Ashta Nayikas and Dance Forms (study)
by V. Dwaritha | 2013 | 71,711 words
This page relates 鈥楿ttama, Madhyama and Adhama of Virahotkanthita鈥� of the study dealing with the Ashta-Nayikas鈥攁 classification of eight kinds of 鈥淗eroines鈥� representing the eight emotional states (avastha) employed in the classical Indian dance and performing arts (otherwise known as Natya Shastra). These Ashtanayikas reflect the eight types of romantic relationships and have hence formed the expressive subject of many classical painting, poems and dramatic plays.
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Part 12 - 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻 of 痴颈谤补丑辞迟办补峁囜弓丑颈迟腻
Only 艢峁涐箙驳腻谤补尘补帽箩补谤墨 goes on to state as to how 痴颈谤补丑辞迟办补峁囜弓丑颈迟腻 can be classified into 鲍迟迟补尘腻, 惭补诲丑测补尘腻 and 础诲丑补尘腻.
啶掂た啶班す啷嬥い啷嵿啶｀啶犩た啶むぞ啶ぞ啶� 啶曕ぅ啶た啶むた 啶氞啶む 啶ㄠく啶ㄠえ啶苦ぎ啷囙し啶ぞ啶むじ啶く啶ぞ啶む啶班さ啶苦ぐ啶灌啶｀ぞ啶た 啶す啷佮さ啶班啶оぎ啶距え啶掂た啶班す啶掂啶︵え啶距さ啶む 啶夃い啷嵿い啶ぞ 啷�
啶掂げ啷嵿げ啶ぞ啶ㄠさ啶侧啶曕え啷囙え 啶啶灌さ啷囙う啶ㄠぞ啶掂い啷� 啶ぇ啷嵿く啶ぞ 啷� 啶ㄠぞ啶 啶掂た啶啶班げ啶啶さ啶苦げ啶啶啶� 啶掂啶︵え啶距さ啶む 啶呧ぇ啶ぞ 啷�virahotka峁囜弓hit膩y膩峁� kathamiti cet nayananime峁p膩tasamayam膩travirahe峁嚹乸i bahuvardham膩navirahavedan膩vat墨 uttam膩 |
vallabh膩navalokanena mohavedan膩vat墨 madhyam膩 | 苍腻测补办补 vipralambhavilambena vedan膩vat墨 adham膩 ||[1]One whose pangs of separation increase at the briefest separation is an 鲍迟迟补尘腻. The one who feels the separation after losing sight of her lover is a 惭补诲丑测补尘腻. The one who feels the separation slowly is an 础诲丑补尘腻.
Footnotes and references:
[1]:
Ibid., 40.