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Amaravati Art in the Context of Andhra Archaeology

by Sreyashi Ray chowdhuri | 2018 | 90,477 words

This page relates ‘Dhanyakataka and other names of Amaravati� of the study on Amaravati Art in the Context of Andhra Archaeology, including museum exhibitions of the major archeological antiquities. These pages show how the Buddhist establishment of Amaravati (Andhra Pradesh) survived from 4th century BCE to 14th century CE. It includes references and translations of episodes of Buddha’s life drawn from the Avadanas and Jatakas which are illustrated in Amaravati art.

Go directly to: Footnotes.

ٳԲⲹ첹ṭa첹 and other names of 屹ī

The present geographical location of 屹ī is identical to ٳԲⲹ첹ṭa첹 frequently mentioned in several literary and epigraphical records[1]. In fact the stupa site is an adjunct of the city site of ٳԲⲹ첹ṭa첹 which is only half a kilometre from it[2]. Sometimes in inscription the name ٳԲⲹ첹ṭa첹 appears with its varied transcriptions, that is, Dhānnakaṭaka in Pali form, Dhāmnakaṭaka, Dhāmnakaḍa and Dhanakadaka in Prakrit form[3] and ٳԲⲹ첹ṭa첹 in Sanskrit form. Most of the scholars agree that the name ٳԲⲹ첹ṭa첹 might have originated from the paddy cultivation in the area[4]. The Tibetan historian Tārānatha refers to Dpal-dan-brass-spun meaning ‘accumulation of grain�[5].

The earliest name of the place as recorded in an inscription on the sculptural stele is Dhāmnaka and Dhāmnakaṭaka. Xuan Zang called it To-na-kie-tse-ki/Te-naka-che-ka (ٳԲⲹ첹ṭa첹). In later inscriptions the place is called ٳԲⲹ첹ṭa첹, ٳԲⲹkara and ٳԲⲹkapura. The ѲśīūٲԳٰ calls the place Śrī ٳԲⲹ첹ṭa첹. Narapa, the famous Գٰ첹 writer of 9th Century C.E called it Śrī ٳԲⲹ. In Buddhist literature it is mentioned as Śrī ٳԲⲹ첹ṭa첹 denoting plenitude of wealth (Śrī) and paddy(ٳԲⲹ) and prosperity as a marketing town (ṭa첹) as well as a camping site for armed forces[6]. In addition to it Sri ٳԲⲹ첹ṭa첹 is considered to be ‘the city of Gods� or ‘the abode of immortals� or ‘the city of bliss�-‘Chaityam atyunnatam Yatra 峦ٰ-ٰٲ�[7]. 屹ī has been traditionally believed to be the capital city of Indra, that is, the king of Gods[8]. In Viṣṇukuṇḍin epigraph there is reference to Indrapālanagara, another toponym of 屹ī. In addition to it, the Viṣṇukuṇḍin record also mention Amarapura, that is 屹ī. Tārānatha beautifully defines ٳԲⲹ첹ṭa첹. He states ‘to write this place, the name of which should be known even to the foolish Tibetans...was called Saddharma megha śᲹ� (In Tibetan Chos–bzamsprin-gyi yam-rdsom) that is, the castle of the cloud of faith[9].

Another nomenclature associated with the area is Dharaṇikoṭa. While mentioning about ٳԲⲹ첹ṭa첹 in Իś Xuan Zang in his Si-Yu-Ki referred to the subsects of Ѳṅg󾱰 and the whole 辱ṭa첹 of spells or ī which were preserved in ٳԲⲹ첹ṭa첹[10]. It is believed that when the region experienced ղԳٰԲ phase of Buddhism it came to be referred as Dharaṇikoṭa. The Kaifiyats, that is, the administrative records of the ṛṣṇ� and Guṇṭur districts attests that Dharaṇikoṭa was the other name of ٳԲⲹ첹ṭa첹[11]. In Sanskrit and Telegu inscriptions it is mentioned as Śrīdhānya, Śrīdhāna, ٳԲ, ٳԲkaṭaka, ٳԲⲹ첹ṭa첹, ٳԲⲹnkapuri, ٳԲⲹvaṭika, Dhannāde, Dāṃnalakoṭa, Dharaṇikoṭa etc. Śǻśṭi, a medieval Գٰ work mentions it as Śrīdhānya and in Tibetan Blue Annals it is mentioned as Śrīsthāna[12]. Later on the place came to be known as śpuram, anglicized form Amresbury in the British records after the foundation of the ś Temple (Pl 30a). It is also suggested that 屹ī is a corrupt form of Aramavati which originated from Amrārāma, one of the five ṣeٰ of Իś[13]. Thus it appears that ٳԲⲹ첹ṭa첹 and Dharaṇikoṭa was the probably the ancient name of 屹ī.

There is continuous mention of ٳԲⲹ첹ṭa첹, Dharaṇikoṭa and 屹ī in various literary and archaeological sources as an eminent religious centre and a megacity over many centuries. These records undoubtedly prove the significance of the place. In fact several benefits prompted royal dynasties to choose it as their capital or mega city. These records are significant as it indicates association of various dynasties with this region and the survival of the monument till 14th Century CE.

Footnotes and references:

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[1]:

Ramachandran A, 1996, The Cultural History of Lower ṛṣṇ� Valley, its contacts with South East Asia, Jaipur, p 39.

[2]:

Chakrabarty Dilip.K, 2006, Oxford companion to Indian Archaeology, The Archaeological Foundations of Ancient India, Stone Age to A.D 13th century,, New Delhi, p 393.

[3]:

, p 281 Lüders H, Op.cit, No. 1273, pp 151-152.

[4]:

Ramachandran A, Op.cit, p 40.

[5]:

Chattopadhyaya Debiprasad, 1970, Tārānatha’s History of Buddha, Simla, pp 301-303.

[6]:

Prasad P.R.K,1991, ‘Pre-ٲ󲹲Բ Phase at 屹ī-Dharaṇikoṭa in Shastri Ajay Mitra (ed), The Age of the ٲ󲹲Բs, vol II, New Delhi, p 328.

[7]:

Ramachandran A, Op.Cit, p 41.

[8]:

Ibid, p 41.

[9]:

Ibid, p 41.

[10]:

Sankarnarayan K, 2009, �ٳṇ�, the protective spell and ٳṇ� Pillar� in Pande Anupa (ed), The Art of Central Asia and the Indian Subcontinent in cross-cultural perspective, New Delhi, p 24.

[11]:

Ramachandran A, Op.Cit, p 41.

[12]:

Prasad P.R.K, 1991, ‘Pre-ٲ󲹲Բ Phase at 屹ī Dharaṇikoṭa� Op.Cit, p 328.

[13]:

Gupta S.S, 2008, Sculptures and Antiquities in the Archaeological Museum, 屹ī, New Delhi, p 1.

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