Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Kalahantarita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
Go directly to: Footnotes.
Part 4 - Examples of 碍补濒补丑腻苍迟补谤颈迟腻
Examples of the 碍补濒补丑腻苍迟补谤颈迟腻 character of woman heroine:
Example from 厂腻丑颈迟测补诲补谤辫补峁嘺 and Rasabh膩sa aur Bh膩vabh膩sa
啶ㄠ 啶氞ぞ啶熰啶多啶班さ啶｀ 啶曕啶む, 啶� 啶� 啶︵啶多ぞ 啶灌ぞ啶班啶洁え啷嵿い啶苦啷囙さ啷�啶曕啶粪た啶む, 啶曕ぞ啶ㄠ啶むじ啷嵿く 啶啶班た啶す啷囙い啶掂 啶ㄠた啶溹じ啶栢啶掂ぞ啶氞啶洁お啶� 啶︵啶班啶曕啶むぞ啶� 啷�
啶ぞ啶︵ぞ啶ㄠ啶む 啶掂た啶ㄠた啶い啷嵿く 啶むい啷嵿啷嵿し啶｀ぎ啶膏 啶椸啷嵿啶ㄠ啶く啶� 啶啶⑧く啶� 啶ぞ啶｀た啶啶ぞ啶さ啶班啶о啶� 啶灌え啷嵿い! 啶膏す啶膏ぞ 啶曕ぃ啷嵿啷� 啶曕ぅ啶� 啶ㄠぞ啶班啶た啶む 啷�no c膩峁璾艣rava峁嘺峁� k峁泃a峁�, na ca d峁浥浤� h膩ro'ntikev墨k峁ta岣�, k膩ntasya priyahetavo nijasakh墨v膩co'pi d奴r墨k峁泃膩岣� |
p膩d膩nte vinipatya tatk峁峁嘺masau gacchanmay膩 m奴岣峢ay膩 p膩峁噄bhy膩mavarudhya hanta! sahas膩 ka峁囜弓he katha峁� n膩rpita岣� ||[1]I did not listen to his sweet words. I did not even look at his garland properly. I even rejected the words of my friends who spoke for the happiness of the lord. He fell at my feet to impress me, foolishly I walked away. Why did I not hold his hand and immediately embrace him? Only of this folly I am repentful.
啶い啷嵿お啶距う啶啶班ぃ啶む 啶啶班た啶 啶ぐ啷佮し啶ぞ 啶掂ぞ啶氞ぞ 啶� 啶ㄠた啶班啶掂ぞ啶膏た啶む 啶い啷嵿じ啶栢啶ぞ 啶� 啶曕啶む 啶掂啷� 啶溹ぁ啶むく啶� 啶え啷嵿ぎ啶ㄠ啶啶班啶曕啶о啶む 啷�
啶ぞ啶じ啷嵿く啶距じ啷嵿く 啶げ啶� 啶むう啷嬥い啶︵啶о啶ㄠぞ 啶啷嵿啶ㄠ啶︵え啷囙え啷嵿う啷佮う啷嵿く啷佮い啶�-啶啶班ぞ啶侧啶ぞ啶︵啶班た啶膏ぎ啷�啶班お啶權啶曕啶た啶膏啶班啶椸ぞ啶む啶班 啶啶灌啶班啶︵す啷嵿く啶む 啷�yatp膩dapra峁嘺ta岣� priya岣� paru峁y膩 v膩c膩 sa nirv膩sito yatsakhy膩 na k峁泃a峁� vaco ja岣峚tay膩 yanmanyurekodh峁泃a岣� |
p膩pasy膩sya phala峁� tadotadedhun膩 yaccandanendudyuti-pr膩ley膩drisam墨rapa峁卥ajabisairg膩tra峁� muhurdahyate ||[2]A Sakhi is telling鈥揟he 苍腻测颈办腻 spoke harsh words to the hero who had fallen at her feet. He did not even speak back. She was so deeply angered. This is the result of that sin. Her body which was shining like sandal wood and the moon is repeatedly burning because of the Himalayan breeze and lotus stalk.
啶む啶掂ぞ啶ぞ啶侧た啶栢啶� 啶啶班ぃ啶啷佮お啶苦い啶距 啶оぞ啶む啶班ぞ啶椸啶� 啶多た啶侧ぞ啶ぞ啶 啶嗋い啷嵿ぎ啶距え啶� 啶む 啶氞ぐ啶｀お啶むた啶む 啶ぞ啶掂ぞ啶︵た啶氞啶涏ぞ啶た 啶曕ぐ啷嵿い啷嵿い啷佮ぎ啷� 啷�
啶呧ざ啷嵿ぐ啷堗じ啷嵿い啶距さ啶ㄠ 啶啶灌啶班啶啶苦い啷堗ぐ啷嵿う啷冟し啷嵿啶苦ぐ啶距げ啷佮お啷嵿く啶む 啶 啶曕啶班啶班じ啷嵿い啶膏啶た啶ㄠ啶ㄠお啶� 啶� 啶膏す啶む 啶膏啶椸ぎ啶� 啶ㄠ 啶曕啶むぞ啶ㄠ啶む 啷�tv膩m膩likhya pra峁嘺yakupit膩峁� dh膩tur膩gai岣� 艣il膩y膩m 膩tm膩na峁� te cara峁嘺patita峁� y膩v膩dicch膩mi karttum |
a艣raist膩van muhur奴pacitaird峁涐梗峁璱r膩lupyate me kr奴rastasminnapi na sahate sa峁僩ama峁� nau k峁泃膩nta岣� ||[3]You were angry with me. So I drew a picture of yours with mineral colours on the stone slab and wanted to make amends by falling on your feet in the picture. But alas, tears welled up in my eyes and everything around became blurred. The cruel fate, it seems, does not tolerate our union even there.
Example from 顿补艣补谤奴辫补办补[4],痴腻驳产丑补峁弓补鈥檚 碍腻惫测腻苍耻艣腻蝉补苍补[5] and 搁补蝉补办补濒颈办腻[6]
啶ㄠた啶冟ざ啷嵿さ啶距じ啶� 啶掂う啶ㄠ 啶︵す啶ㄠ啶むた 啶灌啶︵く啶� 啶ㄠた啶班啶啶侧ぎ啷佮え啷嵿ぎ啶ム啶い啷� 啶ㄠた啶︵啶班ぞ 啶ㄠ啶むた 啶� 啶︵啶多啶い啷� 啶啶班た啶ぎ啷佮啶� 啶ㄠ啷嵿い啶� 啶︵た啶掂 啶班啶︵啶い啷� 啷�
啶呧啷嵿啶� 啶多啶粪ぎ啷佮お啷堗い啶� 啶ぞ啶︵お啶むた啶む 啶啶班啶ぞ啶傕じ啷嵿い啶ム啶啶曕啶粪た啶む 啶膏啷嵿く啶� 啶曕 啶椸啶｀ぎ啶距啶侧く啷嵿く 啶︵く啶苦い啷� 啶ぞ啶ㄠ 啶掂く啶� 啶曕ぞ啶班た啶むぞ啶� 啷�ni岣ヅ泇膩s膩 vadana峁� dahanti h峁沝aya峁� nirm奴lamunmathyate nidr膩 naiti na d峁浥泍ate priyamukha峁� nakta峁� diva峁� rudyate |
a峁単a峁� 艣o峁mupaiti p膩dapatita岣� prey膩峁僺tathopek峁ta岣� sakhya岣� ka峁� gu峁嘺m膩kalayya dayite m膩na峁� vaya峁� k膩rit膩岣� ||My face is burning because of the heated sighs. My heart is torn up from its base. There is no sleep, neither am I able to see his face. I can not do anything else but cry the whole day (day and night) my body is getting weaker. I rejected the lover who fell at my feet earlier. O Sakhis! Which quality of mine inspired you to instigate me to be angry against my Lord?
Footnotes and references:
[1]:
S膩hitya Darpa峁嘺, III. 202.
[3]:
碍腻尘补蝉补尘奴丑补, cdlxxxvii. 158.
[4]:
顿补艣补谤奴辫补办补, II. 266.
[5]:
痴腻驳产丑补峁弓补, 碍腻惫测腻苍耻艣腻蝉补苍补, V. 63.
[6]:
搁补蝉补办补濒颈办腻, xliii. 24鈥�25.