Mayamata and Building Construction (study)
by Ripan Ghosh | 2024 | 61,593 words
This page relates ‘Stambha-bheda (various kinds of columns)� of the study dealing with Mayamata—an ancient Indian architectural treatise dealing with building construction (bhavana-nirmana). It forms part of “Vastuvidya�: a stream of Sanskrit technical literature encompassing village and town planning, temple architecture and other aspects like site selection, orientation, and structural arrangements aimed at promoting harmony and prosperity.
Go directly to: Footnotes.
Part 7.2 - Stambha-bheda (various kinds of columns)
[Note: This article is part of the series: 岹ṇa-ⲹ-parigraha-Բ (Measurement of the pillars and regulation of the acquisition of materials)]
There are eighteen types of pillar mentions in the texts Mayamata. They are generally known by names of some deities. They are�
- pratistambha,
- Ծٲٲ,
- ṣāl-stambha,
- Գٲ,
- ṣṇܰԳٲ,
- ԻԳٲ,
- saumya,
- ܻԳٲ,
- madhey ṣṭ,
- rudracchanda,
- 貹峾Բ,
- bhadraka,
- śṇḍ岹,&Բ;
- ٰṇḍ,
- śṇḍ,&Բ;
- ś and
- ṣe貹ṇa.[1]
Pratistambha pillar is to be arranged from prati (stereobate) to uttara (architrave). This pillar is to be placed above janma (plinth, a part of base). Maya says that to build a Ծٲٲ a deep pit should be made and a floor (tala) is conducted over it. Therefore this pillar is to be installed. This type of pillar rises from ܰ첹 (plinth) and grows up to the uttara (architrave).
The ṣa-ٲ started from the ṣṭԲ (base) and build up to the uttara (architrave) and this pillar is six to twelve parts wider at the top than at the base.
Maya says that:
adhiṣṭhānottarāntaḥstho jhaṣālastaṃbha ucyate |
tadvayāsādarkabhāgādya� ṣaḍbhāgonāgravistara� ||(Mayamata 15.11)
The pillar, which is square in shape and decorated with kumbha (bell capital) and ṇḍ, is called . The eight-angled pillar is called վṣṇܰԳٲ.
The hexagonal pillar is called the ԻԳٲ. The sixteen-angled pillar is called Saumya. These angled columns are square at the base and then transition to octagonal, hexagonal, or circular shapes. This type of column is known as ūٰ. If the circular pillar is complete with kumbha (bell capital) and ṇḍ, it is called ܻԳٲ. In the context of traditional Indian architecture, a ṇḍ refers to a decorative element often found on pillars. This design can include floral patterns, geometric shapes, and sometimes depictions of mythological scenes or figures. According to ‘A dictionary of Hindu Architecture� ṇḍ means: ‘the crowning part of the capital of a column�[2] �
If the length of the pillar is twice its width, with an octagonal middle section, square shapes at the top and bottom, and without kumbha (bell capital) and ṇḍ, it is called Madhey ṣṭ (octagonal in the middle). The pillar known as Rudrachhanda has a square base, an octagonal middle section, and a circular top. The pillar known as ʲ峾Բ features a lotus design at its base, with a height of one and a half to two 岹ṇḍ and twice its width. The upper part of this pillar can be decorated with any desired shape or a ṇḍ.
The pillar known as Bhadraka has a base with a lotus design 貹峾Բ, two ṇḍs with the shape of a 첹 (a type of bird), and a bhadra (auspicious symbol) in the middle. In the text 峾岵, a similar description can be found when describing the Գٲ pillar.
It is stated that:
mūlepadmāsanācśātha cakravākairalaṅkṛta |
sabhadramadhyabhāgaśca madhyakānta dvipiṇḍika� || (ĪśԲś-ܱܰ貹پ 31.24)[At the base, adorned with a lotus seat and decorated with chakravaka birds. The middle part is elegant, with a middle portion decorated with double circular elements.][3]
A pillar with decorations of vyala (mythical creatures), elephants, lions, and other beings at its base, and an upper part designed in any desired shape, is named according to its decorations.
A pillar with the design of an elephant trunk and adorned with a kumbha (bell capital) and ṇḍ is called a śūṇḍ岹 pillar.
When pearls are carved throughout the entire śūṇḍ岹 pillar, it is called a 辱ṇḍ岹. The ٰṇḍ pillar has a square section at the top measuring two 岹ṇḍ in height. Below this is an octagonal padma (lotus design) measuring half a 岹ṇḍ. Below that is a sixteen-angled padma measuring one 岹ṇḍ, followed by a square middle section also measuring one 岹ṇḍ. Below this, another sixteen-angled padma is created, and the remaining part of the pillar is square. This type of pillar is called ٰṇḍ. If the middle section is octagonal, the pillar is called śṇḍ.
If the middle section of the aforementioned pillar has sixteen angles, it is called ś. The front part of the ṣe貹ṇa pillar is square in shape. A ṣe貹ṇa pillar has three sections and is decorated with leaves and other designs. Below this, the pillar has a base divided into three or four parts. All pillars are adorned with potika (small decorative elements) and various types of designs.
Maya describes eighteen distinct types of pillars, each named after deities and possessing unique structural and decorative features. These pillars are significant in traditional architecture and offer a variety of forms and ornamentations.
Here we give brief information depending on above mentioned illustration.
Pratistambha: Built from the stereobate to the architrave, placed above the plinth.
ٲٲ: Installed in a deep pit, rising from the plinth to the architrave.
ṣāl-stambha: Extends from the base to the architrave, wider at the top.
Գٲ: Square in shape, decorated with kumbha and ṇḍ.
վṣṇܰԳٲ: Eight-angled.
ԻԳٲ: Hexagonal.
Saumya: Sixteen-angled.
ܻԳٲ: Circular with kumbha and ṇḍ.
Madhey ṣṭ: Square at the top and bottom, octagonal in the middle.
Rudrachhanda: Square base, octagonal middle, circular top.
ʲ峾Բ: Lotus design at the base, with a height of one and half and two 岹ṇḍ.
Bhadraka: Lotus base, two ṇḍs shaped like a 첹, and a bhadra in the middle.
Śūṇḍ岹: Elephant trunk design along its length, with kumbha and ṇḍ.
ʾṇḍ岹: Śūṇḍ岹 pillar with carved pearls.
侱ٰṇḍ: Square section at the top, octagonal and sixteen-angled padmas, with a square middle section.
Śṇḍ: Similar to 侱ٰṇḍ but with an octagonal middle section.
Ś: Similar to Śṇḍ but with a sixteen-angled middle section.
ṣe貹ṇa: Square front part, three sections, decorated with leaves and other designs, with a base divided into three or four parts.
These pillars are an integral part of traditional Indian architecture. Such pillars not only provide the ancient architectural practices but also underscore the cultural and religious significances. The detailed descriptions of these pillars reflect the advanced craftsmanship of Indian architectural traditions.
Footnotes and references:
[1]:
Vide. Mayamata, vol.1.p.181-185
[2]:
P. K.Acharya, A dictionary of Hindu Architecture, p-491
[3]:
Translated by the researcher