Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楿ttama, Madhyama and Adhama of Vipralabdha鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 11 - 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of 痴颈辫谤补濒补产诲丑腻
Examples of 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of the 痴颈辫谤补濒补产诲丑腻 character of woman heroine:
啶掂た啶啶班げ啶啶оぞ啶ぞ啶� 啶曕ぅ啶た啶むた 啶氞啶む 啶ㄠぞ啶啷囙え啶距え啷嵿く啶曕ぞ啶ㄠ啶むぞ啶膏啷嵿い啷嵿く啶� 啶掂啷嵿啶ㄠ 啶班啶苦い啶た啶むた 啶啶班啶啶｀ 啶ㄠ啶啶ㄠい啷嵿さ啶� 啶掂啷嵿啶曕じ啷嵿く啶距お啶� 啶啶班た啶じ啷嵿く 啶掂啷嵿啶ㄠぞ啶� 啶掂た啶膏啶啶む啶い啷嵿く啶ㄠ啶む 啶掂啶ぞ啶曕啶侧ぞ 啶さ啶むた 啶膏啶む啶むぎ啶� 啷� 啶呧い啷嵿ぐ 啶曕ぅ啶� 啶侧啷嵿し啶｀ぎ啶苦い啶� 啶氞啶� 啶掂啷嵿啶ㄠ啶� 啶ㄠぞ啶啶啶班啶啶｀ 啶ㄠ啶啶ㄠい啷嵿さ啶� 啶掂啷嵿啶苦い啶距く啶� 啶呧お啶� 啶ㄠた啶むぞ啶ㄠ啶� 啶氞た啶ㄠ啶むく啶� 啶掂啶ぞ啶曕啶侧い啷嵿さ啷囙え 啶啶班啶啶� 啶嗋ぇ啶苦啷嵿く啶 啷� 啶忇さ 啶啶� 啶掂た啶啶班げ啶啶оぞ啶� 啶ぇ啷嵿く啶ぞ啶оぎ啶啶︵ 啶呧ぇ啶苦啶ㄠ啶啶ㄠお啷嵿ぐ啷囙ぎ啷嵿ぃ啶� 啶啶溹え啷�啶 啷�
vipralabdh膩y膩峁� kathamiti cet n膩yaken膩nyak膩nt膩sakty膩 va帽cana峁� racitamiti prem峁噊 ny奴natva峁� va帽cakasy膩pi priyasya va帽can膩峁� vism峁泃yatyanta峁� vy膩kul膩 bhavati sottam膩 | atra katha峁� lak峁峁嘺miti ceta va帽canena n膩yakaprem峁噊 ny奴natva峁� va帽cit膩y膩 api nit膩nta cintay膩 vy膩kulatvena prem峁嘺 膩dhikyam | eva meva vipralabdh膩ya madhyam膩dhamabhedau adhikany奴naprem峁嚹� yojan墨yau |[1]
"Where love is thick faults are thin'' is a famous saying. Well, keeping that in mind, the 痴颈辫谤补濒补产诲丑腻 who forgets that her lover cheated on her yet feels depressed nevertheless at his absence is an 鲍迟迟补尘腻, 惭补诲丑测补尘腻 is the one who remembers his offence for some time. 础诲丑补尘腻 is the one who does not forget his cheating her.
Footnotes and references:
[1]:
Ibid., 40.