Eagerness: 1 definition
Introduction:
Eagerness means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Eagerness is associated with Pat膩ka-hasta: one of the twenty-two Single-hand Gestures (in Indian Dramas) (known as 补蝉补峁儁耻办迟补丑补蝉迟补蝉), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he word 辫补迟腻办补 indicates dhvaja in Sanskrit which means flag or banner. According to the Vi峁ａ箛udharmottarapur膩峁嘺 in 辫补迟腻办补-hasta, all the fingers are straightened and thumb is bent. Abhinavagupta comments in the Abhinavabh膩rat墨 that this hand posture is looked like a flag and that is why it is named as 辫补迟腻办补. The Vi峁ａ箛udharmottarapur膩峁嘺 states that the dancer uses the 辫补迟腻办补-hasta to obstruct 辫谤补丑腻谤补 i.e., strike or beat in a Dance performance. Moreover, to show the blowing of wind and raining, this hand posture is used in Dance. Sometimes eagerness is also denoted with this hand posture.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Partial matches: The, The, Eagerness, Te.
Full-text (+336): Kutuka, Vinoda, Autsukya, Kutuhala, Kautuka, Gardha, Laulya, Kautuhala, Protsaha, Utkantha, Ramhas, Lusalusa, Atilaulya, Kudya, Ghayakuta, Kakshavekshaka, Sambhrama, Lolata, Culamula, Hiranyaka.
Relevant text
Search found 163 books and stories containing Eagerness, The eagerness; (plurals include: Eagernesses, The eagernesses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Brihad Bhagavatamrita (commentary) (by 艢r墨 艢r墨mad Bhaktived膩nta N膩r膩yana Gosv膩m墨 Mah膩r膩ja)
Verse 2.4.245 < [Chapter 4 - Vaiku峁囜弓ha (the spiritual world)]
Verse 1.4.90-91 < [Chapter 4 - Bhakta (the devotee)]
Verse 2.4.236 < [Chapter 4 - Vaiku峁囜弓ha (the spiritual world)]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 11 - The five stages of action (avasth膩) < [Chapter 1 - N膩峁璦ka (critical study)]
Part 10 - Application of the Junctures (sandhi) in a Prahasana < [Chapter 3 - Prahasana (critical study)]
Part 10 - Application of the Junctures (sandhi) in a V墨th墨 < [Chapter 7 - V墨th墨 (critical study)]
Principle of Shakti in Kashmir Shaivism (Study) (by Nirmala V.)
Part 2.7 - Aunmukhya: The Preceding State of Icch膩 < [Chapter 2 - The form and functions of 艢akti in Kashmir 艢aivism]
Part 2.8 - J帽膩na and Kriy膩: The Powers with Mutual Interdependence < [Chapter 2 - The form and functions of 艢akti in Kashmir 艢aivism]
Part 2.9 - The Essential Nature of J帽膩na艣akti < [Chapter 2 - The form and functions of 艢akti in Kashmir 艢aivism]
Garga Samhita (English) (by Danavir Goswami)
Verse 3.9.39 < [Chapter 9 - The Birth of 艢r墨 Girir膩ja]
Verse 1.19.3 < [Chapter 19 - Breaking of the Two Arjuna Trees]
Verse 6.4.40 < [Chapter 4 - Journey to the City of Ku峁囜笉ina]
Amaravati Art in the Context of Andhra Archaeology (by Sreyashi Ray chowdhuri)
Buddha preaches to his mother in Heaven < [Chapter 3 - Amar膩vat墨 and the Formative Stage of the Buddhist Art]
Bhajana-Rahasya (by Srila Bhaktivinoda Thakura Mahasaya)