Äå²õ³Ù³Ü²âÄå²µ²¹-±è²¹á¹a±ô²¹).—The plan for the construction is always in the form of a square. That square is divided into a grid of cells (padas). [...] Once these padas have been laid out, deities [e.g., Gandharva] are installed in them. In the most common pattern 45 deities are installed.
Gandharva as a doorway deity is associated with the Naká¹£atra called PÅ«rvÄá¹£Äá¸hÄ and the consequence is ²õ³Üśī±ô²¹³ÙÄå. [...] The Mayasaṃgraha (verse 5.156-187) describes a design for a 9-by-9-part pura, a residential complex for a community and its lead figure. [...] This record lists a place for singers at Gandharva.

Vastushastra (वासà¥à¤¤à¥à¤¶à¤¾à¤¸à¥à¤¤à¥à¤�, vÄstuÅ›Ästra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Shilpashastra (iconography)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to a certain class of personalities which follows specific guidelines in the tradition of ancient Indian Painting (citra), according to the ViṣṇudharmottarapurÄṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—In the ViṣṇudharmottarapurÄṇa, the rules of Painting of different classes have been elaborately discussed. According to this work, the personalities like [e.g., Gandharva], [...] are to be drawn to project them as noble and polite. Like cloths, accessories of different character also vary in their pictures. The picture of deities and Gandharvas should be adorned with crests instead of crowns. Thus the ViṣṇudharmottarapurÄṇa establishes the fact that even in the pictures; the people belonging to different class and profession [e.g., Gandharva] were projected with specific attire so that general people can equate the picture with the practical character.

Shilpashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, Å›ilpaÅ›Ästra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Pancaratra (worship of NÄrÄyaṇa)
Source: Wisdom Library: Pancaratra (Samhita list)1) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ) is the name of an ancient PÄñcarÄtra SaṃhitÄ mentioned in the °²¹±è¾±Ã±Âá²¹±ô²¹²õ²¹á¹ƒh¾±³ÙÄå: a PÄñcarÄtra work consisting of 1550 verses dealing with a variety of topics such as worship in a temple, choosing an Ä€cÄrya, architecture, town-planning and iconography.—For the list of works, see chapter 1, verses 14b-27. The list [including ³ÒÄå²Ô»å³ó²¹°ù±¹²¹-saṃhitÄ] was said to have comprised â€�108â€� titles, these, different ²õ²¹á¹ƒh¾±³ÙÄå²õ named after different manifestations of the Lord or different teachers. They are all said to be authoritative as the ultimate promulgator of all these is the same NÄrÄyaṇa.
2) Gandharva (गनà¥à¤§à¤°à¥à¤�) or GandharvasaṃhitÄ is also mentioned in the ±Ê³Ü°ù³Üá¹£o³Ù³Ù²¹³¾²¹²õ²¹á¹ƒh¾±³ÙÄå: a PÄñcarÄtra text consisting of more than 1800 verses devoted to temple-building and the practical concerns of the PÄñcarÄtra priestly community.
3) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ) or ³ÒÄå²Ô»å³ó²¹°ù±¹²¹saṃhitÄ is also mentioned in the µþ³óÄå°ù²¹»å±¹ÄåÂá²¹²õ²¹á¹ƒh¾±³ÙÄå or “BhÄradvÄja-kaṇva-saṃhitÄâ€�: a PÄñcarÄtra text comprising some 230 Å›±ô´Ç°ì²¹²õ mainly concerned with basic details concerning temple construction and icon consecration.

Pancaratra (पाञà¥à¤šà¤°à¤¾à¤¤à¥à¤°, pÄñcarÄtra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Shaivism (Shaiva philosophy)
: Notices of Sanskrit Manuscripts: Volume 12 (1898) (shai)Gandharva (गनà¥à¤§à¤°à¥à¤�) or Gandharvatantra refers to one of the Tantras mentioned in the ²Ñ²¹³óÄå³¾´Ç°ìá¹£a-°Õ²¹²Ô³Ù°ù²¹, a Sanskrit manuscript collected in volume 12 of the catalogue “Notices of Sanskrit Manuscripts (second series)â€� by Mahamahopadhyaya Haraprasad Shastri.—The MahÄmoká¹£atantra manuscript, consisting of 3,024 Å›±ô´Ç°ì²¹²õ (metrical verses), is deposit: Dhaka, Vikramapura Majhapada, Babu Rasavihari Raya. It deals with the salvation, cosmogony (i.e., the order of cosmic regions) and contains a bibliography of Tantric literature.—The catalogue includes the term—Gandharva in its ‘subject-matter listâ€� or Viá¹£aya (which lists topics, chapters and technical terms).

Shaiva (शै�, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
General definition (in Hinduism)
: WikiPedia: HinduismGandharva (गंधरà¥à¤µ): A class of celestial beings regarded as specialists in music.
In Buddhism
Mahayana (major branch of Buddhism)
Source: Wisdom Library: Maha Prajnaparamita SastraGandharva (गनà¥à¤§à¤°à¥à¤�) refers to “divine artistsâ€� accompanying the gods according to the 2nd century MahÄprajñÄpÄramitÄÅ›Ästra (chapter XV). Accordingly, “The Gandharvas are divine artists who accompany the gods; their predispositions are gentle (³¾²¹Ã±Âá³Ü) but their merits, their qualities and their power are minimal; they are lower than the Devas and the Asuras. They are classed in the Asura destiny (asuragati), wheras the NÄgarÄjas, ‘dragon-kingsâ€�, are classed in the animal destiny (tiryaggati)â€�.
Also, “The king of the Gandharvas is called T’ong long mo (Druma) (in the °Õ²õ’i²Ô language, ‘treeâ€�). Gandharvas and Kiṃnaras habitually reside in two places: their usual residence is on the Ten-Jewel Mountain (»å²¹Å›²¹°ù²¹³Ù²Ô²¹²µ¾±°ù¾±); but sometimes in the heavens, they play music for the gods. These two types of beings are not subject to the alternations of high and low â€�.
Notes: The Gandharvas include in their ranks the heavenly musicians, Pañcasikha and SÅ«riyavaccasÄ, the daughter of TimbarÅ«. In order to be reborn among the Gandharvas, it is enough to have practiced a lower form of śī±ô²¹ (DÄ«gha II). The Gandharvas form the lower group of gods (DÄ«gha II); they are the subjects of Dhá¹›trarÄá¹£tra, one of the four CÄturmahÄrÄjikadevas.
Gandharvas, together with other deities constitute the Asuras, according to chapter XLVI.—Accordingly, “great gods such as the Asuras, Kiṃnaras, Gandharvas, KumbhÄndas, Yaká¹£as, Raká¹£asas, BhÅ«tas, etc., are Asuras, and when their troops increase, those of the Devas decrease. Their power (²¹²Ô³Ü²ú³óÄå±¹²¹) and their transformations (²Ô¾±°ù³¾Äåṇa) were exercised at will. The Asura destiny is called thus because the Asuras appear at the head of a list; the others, namely, the Kiṃnaras, Gandharvas, KuṃbhÄṇá¸as, Yaká¹£as, BhÅ«tas, etc. constitute one and the same destiny with themâ€�.

Mahayana (महायान, mahÄyÄna) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many ²õÅ«³Ù°ù²¹²õ of which some of the earliest are the various PrajñÄpÄramitÄ ²õÅ«³Ù°ù²¹²õ.
Tibetan Buddhism (Vajrayana or tantric Buddhism)
Source: Wisdom Library: Tibetan Buddhism1) Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to a group of deities summoned by the YamÄntaka-mantra and mentioned as attending the teachings in the 6th century MañjuÅ›rÄ«mÅ«lakalpa: one of the largest KriyÄ Tantras devoted to MañjuÅ›rÄ« (the Bodhisattva of wisdom) representing an encyclopedia of knowledge primarily concerned with ritualistic elements in Buddhism. The teachings in this text originate from MañjuÅ›rÄ« and were taught to and by Buddha ÅšÄkyamuni in the presence of a large audience (including Gandharva).
2) Gandharva (गनà¥à¤§à¤°à¥à¤�) is also the name of a RÄÅ›i (zodiac sign) mentioned as attending the teachings in the 6th century MañjuÅ›rÄ«mÅ«lakalpa.
: archive.org: The Indian Buddhist IconographyGandharva (गनà¥à¤§à¤°à¥à¤�) refers to a group of deities commonly depicted in Buddhist Iconography, and mentioned in the 11th-century Niá¹£pannayogÄvalÄ« of MahÄpaṇá¸ita AbhayÄkara.—The Gandharva king is known by the name of PañcaÅ›ikha and his form is described as follows:—“PañcaÅ›ikha the king of the Gandharvas is yellow in colour and he plays on the ±¹Ä«á¹‡Ä� ¾±²Ô²õ³Ù°ù³Ü³¾±ð²Ô³Ùâ€�.

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (±¹²¹Âá°ù²¹²âÄå²Ô²¹) are collected indepently.
General definition (in Buddhism)
Source: Wisdom Library: BuddhismGandharva:—Part man, part horse, (similar to the Greek Centaur) they were adept in the use of musical instruments.
: WikiPedia: BuddhismA Gandharva (Sanskrit) or Gandhabba (Pali) is one of the lowest ranking devas in Buddhist theology. They are classed among the Caturmaharajikakayika devas, and are subject to the Great King Dhrtarastra, Guardian of the East. Beings are reborn among the Gandharvas as a consequence of having practiced the most basic form of ethics (Janavasabha sutta, DN.18). It was considered embarrassing for a monk to be born in no better birth than that of a gandharva.
Gandharvas can fly through the air, and are known for their skill as musicians. They are connected with trees and flowers, and are described as dwelling in the scents of bark, sap, and blossom. They are among the beings of the wilderness that might disturb a monk meditating alone.
The terms gandharva and yaksa are sometimes used for the same person; yaksa in these cases is the more general term, including a variety of lower deities.Among the notable gandharvas are mentioned (in DN.20 and DN.32) Panada, Opamanna, Nala, Cittasena, Raja. Janesabha is probably the same as Janavasabha, a rebirth of King Bimbisara of Magadha. Matali the Gandharva is the charioteer for Sakra.
In Jainism
General definition (in Jainism)
Source: Wisdom Library: JainismGandharva (गनà¥à¤§à¤°à¥à¤�).—The gandharvas are a group of deities categorised as belonging to the vyantara class of Gods (devas). The vyantaras represent a class of Gods (devas) comprising eight groups of deities that wander about the three worlds (adhaloka, madhyaloka and Å«°ù»å³ó±¹²¹±ô´Ç°ì²¹).
: Google Books: Jaina IconographyGandharva (गनà¥à¤§à¤°à¥à¤�).—A class of vyantara gods;—According to Tiloyapaṇṇatti, the ten Gandharvas are:
- ±áÄå³óÄå,
- ±á³Ü³óÅ«,
- ±·Äå°ù²¹»å²¹,
- Tumbara,
- ³ÕÄå²õ²¹±¹²¹,
- Kadamba,
- ²Ñ²¹³óÄå²õ±¹²¹°ù²¹,
- ³ÒÄ«³Ù²¹°ù²¹³Ù¾±,
- ³ÒÄ«³Ù²¹°ù²¹²õ²¹,
- ³Õ²¹Âá°ù²¹±¹Äå²Ô.
Golden in appearance, they have the Tumbaru tree as their Caitya-tree
Accordign to ÅšvetÄmbara SaṃgrahaṇÄ�-sÅ«tra, they are:
- ±áÄå³óÄå,
- ±á³Ü³óÅ«,
- Tumburu,
- ±·Äå°ù²¹»å²¹,
- Ṛṣ¾±±¹Äå»å¾±°ì²¹,
- µþ³óÅ«³Ù²¹±¹Äå»å¾±°ì²¹,
- Kadamba,
- ²Ñ²¹³óÄå°ì²¹»å²¹³¾²ú²¹,
- Raivata,
- ³Õ¾±Å›±¹Äå±¹²¹²õ³Ü,
- ³ÒÄ«³Ù²¹°ù²¹³Ù¾±,
- ³ÒÄ«³Ù²¹²â²¹Å›²¹²õ.
The Gandharvas are blackish and beautiful in appearance, have excellent physiognomy, sweet voices and adorned with crowns and neckalces. The Tumbaru tree is their herald mark.
: archive.org: The Jaina IconographyGandharva (गनà¥à¤§à¤°à¥à¤�) is the name of the Yaká¹£a accompanying °³Ü²Ô³Ù³ó²¹²ÔÄå³Ù³ó²¹: the seventeenth of twenty-four TÄ«rthaṃkaras or Jinas, commonly depicted in Jaina iconography.—Jaina tradition as preserved in their literature, has always connected the symbol of a goat with this TÄ«rthaṃkara. He has as his Yaká¹£a Gandharva and Yaká¹£iṇÄ� BalÄ (Digambara: VijayÄ). The contemporary King, who carries his Chowrie-bearer is called KuṇÄla. The tree selected by him to sit under for attaining the Kevala knowledge is Tilaka-taru.
The Digambara account makes this [Gandharva] Yaká¹£a to ride a bird and bear four hands. The symbols held in them are a snake, noose, bow etc. The ÅšvetÄmbara representation shows a swan as his vehicle and his four hands holding a Varada, noose, citrus and goad.
: archive.org: TrisastisalakapurusacaritraGandharva (गनà¥à¤§à¤°à¥à¤�) is the name of the Yaká¹£a (i.e., ÅšÄsanadevatÄs, ‘messenger-deitiesâ€�) associated with Kunthu, according to chapter 6.1 [°ì³Ü²Ô³Ù³ó³Ü²õ±¹Äå³¾¾±-³¦²¹°ù¾±³Ù°ù²¹] of Hemacandra’s 11th century Triá¹£aá¹£á¹iÅ›alÄkÄpuruá¹£acaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism.
Accordingly:—“Originating in the congregation, the Yaká¹£a Gandharva, with a ³ó²¹á¹ƒs²¹ for a vehicle, dark, with one right arm in the boon-granting position and one holding a noose, with left arms holding a citron and a goad, became the messenger-deity of ÅšrÄ« KunthunÄtha. Originating in that congregation, the goddess BalÄ, fair-bodied, with a peacock for a vehicle, with right arms holding a citron and a trident, with left arms holding a ³¾³Üá¹£aṇḳóÄ« and a lotus, always near, became the Lord’s messenger-deityâ€�.
: Encyclopedia of Jainism: Tattvartha Sutra 4: The celestial beings (deva)Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to the “musicianâ€� class of “peripatetic celestial beingsâ€� (vyantara), itself a category of devas (celestial beings), according to the 2nd-century TattvÄrthasÅ«tra 4.10. Who are the lords amongst the musician (gandharva) class of peripatetic (forest) celestial beings? GÄ«tarati and GÄ«tayaÅ›a are the two lords in the musician class of peripatetic celestial beings.

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geography
: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary³ÒÄå²Ô»å³ó²¹°ù±¹²¹.â€�(EI 28), dance and music. Note: ²µÄå²Ô»å³ó²¹°ù±¹²¹ is defined in the “Indian epigraphical glossaryâ€� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
: Singhi Jain Series: Ratnaprabha-suri’s Kuvalayamala-katha (history)Gandharva (गनà¥à¤§à¤°à¥à¤�) refers to one of the deities being worshiped in ancient India, as vividly depicted in the KathÄs (narrative poems) such as UddyotanasÅ«ri in his 8th-century KuvalayamÄlÄ (a Prakrit CampÅ«, similar to KÄvya poetry).—The Kuvalayamala (779 A.D.) is full of cultural material which gains in value because of the firm date of its composition. [...] Page 256.31-2 ff.: Here is a mixed list of 25 gods and Godlings of all religions. These were worshipped and propitiated to obtain favours. The list includes [e.g., Gandharva] [...].
: Academia: Ritual Period: A Comparative Study of Three Newar Buddhist Menarche ManualsGandharva (गनà¥à¤§à¤°à¥à¤�) refers to “heavenly musiciansâ€�, according to the â€�VÄdhÄ byaá¹� ke vidhiâ€�: the name of two manuscripts written by (1) Kathmandu-based priest, Badriratna Bajracharya and (2) Buddharatna Bajracharya from Lalitpur.—Badriratna’s text pays the most attention to the invocations of celestial bodies and other cosmologically grouped agents. The list consists of [e.g., heavenly musicians (gandharvas)]. In this list, we particularly find the dark forces that are especially adept at causing problems for women, children and, more specifically, girl children, addressed and harnessed.
: Baba Updravinath's blog: Tantra Yoga SadhanaGandharva (गनà¥à¤§à¤°à¥à¤�) or Gandharvatantra is the name of a Tantra categorized as “ViṣṇukrÄntaâ€�, and is mentioned in a (further unknown) book in the possession of Kamlesh Punyark [=ÅšrÄ« KamaleÅ›a PuṇyÄrka or शà¥à¤°à¥€ कमलेà¤� पà¥à¤£à¥à¤¯à¤¾à¤°à¥à¤•].—This book contains a detailed discussion of the basics of Tantra and opens with a list of three times sixty-four Tantras. One such text is the गनà¥à¤§à¤°à¥à¤�-तनà¥à¤¤à¥à¤°à¤®à¥ [gandharva-tantram] or गनà¥à¤§à¤°à¥à¤� [gandharva].

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionarygandharva (गंधरà¥à¤µ).—m (S) A celestial chorister. These are a class of demigods. They inhabit Swarga and form the orchestra of the principal deities. 2 fig. An extraordinary vocalist or musician.
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²µÄå²Ô»å³ó²¹°ù±¹²¹ (गांधरà¥à¤�).—n S Song, singing, vocal music.
: DDSA: The Aryabhusan school dictionary, Marathi-Englishgandharva (गंधरà¥à¤µ).â€�m A celestial chorister. Fig. An extraordinary vocalist or musician.
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²µÄå²Ô»å³ó²¹°ù±¹²¹ (गांधरà¥à¤�).â€�n Song, singing, vocal music.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryGandharva (गनà¥à¤§à¤°à¥à¤�).â€�
1) A celestial musician, a class of demi-gods regarded as the singers or musicians of gods, and said to give good and agreeable voice to girls; पतङà¥à¤—ो वाचं मनसा बिà¤à¤°à¥à¤¤à¤� ताà¤� गनà¥à¤§à¤°à¥à¤µà¥‹à¤½à¤µà¤¦à¤¦à¥à¤—रà¥à¤à¥‡ अनà¥à¤¤à¤� (pataá¹…go vÄcaá¹� manasÄ bibharti tÄá¹� gandharvo'vadadgarbhe antaá¸�) á¹»¶±¹±ð»å²¹ 1.177.2; Av.11.5.2; सोमं शौचं ददावासां गनà¥à¤§à¤°à¥à¤µà¤¶à¥à¤š शà¥à¤à¤¾à¤� गिरमà¥� (somaá¹� Å›aucaá¹� dadÄvÄsÄá¹� gandharvaÅ›ca Å›ubhÄá¹� giram) Y.1.71.
2) A singer in general; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (Bombay) 7.57.4.
3) A horse; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (Bombay) 3.
4) The musk-deer.
5) The soul after death and previous to its being born again; तसà¥à¤¯à¤¾à¤¸à¥€à¤¦à¥à¤¦à¥à¤¹à¤¿à¤¤à¤¾ गनà¥à¤§à¤°à¥à¤µà¤—ृहीता (tasyÄsÄ«dduhitÄ gandharvagá¹›hÄ«tÄ) Bá¹�. Up.3.3.1.
6) The black cuckoo.
7) The sun.
8) A sage, pious man; VÄj.32.7.
Derivable forms: ²µ²¹²Ô»å³ó²¹°ù±¹²¹á¸� (गनà¥à¤§à¤°à¥à¤µà¤ƒ).
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³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ).â€�a. (-°ù±¹Ä« f.) [गनà¥à¤§à¤°à¥à¤µà¤¸à¥à¤¯à¥‡à¤¦à¤®à¥-अणà¥� (²µ²¹²Ô»å³ó²¹°ù±¹²¹²õ²â±ð»å²¹³¾-²¹á¹�)] Relating to the Gandharvas.
-rvaá¸� 1 A singer, celestial chorister; RÄm.7.94.6.
2) One of the eight forms of marriage; गानà¥à¤§à¤°à¥à¤µà¤� समयानà¥à¤®à¤¿à¤¥à¤ƒ (²µÄå²Ô»å³ó²¹°ù±¹²¹á¸� samayÄnmithaá¸�) Y.1.61; (for explanation, see gandharva- ±¹¾±±¹Äå³ó²¹); cf. अगà¥à¤¨à¤¿à¤°à¥à¤—ानà¥à¤§à¤°à¥à¤µà¥€ पथà¥à¤¯à¤¾à¤®à¥ƒà¤¤à¤¸à¥à¤¯à¤¾ (agnirgÄndha°ù±¹Ä« pathyÄmá¹›tasyÄ) á¹»¶±¹±ð»å²¹ 1.8.6.
3) A subordinate Veda treating of music attached to the SÄmaveda; see उपवेà¤� (upaveda).
4) A horse.
-rvam The art of the Gandharvas; i. e. music, singing; कापि वेला चारà¥à¤¦à¤¤à¥à¤¤à¤¸à¥à¤� गानà¥à¤§à¤°à¥à¤µ शà¥à¤°à¥‹à¤¤à¥à¤� गतसà¥à¤� (kÄpi velÄ cÄrudattasya ²µÄå²Ô»å³ó²¹°ù±¹²¹ Å›rotuá¹� gatasya) Má¹›cchakaá¹ika 3; अयà¥� गानà¥à¤§à¤°à¥à¤µà¤§à¥à¤µà¤¨à¤¿à¤°à¤¿à¤µ शà¥à¤°à¥‚यतà¥� (aye ²µÄå²Ô»å³ó²¹°ù±¹²¹dhvaniriva Å›rÅ«yate) AvimÄrakam 3; KathÄsarit²õÄå²µ²¹°ù²¹ 12.28.
-°ù±¹Ä« 1 Speech.
2) An epithet of DurgÄ.
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionaryGandharva (गनà¥à¤§à¤°à¥à¤�).â€�m. (compare Pali gandhabbÄ, f., and Sanskrit ²µÄå²Ô»å³ó²¹°ù±¹²¹, nt., id.), music: ²Ñ²¹³óÄå±¹²â³Ü³Ù±è²¹³Ù³Ù¾± 4954 (so also Mironov; short a may be MIndic, but note gender!) = Tibetan rol mo.
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³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ).—name of a cakravartin: ²Ñ²¹³óÄå±¹²¹²õ³Ù³Ü i.153.16.
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryGandharva (गनà¥à¤§à¤°à¥à¤�).—and rba rba, I. m. A Gandharva: in epic poetry the Gandharvas are demigods inhabiting Indra's heaven, and serving as celestial musicians, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 1, 4806. Ii. f. ±¹Ä«. 1. A female Gandharva, [BhÄgavata-PurÄṇa, (ed. Burnouf.)] 4, 29, 21. 2. A mythological person, [¸éÄå³¾Äå²â²¹á¹‡a] 3, 20, 28; 29.
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³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ).—i. e. gandharva + a, I. adj., f. ±¹Ä«. 1. Referable or belonging to the Gandharvas, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 7, 6348; [¸éÄå³¾Äå²â²¹á¹‡a] 1, 29, 15. 2. m. viz. ±¹¾±±¹Äå³ó²¹, A form of marriage, that which requires only mutual agreement, [²ÑÄå²Ô²¹±¹²¹»å³ó²¹°ù³¾²¹Å›Äå²õ³Ù°ù²¹] 3, 21. 3. Musical, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 3, 8421. 4. Possessed by the Gandharvas, [³§³ÜÅ›°ù³Ü³Ù²¹] 1, 332, 21. Ii. n. Music and dance, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 13, 1427.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryGandharva (गनà¥à¤§à¤°à¥à¤�).—[masculine] [Name] of a genius, connected with Soma and the Sun; [with] apÄm = garbha; later mostly [plural] the heavenly singers.
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³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ).—[feminine] gÄndha°ù±¹Ä« belonging or peculiar to the Gandharvas, [especially] [with] ±¹¾±±¹Äå³ó²¹ or vidhi [masculine] a marriage without any ceremony; [masculine] a singer, [plural] [Name] of a people; [neuter] the art of the Gandharvas i.e. song, music.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Gandharva (गनà¥à¤§à¤°à¥à¤�):â€�m. a Gandharva [though in later times the Gandharvas are regarded as a class, yet in [Ṛg-veda] rarely more than one is mentioned; he is designated as the heavenly Gandharva (divya g, [Ṛg-veda ix, 86, 36 and x, 139, 5]), and is also called ViÅ›vÄ-vasu ([Ṛg-veda x, 85, 21 and 22; 139, 4 and 5]) and VÄyu-keÅ›a (in [plural] [Ṛg-veda iii, 38, 6]); his habitation is the sky, or the region of the air and the heavenly waters ([Ṛg-veda i, 22, 14; viii, 77, 5; ix, 85, 12; 86, 36; x, 10, 4; Atharva-veda ii, 2, 3]); his especial duty is to guard the heavenly Soma ([Ṛg-veda ix, 83, 4 and 85, 12]), which the gods obtain through his intervention ([Ṛg-veda; Atharva-veda vii, 73, 3]; cf. [Ṛg-veda i, 22, 14]); it is obtained for the human race by Indra, who conquers the Gandharva and takes it by force ([Ṛg-veda viii, 1, 11 and 77, 5]); the heavenly Gandharva is supposed to be a good physician, because the Soma is considered as the best medicine; possibly, however, the word Soma originally denoted not the beverage so called, but the moon, and the heavenly Gandharva may have been the genius or tutelary deity of the moon; in one passage ([Ṛg-veda ix, 86, 36]) the heavenly Gandharva and the Soma are identified; he is also regarded as one of the genii who regulate the course of the Sun’s horses ([i, 163, 2; x, 177, 2]; cf. [135, 5]); he knows and makes known the secrets of heaven and divine truths generally ([x, 139, 5 and 6; Atharva-veda ii, 1, 2; xx, 128, 3; VÄjasaneyi-saṃhitÄ xi, 1; xxxii, 9]); he is the parent of the first pair of human beings, Yama and YamÄ« ([Ṛg-veda x, 10, 4]), and has a peculiar mystical power over women and a right to possess them ([Ṛg-veda x, 85, 21 and 22; 40 and 41]); for this reason he is invoked in marriage ceremonies ([Atharva-veda xiv, 2, 35 and 36]); ecstatic states of mind and possession by evil spirits are supposed to be derived from the heavenly Gandharva (cf. -²µá¹›hÄ«³Ù²¹, -graha); the Gandharvas as a class have the same characteristic features as the one Gandharva; they live in the sky ([Ṛg-veda; Atharva-veda; Åšatapatha-brÄhmaṇa xiv]), guard the Soma ([Ṛg-veda ix, 113, 3; Åšatapatha-brÄhmaṇa iii; Aitareya-brÄhmaṇa i, 27]), are governed by Varuṇa (just as the Apsarasas are governed by Soma), [Åšatapatha-brÄhmaṇa xiii; ĀśvalÄyana-Å›rauta-sÅ«tra x, 7, 3], know the best medicines ([Atharva-veda viii, 7, 23; VÄjasaneyi-saṃhitÄ xii, 98]), regulate the course of the asterisms ([Atharva-veda xiii, 1, 23; BhÄgavata-purÄṇa iv, 29, 21]; hence twenty-seven are mentioned, [VÄjasaneyi-saṃhitÄ ix, 7]), follow after women and are desirous of intercourse with them ([Atharva-veda; Åšatapatha-brÄhmaṇa iii]); as soon as a girl becomes marriageable, she belongs to Soma, the Gandharvas, and Agni ([Gá¹›hyÄsaṃgraha ii, 19 f.; Pañcatantra; ³§³ÜÅ›°ù³Ü³Ù²¹]); the wives of the Gandharvas are the Apsarasas (cf. ²µ²¹²Ô»å³ó²¹°ù±¹Äå±è²õ²¹°ù²¹²õ), and like them the Gandharvas are invoked in gambling with dice ([Atharva-veda vii, 109, 5]); they are also feared as evil beings together with the RÄká¹£asas, KimÄ«dins, PiÅ›Äcas, etc., amulets being worn as a protection against them ([Atharva-veda; ³§³ÜÅ›°ù³Ü³Ù²¹]); they are said to have revealed the Vedas to VÄc ([Åšatapatha-brÄhmaṇa iii]; cf. [PÄraskara-gá¹›hya-sÅ«tra ii, 12, 2]), and are called the preceptors of the Ṛṣis ([Åšatapatha-brÄhmaṇa xi]); PurÅ«ravas is called among them ([ib.]); in epic poetry the Gandharvas are the celestial musicians or heavenly singers (cf. [Ṛg-veda x, 177, 2]) who form the orchestra at the banquets of the gods, and they belong together with the Apsarasas to Indra’s heaven, sharing also in his battles ([YÄjñavalkya i, 71; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹; Harivaṃśa] etc.; cf. [Religious Thought and Life in India p.238]); in the more systematic mythology the Gandharvas constitute one of the classes into which the higher creation is divided (id est. gods, manes, Gandharvas, [Atharva-veda xi, 5, 2]; or gods, Asuras, Gandharvas, men, [TaittirÄ«ya-saṃhitÄ vii, 8, 25, 2]; cf. [Åšatapatha-brÄhmaṇa x]; or gods, men, Gandharvas, Apsarasas, Sarpas, and manes, [Aitareya-brÄhmaṇa iii, 31, 5]; for other enumerations cf. [Nirukta, by YÄska iii, 8; Manu-smá¹›ti i, 37] [Religious Thought and Life in India p.237] [&iii, 196; vii, 23; xii, 47; NalopÄkhyÄna] etc.); divine and human Gandharvas are distinguished ([TaittirÄ«ya-upaniá¹£ad ii, 8]; the divine or Deva-Gandharvas are enumerated, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ i, 2550 ff. and 4810 ff.]); another passage names 11 classes of Gandharvas ([TaittirÄ«ya-Äraṇyaka i, 9, 3]); the chief or leader of the Gandharvas is named Citra-ratha ([Bhagavad-gÄ«tÄ x, 26]); they are called the creatures of PrajÄpati ([Manu-smá¹›ti i, 37]) or of BrahmÄ ([Harivaṃśa 11793]) or of °²¹Å›²â²¹±è²¹ ([11850]) or of the Munis ([²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ i, 2550; Harivaṃśa 11553]) or of PrÄdhÄ ([²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ i, 2556]) or of ´¡°ù¾±á¹£á¹Äå ([Harivaṃśa 234; Viṣṇu-purÄṇa i, 21]) or of VÄc ([Padma-purÄṇa]); with Jainas the Gandharvas constitute one of the eight classes of the Vyantaras]
2) Name of the attendant of the 17th Arhat of the present AvasarpiṇÄ�, [cf. Lexicographers, esp. such as amarasiṃha, halÄyudha, hemacandra, etc.]
3) a singer, [VarÄha-mihira’s Bá¹›hat-saṃhitÄ lxxxvii, 33; BhÄgavata-purÄṇa i, 11, 21]
4) the Koïl or black cuckoo, [cf. Lexicographers, esp. such as amarasiṃha, halÄyudha, hemacandra, etc.]
5) a sage, pious man, [MahÄ«dhara on VÄjasaneyi-saṃhitÄ xxxii, 9]
6) a horse, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ iii, 11762]
7) cf. [ii, 1043]
8) the musk deer (derived [from] gandha), [cf. Lexicographers, esp. such as amarasiṃha, halÄyudha, hemacandra, etc.]
9) the soul after death and previous to its being born again (corresponding in some respects to the western notion of a ghost), [cf. Lexicographers, esp. such as amarasiṃha, halÄyudha, hemacandra, etc.]
10) Name of the 14th Kalpa or period of the world, [VÄyu-purÄṇa i, 21, 30]
11) of the 21st Muhūrta, [Sūryaprajñapti]
12) of a Svara or tone (for ²µÄå²Ô»å³óÄå°ù²¹?), [Harivaṃśa ii, 120, 4]
13) m. [plural] the Gandharvas (See above)
14) m. Name of a people (named together with the GÄndhÄras), [¸éÄå³¾Äå²â²¹á¹‡a vii, 100, 10 f. and 101, 2 ff. and 11; VarÄha-mihira’s Bá¹›hat-saṃhitÄ xiv, 31]
15) ³Ò²¹²Ô»å³ó²¹°ù±¹Äå (गनà¥à¤§à¤°à¥à¤µà¤¾):—[from gandharva] f. DurgÄ, [Harivaṃśa ii, 120, 4] ([varia lectio] gÄndha°ù±¹Ä«)
16) Gandharva (गनà¥à¤§à¤°à¥à¤�):â€�(cf. [Greek] κÎνταυÏος [from] κενθαÏÏο-Ï‚.)
17) ³ÒÄå²Ô»å³ó²¹°ù±¹²¹ (गानà¥à¤§à¤°à¥à¤µ):—mf(gÄndha°ù±¹Ä«-)n. belonging or relating to the Gandharvas (especially ±¹¾±±¹Äå³ó²¹, or vidhi, the form of marriage called after the Gandharvas which requires only mutual agreement, [ĀśvalÄyana-gá¹›hya-sÅ«tra i, 6, 5; Manu-smá¹›ti; YÄjñavalkya; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ i, etc.] ; cf. gandharva-±¹¾±±¹Äå³ó²¹), [Ṛg-veda x, 80, 6; Åšatapatha-brÄhmaṇa xiv etc.]
18) relating to the Gandharvas as heavenly choristers (cf. -°ì²¹±ôÄå, -veda, etc.), [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹; Harivaṃśa] etc.
19) m. (= gandh [gana] ±è°ù²¹ÂáñÄå»å¾±, [Gaṇaratna-mahodadhi 175]) a singer, [¸éÄå³¾Äå²â²¹á¹‡a vii, 94, 6; VarÄha-mihira’s Bá¹›hat-saṃhitÄ xv, xxxii]
20) Name of a musical note, [Harivaṃśa 16291; VÄyu-purÄṇa i, 21, 30]
21) of one of the 9 divisions of BhÄrata-vará¹£a, [Viṣṇu-purÄṇa ii, 3, 7]
22) n. the art of the Gandharvas, song, music, concert, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹; Harivaṃśa] etc.
23) Name of a Tantra
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryGandharva (गनà¥à¤§à¤°à¥à¤�):â€�(°ù±¹±¹²¹á¸�) 1. m. A celestial musician; a horse; a deer; a disembodied spirit; a cuckoo; the sun; a sage; a form of marriage.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)Gandharva (गनà¥à¤§à¤°à¥à¤�) in the Sanskrit language is related to the Prakrit words: ³Ò²¹á¹ƒd³ó²¹±¹±¹²¹, Gadhavva.
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (²õ²¹á¹ƒs°ìá¹›t²¹³¾), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionary1) Gaṃdharva (गंधरà¥à¤µ) [Also spelled gandharv]:â€�(nm) mythological community of celestial musicians; a caste of singers; -[±¹¾±»å²âÄå] music; —[±¹¾±±¹Äå³ó²¹] one of the eight recognized types of marriages prescribed by the Hindu law-giver [manu], entailing mutual pledge between the lover and the beloved in the presence of respectable people.
2) GÄṃdharva (गांधरà¥à¤�) [Also spelled gandharv]:â€�(a) pertaining to or related with the gandharv community or country.
...
Kannada-English dictionary
: Alar: Kannada-English corpusGaṃdharva (ಗಂಧರà³à²µ):â€�
1) [noun] a class of gods, considered as celestial musicians.
2) [noun] a member of that class.
3) [noun] the soul after death and previous to its being born again.
4) [noun] a musician in general.
5) [noun] a horse.
6) [noun] a small, hornless deer (Moschus moschiferus) of the uplands of central Asia, the male of which secretes musk and has tusk-like upper canines; a musk-deer.
7) [noun] any of various large cuckoos (mainly either Cuculus tenuirostris or C. lathami) of the Eudynamys genus of India, that lay eggs in the nests of other birds and is noted for its characteristic soft cry; Indian cuckoo; a koel.
8) [noun] a kind of bee; a black bee.
9) [noun] the sun.
10) [noun] the art and science of combining vocal or instrumental sounds or tones in varying melody, harmony, rhythm, and timbre; music.
11) [noun] a woman in general.
12) [noun] a religious, wise man; a sage.
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GaṃdharvadÅ«rve (ಗಂಧರà³à²µà²¦à³‚ರà³à²µà³†):—[noun] = ಗಂಧರà³à²µà²—ಱà³à²•à³� [gamdharvagaruke].
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GÄṃdharva (ಗಾಂಧರà³à²�):—[adjective] of or relating to Gandharvas, a class of gods.
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GÄṃdharva (ಗಾಂಧರà³à²�):â€�
1) [noun] the art of music.
2) [noun] the art of dance.
3) [noun] an excellent horse.
4) [noun] Gandharvas, a class of gods.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English DictionaryGandharva (गनà¥à¤§à¤°à¥à¤�):—n. 1. Mythol. residents of the heavenly planets who are particularly expert in singing and music; celestial musician; a demigod; 2. a particular community of professional minstrels in Nepal;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: The, The, Te, Gandharva.
Starts with (+5): Gamdharvagaruke, Gamdharvajna, Gamdharvamsha, Gamdharvasrishti, Gamdharvavidye, Gandharvacitta, Gandharvadatta, Gandharvagana, Gandharvagraha, Gandharvagrihita, Gandharvahastadi, Gandharvahastakah, Gandharvakhanda, Gandharvamalika, Gandharvanumata, Gandharvapada, Gandharvapatni, Gandharvapratyupasthita, Gandharvaprayoga, Gandharvapsaras.
Full-text (+1177): Gandharvaveda, Gandharvavivaha, Gandharvavidya, Gandharvaloka, Gandharvacitta, Gandharvaraja, Gandharvashastra, Vishvavasu, Gandharvashala, Yuddhagandharva, Gandharvanagara, Huhu, Tumburu, Caitraratha, Gandharvakala, Gandharvatantra, Citraratha, Gandharvahasta, Gandharvapura, Haha.
Relevant text
Search found 328 books and stories containing Gandharva, ³ÒÄå²Ô»å³ó²¹°ù±¹²¹, ³Ò²¹²Ô»å³ó²¹°ù±¹Äå, Gamdharva, Gaṃdharva, Gamdharvadurve, GaṃdharvadÅ«rve, Gandharvadurve, GandharvadÅ«rve, GÄṃdharva, The gandharva; (plurals include: Gandharvas, ³ÒÄå²Ô»å³ó²¹°ù±¹²¹s, ³Ò²¹²Ô»å³ó²¹°ù±¹Äås, Gamdharvas, Gaṃdharvas, Gamdharvadurves, GaṃdharvadÅ«rves, Gandharvadurves, GandharvadÅ«rves, GÄṃdharvas, The gandharvas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Rivers in Ancient India (study) (by Archana Sarma)
3c. The Legend of VÄk in the Aitareya-brÄhmaṇa < [Chapter 3 - The Rivers in the BrÄhmaṇa Literature]
3d. The legend of VÄk in the Åšatapatha-brÄhmaṇa < [Chapter 3 - The Rivers in the BrÄhmaṇa Literature]
6. The river NarmadÄ in the PurÄṇas < [Chapter 5 - Rivers in the PurÄṇic Literature]
StrÄ«kÄmÄ vai gandharvÄá¸�. Spirit-possession, women, and initiation in Vedic India < [Volume 76 (2015)]
Yajnavalkya in the Sruti tradition of the Veda < [Volume 22 (1957)]
Traditions of transgressive sacrality (against blasphemy) in Hinduism < [Volume 78 (2017)]
Women in the Atharva-veda Samhita (by Pranab Jyoti Kalita)
2. Goddess Apsarases < [Chapter 4 - Female Deities and the Glorification of Women in the Atharvaveda]
6c. Hymns to Arouse the Passionate Love of a Woman < [Chapter 2 - The StrÄ«karmÄṇi Hymns of the Atharvaveda]
5e. Hymn to Guard a Pregnant Woman from Demoniac Forces < [Chapter 2 - The StrÄ«karmÄṇi Hymns of the Atharvaveda]
Garga Samhita (English) (by Danavir Goswami)
Verse 5.8.45 < [Chapter 8 - The Killing of Kaṃsa]
Verses 1.11.22-24 < [Chapter 11 - Description of Śrī Kṛṣṇacandra’s Birth]
Verse 5.21.16 < [Chapter 21 - The Story of ÅšrÄ« NÄrada]
Mahabharata (English) (by Kisari Mohan Ganguli)
Section CCXXXIX < [Ghosha-yatra Parva]
Section CLXXII < [Caitraratha Parva]
Section CI < [Sambhava Parva]
Puranic encyclopaedia (by Vettam Mani)
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