Significance of Chekanuprasa
Chekanuprasa, as defined in Kavyashastra, is a poetic ornament that embodies a unique sound pattern characterized by alliteration with duplicate phonetic sounds. This term highlights a specific method of sound play in poetry, enhancing the aesthetic appeal of the text. By incorporating such sound patterns, poets create musicality and emphasis, contributing to the overall experience of their work.
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Hindu concept of 'Chekanuprasa'
Chekanuprasa in Hinduism signifies a poetic ornamentation characterized by a play of sound patterns, specifically involving alliteration that replicates phonetic sounds, enhancing the aesthetic quality of the text.
From: Sahitya-kaumudi by Baladeva Vidyabhushana
(1) A type of alliteration based on a specific sound pattern.[1] (2) A stylistic term used to refer to a specific sound pattern or repetition in poetry.[2] (3) A type of alliteration used by experts, highlighting its association with mastery in the craft.[3] (4) Involves specific sound repetitions that include both consonants and their nasalized forms.[4] (5) A specific type of alliteration noted in the phrase 'payad apaya', highlighting the repetition of sounds.[5]
From: Malatimadhava (study)
(1) Ccekanuprasa is the single repetition of several consonants once in the same or in more than one way.[6]
From: Shishupala-vadha (Study)
(1) Another form of anuprasa used by Poet Magha in the thirty-fifth verse of the first canto.[7]