Arthaprakriti, 础谤迟丑补辫谤补办峁泃颈, Artha-prakriti: 7 definitions
Introduction:
Arthaprakriti means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 础谤迟丑补辫谤补办峁泃颈 can be transliterated into English as Arthaprakrti or Arthaprakriti, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra础谤迟丑补辫谤补办峁泃颈 (啶呧ぐ啷嵿ぅ啶啶班啷冟い啶�) refers to the 鈥渇ive elements of the plot鈥� representing the five means of attaining objects of the Plot, according to the N膩峁瓂a艣膩stra chapter 21.
These are the five elements of the plot (补谤迟丑补辫谤补办峁泃颈):
- 产墨箩补 (the seed),
- bindu (the vital drop),
- 辫补迟腻办腻 (the episode),
- 辫谤补办补谤墨 (the episodical incident),
- 办腻谤测补 (the action).
These five elements are connected with the five 补惫补蝉迟丑腻, or 鈥榝ive stages of the action鈥�.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Kavyashastra (science of poetry)
: Shodhganga: Bhismacaritam a critical study础谤迟丑补辫谤补办峁泃颈 (啶呧ぐ啷嵿ぅ啶啶班啷冟い啶�) refers to the 鈥渇ive elements鈥� of the plot of an epic poem.鈥擳he five 础谤迟丑补辫谤补办峁泃颈s are: 叠墨箩补, Bindu, 笔补迟腻办腻; and 碍腻谤测补.
Kavyashastra (啶曕ぞ啶掂啶ざ啶距じ啷嵿い啷嵿ぐ, 办腻惫测补艣腻蝉迟谤补) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary础谤迟丑补辫谤补办峁泃颈 (啶呧ぐ啷嵿ぅ啶啶班啷冟い啶�).鈥�f. the leading source or occasion of the grand object in a drama; (the number of these 'sources' is five :-产墨箩补峁� bindu岣� 辫补迟腻办腻 ca 辫谤补办补谤墨 办腻谤测补meva ca | arthaprak峁泃aya岣� pa帽ca j帽膩tv膩 yojy膩 yath膩vidhi S. D.317.)
Derivable forms: 补谤迟丑补辫谤补办峁泃颈岣� (啶呧ぐ啷嵿ぅ啶啶班啷冟い啶苦).
础谤迟丑补辫谤补办峁泃颈 is a Sanskrit compound consisting of the terms artha and 辫谤补办峁泃颈 (啶啶班啷冟い啶�).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary础谤迟丑补辫谤补办峁泃颈 (啶呧ぐ啷嵿ぅ啶啶班啷冟い啶�):鈥擺=artha-辫谤补办峁泃颈] [from artha] f. 鈥榯he principal thing required for a special aim鈥�, Name of the five constituent elements of a drama, [S膩hitya-darpa峁嘺; Da艣ar奴pa]
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus础谤迟丑补辫谤补办峁泃颈 (嗖呧舶喑嵿播嗖硩嗖班矔喑冟菠嗖�):鈥擺noun] the leading source or occasion of the grand object in a drama.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Artha, Prakriti.
Full-text: Karya, Bija, Prayatna, Praptisambhava, Niyataprapti, Prarambha, Phalayoga, Avastha, Prakari, Bindu, Prakara, Pataka.
Relevant text
Search found 16 books and stories containing Arthaprakriti, 础谤迟丑补辫谤补办峁泃颈, Artha-prakriti, Artha-辫谤补办峁泃颈, Arthaprakrti, Artha-prakrti, Arthaprakritis; (plurals include: Arthaprakritis, 础谤迟丑补辫谤补办峁泃颈s, prakritis, 辫谤补办峁泃颈s, Arthaprakrtis, prakrtis, Arthaprakritises). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Mudrarakshasa (literary study) (by Antara Chakravarty)
3. 础谤迟丑补辫谤补办峁泃颈s of Mudr膩r膩k峁sa < [Chapter 6 - Other Literary Estimates of Mudr膩r膩k峁sa]
5. Deliberation of the Pa帽casandhi in Mudr膩r膩k峁sa < [Chapter 6 - Other Literary Estimates of Mudr膩r膩k峁sa]
Hanuman Nataka (critical study) (by Nurima Yeasmin)
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (6): The concept of Sandhi < [Chapter 2 - Kohala as seen in citations]
Sanskrit dramas by Kerala authors (Study) (by S. Subramania Iyer)
7. Technique of the Candrikakalapida < [Chapter 9: Candrikakalapida (Chandrika-Kalapida) (Study)]
6. Technique of the Ramavarmavilasa < [Chapter 11: Ramavarmavilasa (Study)]
7. Technique of the Purnapurusarthacandrodaya < [Chapter 14: Purnapurusarthacandrodaya (Purna-Purusartha-Chandrodaya)]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Artha-Prak峁泃is (five elements of plot) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Description of V墨th墨 < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Description of Apav膩rita and Jan膩ntika < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
9. Natya or Dramaturgy < [Chapter 6 - Literature in the Puranas]