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(i) In the first Act as well as in the seventh Act, the playwright through the dialogues of 闯墨惫补, 痴颈箩帽腻苍补 艢补谤尘腻 and Buddhi (only in the first Act) portrays many mythical instances bringing out the greatness of lord 艢颈惫补 and goddess 笔腻谤惫补迟墨. In many of these verses, the Adbhutarasa pervades the situations. While 艢颈惫补鈥檚 subjugation of Yama by hitting him on the chest with his leg and saving 惭腻谤办补峁囜笉别测补 from his clutches makes the onlooker awestruck^[1], his intake of the 碍腻濒补k奴峁璦vi峁�a to save the universe is beyond the reach of human imagination.^[2]

So too is the glory of goddess Durga鈥檚 victory over the cruel Mahi峁�asura^[3] and the team of many demons including 艢耻尘产丑补 and 狈颈艣耻尘产丑补.^[4]

(ii) In the second Act, 碍补谤峁嘺尘奴濒补, the spy while discussing with P膩峁嘾u, explains that the skills of the minister 痴颈箩帽腻苍补 艢补谤尘腻 are beyond description (II 37/38; p.119):

eva峁僾idha-vividhavicitracaritra-vism膩pita-sakalalokasya sv膩mihitakara峁嘺ikat膩nasya tasya mantri峁嘺岣� p膩re khalu v膩峁卪anasayo艣varit膩dbhut膩ni |

(iii) In the fourth Act, when 闯墨惫补, Buddhi and the minister go to the royal garden for a swing-sport, the minister appropriately remarks at the exceptional beauty of the garden where all seasonal plants have blossomed at one and the same time, raising wonder in the minds of the onlookers (IV.33; pp.224-25):

尘补苍迟谤墨鈥�(耻辫补惫颈艣测补 耻诲测腻苍补产丑奴尘颈尘补产丑颈迟辞 vilokya) deva 膩艣caryam膩艣caryam | ihody膩ne t膩d峁沢pa艣upatiday膩s膩ditamah膩mahimnaste sev膩rasaparava艣膩岣� sarvata ime | yath膩sva峁� pu峁�yanto yugapad峁泃ava岣� sa峁僴idadhate......... ||

(iv) In the sixth Act, the dramatist presents 碍腻濒补 and Karma as witnesses to the war being stationed in the 补苍迟补谤颈办峁�a of the stage; this creates wonder in the minds of the viewers.

(v) The Adbhutarasa develops well in the seventh Act with the arrival of the Lord and the Goddess on the stage. Blended with the 厂腻迟迟惫补迟墨-惫峁泃迟颈, the author utilizes the invocations of 闯墨惫补 and 痴颈箩帽腻苍补 to highlight Adbhutarasa in each and every episode referred to in these glorious hymns.^[5]

Further, the description of 艢颈惫补 as his presence is envisioned by 闯墨惫补 and 痴颈箩帽腻苍补 艢补谤尘腻 is imbued with Adbhuta (VII.8):

艣ailasth奴la艣irobhirugrabhujagapr膩ya艣ravobh奴峁�a峁嘺irj膩nuspar艣ib峁沨atpica峁囜笉aca峁璾laist膩ladrud墨rgh膩峁単hribhi岣� |
pr膩v峁涐箛峁嘺i艣atamisran墨latanubhirbhasmatripu峁囜弓r膩峁卥itai岣� 艣奴lodbh膩sibhujai岣� sam膩v峁泃amida峁� bh奴tairabh奴dbh奴talam ||

Such grand and lofty verses, as cited above, show the great skill and dexternity with which the dramatist has brought forward the Adbhutarasa.

Footnotes and references:

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[1]:

I.40:
p膩d膩gh膩tatru峁璱tayamun膩bhr膩t峁沚膩hvantarodyadraktasrotassamupa艣amita艣e峁�a艣ok膩艣ray膩艣am |
尘腻谤办补峁囜笉别测补峁� vyatanuta yad膩 sarvabh奴taistad膩di 蝉迟耻迟测补峁� m峁泃yu峁�jaya iti 测补艣补岣� sph膩ram墨艣a岣� prapede ||

[2]:

I.41:
megh膩kr膩ntadigantadar艣arajan墨m奴rchattamomecaka峁� t膩padr膩vitadevad膩navanara峁� ya岣� 办腻濒补办奴峁璦峁� garam |
jagdhv膩 jambviva b膩lakasribhuvanatr膩峁嘺峁� tat膩n膩峁�jas膩 tasya dr膩峁卪ahim膩 na v膩岣峬anasayo岣� panth膩nam膩rohati ||

[3]:

I.44:
d奴roddh奴tavi峁Ｄ佱箛ako峁璱gha峁璦n膩c奴r峁嚹玨峁泃膩mbhodhara峁� pre峁卥hatp膩dacatu峁ａ弓ay墨khurapu峁璦prak峁�u峁囜箛ap峁泃hv墨talam |
办补濒辫腻苍迟腻产丑谤补办补峁环辞谤补办补峁囜弓丑补苍颈苍补诲补迟谤补蝉迟补迟谤颈濒辞办墨箩补苍补峁� 惫颈办谤腻苍迟补峁� 尘补丑颈峁Ｄ乻耻谤补峁� yudhi 辫耻谤腻 ciccheda 艣奴lena y膩 ||

[4]:

I.45:
艣astracchinnasur膩risainyapi艣it膩gr膩sagrahapr墨timatka峁卥akro峁ａ弓ari sa峁単are sukhadh奴muktapras奴ne sthitam |
devy膩 艣umbhani艣umbhad膩navavadhapraklinnacittastuvadrudrendr膩gnik峁泃膩ntanai峁泃ajal膩dh墨艣膩nila艣r墨day膩 ||

[5]:

VII. 11/12; p.443:
kapilamunikop膩nalabhasm墨k峁泃aprapit膩mahasa峁単hasamutt膩ra峁嘺k峁泃aprayatnabhag墨rathapras膩dit膩y膩岣� sur膩pag膩y膩 bhuvamavataranty膩 garvabha峁�jana峁� 苍腻尘补 尘峁泃测耻峁�j补测补蝉测补 肠补谤颈迟补峁� tadapi param膩dbhutameva |

Also see VII.12: 13: 14:
veg膩k峁涐梗峁璷岣島cakr膩nukara峁嘺nipu峁嘺艣veta岣峣峁囜笉墨rasva峁囜笉膩艣li峁ａ弓orm墨nirmitorv墨valayavilayan膩艣a峁卥as膩ta峁卥adev膩 |
vibhra艣yantyabhraga峁単膩 vibudhajanabhuva岣� sarvadurv膩ragarv膩 苍颈谤惫颈峁囜箛腻 dh奴rja峁�墨yodbha峁璦gha峁璱taja峁�膩j奴峁璦garbhe nililye ||
艣奴l膩grak峁�atadak峁�aka峁囜弓harudhirai岣� 艣o峁噀 ra峁嘺pr膩峁単a峁噀 k墨r峁噊 dantaga峁嘺艣cape峁璦dalit膩darkasya vaktr膩ntar膩t |
v墨ra艣r墨karap墨岣峚notsavavidh膩vetasya vai艣v膩naraprak峁�iptojjvalal膩javibhramakaro n膩loki lokena kim ||
krodh膩r奴岣峢abhruku峁璱ralike kr奴rakha岣峠aprah膩racchinnagr墨vatrida艣anikaracchannasa峁単r膩mabh奴mi岣� |
艣akra艣r墨dadruhi峁嘺艣ara峁嚹乴膩bhavidr膩峁嘺vidy膩d膩nonnidra岣� pra峁嘺tajanat膩bhadrado 惫墨谤补产丑补诲谤补岣� ||