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A Sanskrit poet who lived in the 7th century A.D. His important works are the three dramas, 惭腻濒补迟墨尘腻诲丑补惫补, 惭补丑腻惫墨谤补肠补谤颈迟补 and 鲍迟迟补谤补谤腻尘补肠补谤颈迟补. 叠丑补惫补产丑奴迟颈 was a brahmin of the Ka艣yapagotra. He was the son of one 狈墨濒补办补峁囜弓丑补 and one 闯腻迟耻办补谤峁嚹�. He was a great devotee of 艢颈惫补 and he got his name 叠丑补惫补产丑奴迟颈 later because of this. His original name was 狈墨濒补办补峁囜弓丑补. 叠丑补惫补产丑奴迟颈 was born in Padmapura in the state of Vidarbha. But 叠丑补惫补产丑奴迟颈 spent most of his life in the palace of Ya艣odharm膩, king of Kannauj.

叠丑补惫补产丑奴迟颈鈥檚 first drama is believed to be 惭补丑腻惫墨谤补肠补谤颈迟补. There are seven acts in this. The theme is based on the story of 艢r墨 搁腻尘补. But there are some variations from the original 搁腻尘腻测补峁嘺 in this drama. 叠丑补惫补产丑奴迟颈 states that even at the time of the 蝉惫补测补峁僾补谤补 of 厂墨迟腻, 搁腻惫补峁嘺 was a suitor. There is an opinion among certain critics that 叠丑补惫补产丑奴迟颈 did write only up to the 46th verse in the fourth act and the rest was written by another poet named 厂耻产谤补丑尘补峁噛补.

惭腻濒补迟墨尘腻诲丑补惫补 is a drama of ten acts. It is a love-story of 惭腻濒补迟墨 and 惭腻诲丑补惫补. 惭腻濒补迟墨 was the daughter of the minister of 鲍箩箩补测颈苍墨 and Madhava was the son of the minister of Vidarbha. It was while 惭腻诲丑补惫补 was having his education in 鲍箩箩补测颈苍墨 that he came to love 惭腻濒补迟墨. It was K膩mandak墨 who was a classmate of both the ministers and who became a sanny膩sin墨 later who pulls the strings of this love story. The king of 鲍箩箩补测颈苍墨 wanted 惭腻濒补迟墨 to marry Nandana, a friend of his. But 惭腻濒补迟墨 did not love him. Yet afraid of getting the displeasure of the King, 惭腻濒补迟墨鈥檚 father decided to give her in marriage to Nandana. In despair 惭腻诲丑补惫补 was about to commit suicide when from the temple nearby 惭腻诲丑补惫补 heard an agonised weeping. He rushed to the site of the sound and found to his bewilderment the gruesome sight of 惭腻濒补迟墨 being dragged for sacrifice by a sorceress named Kap膩laku峁囜笉al膩 helped by her guru Aghoragha峁囜弓a. 惭腻诲丑补惫补 killed Aghoragha峁囜弓a and saved 惭腻濒补迟墨. Disappointed Kap膩laku峁囜笉al膩 swore that she would seek revenge on 惭腻诲丑补惫补 and disappeared. 惭腻濒补迟墨 went back to her palace. At this time Madayantik膩, sister of Nandana and Makaranda, a friend of 惭腻诲丑补惫补 became lovers. Once Madayantik膩 was attacked by a tiger in a 艢颈惫补 temple and Makaranda saved her from the wild beast, and they became lovers thereafter. The proposal to give 惭腻濒补迟墨 in marriage to Nandana was still pending then. The marriage day was fixed and a day before that by a clever ruse played by the keenwitted K膩mandak墨 惭腻濒补迟墨 and 惭腻诲丑补惫补 eloped together. Makaranda, friend of 惭腻诲丑补惫补, was disguised and dressed in bridal robes and Nandana little suspecting the trick played on him married the substitute. Before they went to the bridal chamber for the night Nandana鈥檚 sister came to see her new sister-in-law and the moment she put her eyes on her she understood who it was and that night they also eloped. Thus poor Nandana was left alone.

Kap膩laku峁囜笉al膩 by her sorcery separated 惭腻濒补迟墨 from 惭腻诲丑补惫补 but luckily 厂补耻诲腻尘颈苍墨 a disciple of K膩mantak墨 saved her from Kap膩laku峁囜笉al膩. Later 惭腻濒补迟墨 married 惭腻诲丑补惫补 with the permission of the King. This is the story of 惭腻濒补迟墨-惭腻诲丑补惫补.

鲍迟迟补谤补谤腻尘补肠补谤颈迟补 is a play of seven acts. The theme is the story of 搁腻尘补 after his return to 础测辞诲丑测腻 after the exile. It begins with the renouncement of 厂墨迟腻 by 搁腻尘补 and ends with the vanishing of 厂墨迟腻.

All these three dramas used to be enacted during the festival of 'K膩lapriyan膩tha' at 鲍箩箩补测颈苍墨. The predominant emotion in 惭补丑腻惫墨谤补肠补谤颈迟补 is '痴墨谤补', in 惭腻濒补迟墨-惭腻诲丑补惫补, 'S峁涐箙g膩ra' and in 鲍迟迟补谤补谤腻尘补肠补谤颈迟补 '碍补谤耻峁嘺'. In expressing and elaborating the emotion of '碍补谤耻峁嘺' 叠丑补惫补产丑奴迟颈 excels 碍腻濒颈诲腻蝉补. The one draw-back which keeps him second to 碍腻濒颈诲腻蝉补 is his lack of humour and wit. The sanskrit poet Dhanap膩la in his book' 'Tilakama帽jari' speaks about 叠丑补惫补产丑奴迟颈 thus:

"spa峁ａ弓abh膩varas膩 citrai岣� padany膩sai岣� pravarttit膩 / n膩峁璦ke峁�u na峁璦str墨va 产丑腻谤补迟墨 bhavabh奴tin膩 //"