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And after all, a Sanskrit prose-romance, like medieval Euro- pean Romances, were meant to be enjoyed as a literature to be publicly listened to rather than read. And Dhanap膩la was not, and could not possibly be, expected to divorce himself of a highly approbated tradition in as much as veteran San- skrit rhetoricians of his age, such as Rudra峁璦, R膩jasekhara and especially Anandavardhana whole-heartedly recommended that the poet should never cut himself off the literary tra- 407 dition and conventions.
Moreover, any Sanskrit student well-equipped in the
essentials of P膩峁噄nian or K膩tantra system of Sanskrit gra-
mmar would not find it difficult to scent his path through
the thick of long compounds of Dhanap膩la's, or for that ma-
tter even B膩峁嘺's, prose, especially when he can requisition
a
the help of /commentator in abstruse portions which may
be found difficult due to the passage of marexthan at
least a thousand years since their composition. On the con-
trary, an adequately equipped student of Sanskrit language
having a genuine love for Sanskrit literature and oriental
scholarship would, in addition, enjoy" a true melody thin
the long, rolling compounds, a sesquipedalian majesty which
408 can never be equalled save in Sanskrit". as also the sweet
lulling music in his allierations.
407. KMR(S),XI,p. 151; 啶多が啷嵿う啶距ぐ啷嵿ぅ啷嬥�曕�嵿い啶苦し啷� 啶�啶� 啶�啷嵿ぐ啶多�嵿く啶︵た啶� 啶曕た啶炧�嵿�氞え 啶ㄠ�傕い啶ㄠぎ啷� 啷�
啶夃げ啷嵿げ啶苦�栢�� 啶む�嵿い啶苦�炧�嵿�氞え 啶�啷嵿ぐ啶距お啷嵿�� 啶�啶ㄠ�嵿く啶むぞ啶� 啶� 啶�啶灌ぞ啶曕さ啶苦�� 啷�
[艣abd膩rthokti峁�u y膩 pra艣yadita ki帽cana n奴tanam |
ullikhe tti帽cana pr膩pya manyat膩峁� sa mah膩kavi岣� ||
] ; ibid., X:
啶溹ぞ啶ㄠ��啶�啶距げ啷嵿げ啷嬥�� 啶膏ぞ啶�啷嵿ぎ啶ㄠ�嵿く啶� 啶曕さ啶苦�� 啶曕�佮い啷嵿�� 啶�啶�啷囙い啶� 啶� 啷� 啶呧じ啶�啷嵿ぎ啶� 啶�啶班た啶灌ぐ啷� 啶ㄠ�嵿ぎ啶侧��-
啶洁き啶苦え啶苦さ啶苦ざ啷囙い
啶� 啷�
[j膩n墨y膩lloka s膩mmanya峁� kavi岣� kutra mameti ca | asammata parihare nmale-
'产丑颈苍颈惫颈艣别迟补
ca ||
] ; DHL, IV, 13 d: 11-421124 (p.t.o)
DHL,IV,13