365bet

Amaravati Art in the Context of Andhra Archaeology

by Sreyashi Ray chowdhuri | 2018 | 90,477 words

This page relates ‘Lower Krishna Valley (12): Ramatirtham� of the study on Amaravati Art in the Context of Andhra Archaeology, including museum exhibitions of the major archeological antiquities. These pages show how the Buddhist establishment of Amaravati (Andhra Pradesh) survived from 4th century BCE to 14th century CE. It includes references and translations of episodes of Buddha’s life drawn from the Avadanas and Jatakas which are illustrated in Amaravati art.

Go directly to: Footnotes.

[Location: 峾īٳm (Lat 18010’N Long 830 30’E, Viśākhāpatnam District)]

The site [峾īٳm/峾īٳ] is located about 13 km to the north-west of Vizianagram in the Viśākhāpaṭnam district. To the north of the 峾īٳm village is a chain of hills of which Gurubhaktakoṇḍa contains the ruins of a number of Buddhist structures on its top (PL 9c)[1].

This site was first noted by R. Sewell and in 1910 several Buddhist edifices were discovered. These remains established the religious importance of the place[2].

Among several Buddhist antiquities discovered from the site the Ѳū貹 was the most notable establishment. It is 65 feet in diameter. However, only the base of the ū貹 has survived. To the east of the main ū貹 is a higher terrace with rows of brick monastic cell. To the east of the staircase leading to the lower terrace is a damaged hall with monolithic pillars. Beyond this ṇḍ貹 lies four ٲⲹṛh. The votive ū貹 inside two of them has survived[3].

Among other findings mention may be made of a lead coin and six clay seals. One of the seal bears an inscription with the legend �Siri S [i] vama [Ka?]-Vijayaraja-selasaghasa� bearing characters of 2nd century C.E. In this inscription Sivamaka Vijayarāja is generally identified with Sivamaka Sada of the 屹ī record. Thus it can be postulated that the establishment was probably patronized by Sivamaka Sada[4] and the Buddhist sect of the Ś. Very close to the structure is a tank which possibly was constructed for the collection of rain water.

Footnotes and references:

[back to top]

[1]:

Ibid, p 220.

[2]:

Das D. Jithendra, Op. cit, p 49

[3]:

Mitra Debala, Op.cit, p 221

[4]:

Gangoly O.C, 1973, Andhra Sculptures, Hyderabad, p 49

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: