365bet娱乐

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The disputants following such a systems cause a terrible knowledge but
insensible like the sound heard at the time of churning milky ocean. These
disputants make vain efforts to silence even B峁沨aspati. As elephants destroy of
grooves of plantain trees, these disputants also, with their own fallacious arguments
try to root out the faith in the path of righteousness. But these elephants like
disputants should be driven away by a lion like scholar endowed with irresistible
strength with the help of its five sharp claws of logical reasoning such as
膧tmasraya, Anyony膩艣raya, Cakr膩艣raya, Anavastha and Ani峁ａ弓aprasanga. And such
a lion like a scholar can dispel the darkness with its two well-displayed teeth of
Parapak峁�op膩lambha i.e. refutation of false doctrine and Svapak峁�asthapana i.e. the
establishment of right doctrine.
For achieving this end, a lion like scholar has to hold a debate of scholars of
different systems of Thought. Hence it is significant on the part of the dramatist that
he has entertained the scene wherein Guru and Sisya are engaged in philosophical
debate. With a view to showing weak and fallacious views of other systems, the
dramatist points to such doctrines and refutes them in a cogent manner.
When a scholar is engaged in such philosophical debate he should avoid
Vita峁囜笉a v膩da. And he should refute opponents views and through which he has to
establish the right theory. This is the ethics of the debate highlighted by
Venka峁璦n膩tha. Just as R膩ma authorised by Vi艣v膩mitra took the help of mantras
Bala and Atibala to conquer the demons, a debator too is aloud to employ the
methods of Vita峁囜笉a and Jalpa to defeat foes speaking ill of the Vedas and of God.鲁
In this context, the dramatist Venka峁璦n膩tha suggests a rule for disciple to be
followed in the discussion i.e. when discussions are held with the persons of our
own school of Vedanta one should argue accepting the authority of scriptures held
in common by both. Bearing this discipline in the mind, one should argue with the
support of Pram膩峁嘺s in a manner which would appeal to the hearts of the audience.
3.
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啶掂�囙う啷囙ざ啷嵿さ啶班さ啶苦う啷傕し啶曕ぞ啶� 啶膏ぐ啷嵿さ啷� 啶むい啷嵿い啷嵿さ啶距ぇ啷嵿く啶掂じ啶距く啶膏�傕ぐ啶曕�嵿し啶｀ぞ啶班�嵿ぅ啶�啶ㄠ�佮�溹�嵿�炧ぞ啶むぞ啶�啷嵿く啶距�� 啶�啶侧ぞ啶むた啶�啷嵿げ啶距き啷嵿く啶距ぎ啶苦さ
啶溹げ啷嵿お啶掂た啶むぃ啷嵿ぁ啶距き啷嵿く啶距ぎ啶�啶� 啶溹�囙い啶掂�嵿く啶距�� 啷�
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[tvay膩 mannide艣膩nuvartin膩 kau艣ikaniyamitena r膩ghave峁噀va s膩dhik膩re峁嘺 yath膩vidhi v墨tar膩gakath膩navasare
vede艣varavid奴峁�ak膩岣� sarve tattv膩dhyavas膩yasa峁價ak峁�a峁嚹乺thamanuj帽膩t膩bhy膩峁� bal膩tibl膩bhy膩miva
jalpavita峁囜笉膩bhy膩mapi jetavy膩岣� |
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] S.S. II p-226