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Principle of Shakti in Kashmir Shaivism (Study)

by Nirmala V. | 2016 | 65,229 words

This page relates ‘Bhairava: The All-Transcending Quintessence� of the thesis dealing with the evolution and role of Shakti—the feminine principle—within the religious and philosophical framework of Kashmir Shaivism. Tantrism represents an ancient Indian spiritual system with Shakti traditionally holding a prominent role. This study examines four major sub-streams: Kula, Krama, Spanda, and Pratyabhijnā.

Go directly to: Footnotes.

Part 2.2 - Bhairava: The All-Transcending Quintessence

[Full title: (2) De-Shaktisation trough the formulations of new concepts, treatises and sub-schools (2) Bhairava: The All-Transcending Quintessence]

The Bhairava concept in Kashmir Ś is also used as very identical to the supreme Ś. As the name indicates, he is the one with a fierce form, and is widely used as synonymous with Ś.

Note: Many definitions for this name are available in dictionaries. The following passage gives a picture of its manifold derivations.

भैरव� विश्वभरणरवणवमनस्वरूप� भीरूणामभयमित� व्युत्पत्त्य� संसारिणामभयद�, भय� भी� संसारत्रास�, तय� जनित� रव� आक्रन्दः भीरव� तत� जातः तदाक्रन्दवता� स्फुरत� अस्यैव भीरवस्� संसारभयविमर्शस्यास्य शक्तिपातवशेनोत्थापकः, भानि नक्षत्राणि ईरयत� इत� भेरः कालः तं वायन्त� इत� भेरवाः कालग्राससमाधिरसिका� योगिनः तेषामयमिति आन्तरः स्वभाव�, भिये पशुजनत्रासाय रव� शब्दराशिसमुत्थाकारादिकलाविमर्श� यासा� खेचरी-गोचरी-दिक्चरी-भुचरीचक्राणां संविद्देवीनाम् ता� भीरवाः, तासामय� स्वामी भैरव� तथ� भैरव� भीषण� संसारविघटनपर� एवमागमेष� निरुक्तत्वात� श्रीबृहस्पतिपादै� शिवतनावन्वर्थव्याख्यातस्वरूपत्वाच्� �

bhairavo viśvabharaṇaravaṇavamanasvarūpa� bhīrūṇāmabhayamiti vyutpattyā saṃsāriṇāmabhayada�, bhaya� bhī� saṃsāratrāsa�, tayā janito rava� ākranda� bhīrava� tato jāta� tadākrandavatā� sphurati asyaiva bhīravasya saṃsārabhayavimarśasyāsya śaktipātavaśenotthāpaka�, bhāni nakṣatrāṇi īrayati iti bhera� kāla� ta� vāyanti iti bheravā� kālagrāsasamādhirasikā� yogina� teṣāmayamiti āntara� svabhāva�, bhiye paśujanatrāsāya rava� śabdarāśisamutthākārādikalāvimarśau yāsā� khecarī-gocarī-dikcarī-bhucarīcakrāṇāṃ saṃviddevīnām tā� bhīravā�, tāsāmaya� svāmī bhairava� tathā bhairavo bhīṣaṇa� saṃsāravighaṭanapara� evamāgameṣu niruktatvāt śrībṛhaspatipādai� śivatanāvanvarthavyākhyātasvarūpatvācca |

Svacchandatantroddyota, pp.4-5.

Eizabeth Chalier Visuvalingam opines that:

The blood thirsty virgin of the pre Aryan tribes became the submissive hindu bride bound in wedlock to one or the other of the classical trinity. It is above all in folk-religion and in the radical tantric practices that she reverts back-atleast temporarily to her pristine form, the incarnation of unbridled violence and sexuality. Even then she has to suffer the ignomity of being accompanied by a chaperon, none other than her consort Siva disguised specially for the occasion as the terrible bhairava, to whom her countless other guardians and consorts are generally assimilated.�[1]

This is the same character of Bhairava as a philosophical category in the Saiva texts. He acts as an instrument for the taming of the goddesses in mythology, while in monistic Ś the Bhairava is a transcending substitute for the principle of Śپ. In the exegesis of the ūٰ, ‘etadguhyam mahāguhyam�,� Abhinavagupta says that this secret, this great non secret where the first refers to Bhairava, the second to the manifest Śپ.[2]

Attainment of Bhairavahood is one among the five objectives behind the composition of ղԳٰǰ첹[3]

As Navjivan Rastogi points out,

The fundamental aim is the achievement of Bhairavahood, i.e., the divination of the mundane. Abhinavagupta proudly declares that one who constantly practices the tenets of 37 Ծ첹 is one self-transformed to Bhairava, the absolute.

Cf. Navjivan Rastogi, Introduction to ղԳٰǰ첹, p.78, ղԳٰǰ첹 I.284-286:

इत� सप्ताधिकामेतां त्रिंशता� यः सद� बुधः �
आह्निकानां समभ्येतत� � साक्षाद्भैरव� भवेत� �
सप्तत्रिंशत्तु संपूर्णबोध� यद्भैरवो भवेत� �
कि� चित्रमाणवो प्यस्य दृशा भैरवतामियु� �

iti saptādhikāmetā� triṃśatā� ya� sadā budha� |
āhnikānā� samabhyetat sa sākṣādbhairavo bhavet ||
saptatriṃśattu saṃpūrṇabodho yadbhairavo bhavet |
ki� citramāṇavo pyasya dṛś� bhairavatāmiyu� ||

The acquaintance with this absolute principle gradually moves on and found replaced or identified with distinct forms of Śپ. It insists to worship Bhairava and rejects the form of Śپ who is the Bhairava himself.

ղԳٰǰ첹 says,

भैरव� पूजयित्व� तु तस्योत्सङ्गे तु तं न्यसेत� �
यादृशं भैरव� रूपं भैरव्यास्तादृगेव हि �

󲹾� ūᲹ⾱ٱ tu tasyotsaṅge tu ta� nyaset |
yādṛśa� 󲹾� ū貹� bhairavyāstādṛgeva hi ||[4]

The naming of earliest Śaivatantra as Bhairavatantra is a construction of misunderstanding. Judit Torzsok says;

The main rituals they prescribe have the same structure as those of ŚԳٲ and the tantras teaching the cult of bhairava; but their pantheon their mantras and some of their additional rituals are different, all of them involving mantra goddesses as opposed to maledeities.[5]

The three goddesses like ʲ etc., are seen as attributed to the Bhiarava.[6] Above this a notable thing is the theory of creation of the ṇa god named as Ś岹ś. He is in fact a construction of the later Śaivites like Abhinavagupta. MVT gives references to the Ś岹śbhairava as the synonym of ī-the alphabet goddess of early Trika

Among the two alphabet goddesses, ṛk has the nature of Śپ but ī is transformed to its masculine version, says ղԳٰǰ첹

एक एव चिदात्मै� विश्वामर्शनसारकः �
शक्तिस्तद्वानत� माता शब्दराशि� प्रकीर्तितौ �
तयोरेव विभागे तु शक्तितद्वत्प्रकल्पने �
शब्दराशिर्मालिनी � क्षोभात्� वपुरीदृशम� �

eka eva cidātmaiṣa viśvāmarśanasāraka� |
śپٲ屹Բٴ ś岹ś� īپٲ ||
tayoreva vibhāge tu śaktitadvatprakalpane |
śabdarāśirmālinī ca kṣobhātma vapurīdṛśam ||[7]

For the establishment of this Bhairava form, i.e., Ś岹ś Abhinavagupta and his successors descriptively explain the formulated equations. 

The knowledge systems are made of sound and sounds are ṃs.

Note: ṣeᲹ explains in the commentary on Svacchandatatnra, p.551:

शास्त्रं शब्दात्मकं सर्व� शब्द� हंसः प्रकीर्तितः � यत� किञ्चित् क्वचिच्छासनाच्छास्त्रं तच्छब्दात्मक� पञ्चाशद्वर्णशब्दराशिसतत्त्वं, शब्दराशिश्� हंसोच्चारात्मा, हंसोच्चारश्च परशक्त्यनुभवस्फारसार इत� �

śāstra� śabdātmaka� sarva� śabdo haṃsa� prakīrtita� | yat 쾱ñ kvacicchāsanācchāstra� tacchabdātmaka� pañcāśadṇaśabdarāśisatattva�, śabdarāśiśca haṃsoccārātmā, haṃsoccāraśca paraśaktyanubhavasphārasāra iti ||

ṣeᲹ also tries to interpret the usage �ś岹śܳٳٳ첹�� in 貹Ի岹 as follows:

गर्भीकृताशेषविश्वसमग्रशास्त्रप्रसरप्रथमाङ्कुररूपो भगवान् शब्दराशि�

īṛtśṣaśśٰٳ󲹳ṅkܰū 󲹲 ś岹ś�[8]

Footnotes and references:

[back to top]

[1]:

Elizabeth Chalier Visuvalingam, Bhairava and the Goddess: Tradition, Gender and Transgression, p.4.

[2]:

Betina Baumer, Abhinavagupta’s Hermeneutics, p.50. This could be read along with �󾱲Բū śپ� tadgupto yo maheśvaro 𱹲�...�

[3]:

Rastogi explains the fivefold objectives behind the cration of ղԳٰǰ첹 as The attainment of Bhairavahood, Propounding fourfold redemptive knowledge, presenting the ultimate textual authority, Easy comprehension of Tantric wisdom and Restoration and preservation of the tradition.

[4]:

ղԳٰǰ첹, II. 115, p.233:�貹ٲ� param paripūrṇena bhairavarapa� ñⲹ� ٲ� śԲ� ٲⲹñⲹٲⲹٳ�

[5]:

Judith Torzsock, “From 󲹲Dzśīٲ to Timirodghāṭana�, www.academia.edu

[6]:

ղԳٰǰ첹, III.192.

[7]:

ղԳٰǰ첹, XXXIII. 20-21.

[8]:

貹Ի岹ṃddz, p.18.

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