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Alamkaras mentioned by Vamana

by Pratim Bhattacharya | 2016 | 65,462 words

This page relates ‘Alamkara-shastra according to Dandin (8th century)� of the study on Alamkaras (‘figure of speech�) mentioned by Vamana in his Kavyalankara-sutra Vritti, a treatise dealing with the ancient Indian science of Rhetoric and Poetic elements. Vamana flourished in the 8th century and defined thirty-one varieties of Alamkara (lit. “anything which beautifies a Kavya or poetic composition�)

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6: ṃk-śāstra according to ٲṇḍ (8th century)

ٲṇḍ (c. 8th cen.�9th cen. A.D.), who stands between the �ṃk-school� and �īپ-school�, has shown great importance of poetic figures in the treatment of Poetics.

He, for the first time, defines ṃk as basic beautifying element for a poetic composition�

屹ⲹśobhākarān dharmānalaṃkārān pracakṣate/
  —Kāvyādarśa (of ٲṇḍ) 2.1.

He also opines that an uttama-屹ⲹ or good poetry should be embellished by ṃk. He has not differentiated ṇa from ṃk and he asserts that literary excellences such as ṇa and ṃk constitute the essence of poetic diction or .

He states that ṇa are the special embellishments of vaidarbha- while the ṃk are common embellishments to both vaidarbha- and ḍa-

iti vaidarbhaya prāṇādaśaguṇāsmṛtā�/
  —Kāvyādarśa (of ٲṇḍ) 1.42.

Therefore he, in his introduction to the chapter dealing with poetic figures, clearly states technical poetic figures as �ṇaṃkٲ[1] .

Footnotes and references:

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[1]:

kācinvibhāgārthamuktāprāgapyalaṃkṛti�/
ṇaṃkٲadya pradarśyate//

  � Kāvyādarśa (of ٲṇḍ) 2.3.

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