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Folklore in Cinema (study)

by Meghna Choudhury | 2022 | 64,583 words

This essay studies the relationship between folklore and cinema by placing Special emphasis on the films by Assamese filmmaker Dr. Bhabendra Nath Saikia. The research focuses on the impact of of folklore on audience engagement and exposes Assamese folktales and cinema as a cultural mirror by showing how it preserves oral literature, material cultur...

Part 3.8 - Kaal Sandhya (Twilight of Death)—Movie details

[Full title: Filmography of Dr. Bhabendra Nath Saikia (7) Kaal Sandhya (Twilight of Death), (Colour), 1997, 119 mins]

PRODUCTION

Producer: National Film Development Corporation Limited and Doordarshan,
Story, Screenplay,
Dialogue and Direction: Dr. Bhabendra Nath Saikia,
Music: Gautam
Mukherjee, Cinematography: Raju Mishra,
Editor: Ujjal Nandi.
Year of release: 1997

CAST

Jatin Bora, Ashish Vidyarthi, Nipon Goswami, Pranjal Saikia, Deboshree Roy, Mridula Barua, Nikumoni Barua, Bobita Sarma, Sagarika Goswami, Baharul Islam, Towfiq Rahman, Rajib Bhattacharya, Dr. Hemen Barman, Jayanta Das, Upakul Bordoloi, Arun Guhathakurata, Sanjeev Hazarika, Babul Kakati and Prarthana Joimini.

SCREENING

The film was screened at the International Film Festival of India in New Delhi and also as part of the Indian section at the Cairo International Film festival

PLOT SUMMARY

The film begins with newspaper headlines showing the brutal activities of insurgent groups in Assam. Ranjit, a young graduate lost in despair, was desperately in search of an income source. Unfortunately the offer which he got was to shoot one Arvind Sarma and against his will Ranjit entered into a world of bloodshed.

In Guwahati, a college professor Banajit Dutta, who was involved in writing aggressive columns in newspapers, is killed in front of his residence by some miscreants. This led to serious circumstances for Ranjit, who was arrested by the police for interrogation. His case was being looked after by DSP Biraj Choudhury. Meanwhile, the Home Minister of the state promises Prof. Dutta’s wife for a speedy inquiry into the matter. However the Minister receives threats from the insurgent group and orders stopping of the entire process of inquiry into the case of banajit Dutta. Ranjit is also released. DSP Choudhury visits Mrs. Dutta and advises her to think about her only daughter Deepa’s future instead of concentrating on the dark chapter of her life.

Deeply disturbed at all the happenings, Ranjit moves to his village and when his group members approach him, he begs to let him free. They give him some money to start his own business and warn him not to open his mouth in front of anybody. Meanwhile Mrs. Dutta joins a government job on compensatory grounds and builds a part-house for rental. DSP Choudhury asks Ranjit to move to the city and start his life afresh. He also manages Ranjit and his sister’s stay at Mrs. Dutta’s part-house. Things take a turn and Ranjit’s family comes closer to Mrs. Dutta and her daughter. Looking at the solitary and troublesome life of Mrs. Dutta, Ranjit visualizes the family of Arvind Sarma, whom he had killed. He even visits Arvind Sarma’s wife, whose life had been ruined. She has lost faith in morality and was not afraid of any punishment. Keeping her children in a boarding school, she now kept herself busy in drinking and entertaining male guests at home. Looking at this ill fate Ranjit finds it hard to forgive himself. Gradually, this mental disturbance leads him to such an extent that he desperately starts a search for the truth. He wants to know for what reason he was ordered to kill Arvind Sarma and destroy a family. Ranjit moves to one after the other source until a time when his body is seen lying in a muddy river bank.

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