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[Full title: 顿别艣墨 forms of Andhra (1): Gati in 碍奴肠丑颈辫耻岣峣]

Andhra has been the source place for many dance and theatre forms such as 碍奴肠丑颈辫耻岣峣 and 惫墨迟丑颈 苍腻峁璦办补. Many sculptures related to the dance terms given in 狈峁泃迟补谤补迟苍腻惫补濒颈 are seen in these art forms. Other than this, a number of folk dance forms are seen in the rural areas of Andra.

碍奴肠丑颈辫耻岣峣 style gives equal importance for 苍峁泃迟补, 苍峁泃测补 and 苍腻峁瓂补. The 狈峁泃迟补谤补迟苍腻惫补濒颈 is referred to by the practitioners of 办奴肠丑颈辫耻岣峣. The female roles are also performed by males. The basic units of practice are called 补岣峚惫耻濒耻 or 补岣岛驳耻濒耻.^[1] This includes chauka, 办补峁�峁�别谤补苍补岣岛驳耻, 办耻辫辫颈补岣岛驳耻, 辞峁囜弓补岣岛惫耻, 箩腻谤补岣岛惫耻, 辫补办办补苍腻峁�峁�耻, and so on.^[2] The 苍峁泃迟补 consists of 迟墨谤尘腻苍补峁僺 and jatis, which encompasses steps and movements in the form of patterns of dance. The 苍峁泃测补 portion consists of 艣补产诲补峁僺 and 办辞耻迟丑惫补峁僺, and 苍腻峁瓂补 is acting or miming for the songs. The technique of 办奴肠丑颈辫耻岣峣 has fast rhythmic footwork and sculpture like poses and movements.Karanas like mattalli are done in sama sthana.^[3]

罢补谤补峁単补 is generally the last item in a 办奴肠丑颈辫耻岣峣 performance where the dancer places her feet on the rim of the brass plate and dances on top of it. It is moved forward and backward based on many rhythmic calculations. One more performance, which is the special feature of 办奴肠丑颈辫耻岣峣, is the 蝉颈峁僪补苍补苍诲颈苍颈 in which the dancer paints the lion on the floor with rhythmic feet variations based on 蝉颈峁僪补苍补苍诲补苍补 迟腻濒补.

Footnotes and references:

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[1]:

Classical dances of India-Saroja Vaidyanathan.p.83

[2]:

Ibid.p.67.

[3]:

碍补谤补峁嘺蝉 Common Dance Codes of India and Indonesia-Padma Subrahmanyam -Vol.II. P.98