Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楨xamples of Mugdha Khandita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 6 - Examples of 惭耻驳诲丑腻 碍丑补峁囜笉颈迟腻
Examples of the 惭耻驳诲丑腻 variety of the 碍丑补峁囜笉颈迟腻 character of woman heroine:
A beautiful description of a wife who forgives her husband during the season of rains by 办腻岣穒诲腻蝉补:
啶く啷嬥ぇ啶班啶班啶啶啶啶班え啶苦じ啷嵿さ啶苦え啷堗じ啷嵿い啶∴た啶︵啶た啶班啶︵啶о啶溹た啶� 啶氞啶むじ啷� 啶啶多ぎ啷� 啷�
啶曕啶むぞ啶ぐ啶距ぇ啶距え啶た 啶啶粪た啶む 啶啶班た啶ぞ啶ㄠ啶ぐ啶苦し啷嵿さ啶溹え啷嵿い啷� 啶多く啶ㄠ 啶ㄠた啶班え啷嵿い啶班ぎ啷� 啷�payodharairbh墨magabh墨ranisvinaista岣峣dbhiruddhejita cetaso bh峁浥沘m |
k峁泃膩par膩dh膩napi yo峁ta岣� priy膩npari峁ajante 艣ayane nirantaram ||[1]鈥淥ften the sheeted lightening followed by a deafening crash of thunder, and its lingering terrifying sound scare the young wife into longing; she nestles close and embracing her lover forgives the error of his ways.鈥�[2]
啶掂啷嵿し啶� 啶曕た啶 啶曕げ啶多ぞ啶權啶曕た啶むぎ啶苦い啶� 啶曕た啶お啶� 啶︵啶班し啷嵿啷� 啶た啶氞啶涏え啷嵿い啷嵿く啶距 啷�
啶ㄠく啶ㄠ 啶ㄠさ啷嬥あ啶膏啶︵啶多 啶啶班ぞ啶｀啶多 啶ぞ啶｀た啶ㄠぞ 啶た啶︵ぇ啷� 啷�惫补办峁岣� kimu kala艣膩峁卥itamiti kimapi dra峁ａ弓u micchanty膩岣� |
nayana峁� navo岣峢asud峁浥沘岣� pr膩峁噀艣a岣� p膩峁噄n膩 pidadhe ||[3]As the newly wed bride wanted to ask about the imprint of the other woman鈥檚 bosom on his chest, the hero covered her eyes with his hands.
Footnotes and references:
[3]:
搁补蝉补尘补帽箩补谤墨, xliv. 125.