Udvritta, 鲍诲惫峁泃迟补: 13 definitions
Introduction:
Udvritta means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 鲍诲惫峁泃迟补 can be transliterated into English as Udvrtta or Udvritta, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1) 鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥擮ne of the 108 办补谤补峁嘺蝉 (minor dance movement) mentioned in the N膩峁瓂a艣膩stra chapter 4. The instructions for this 耻诲惫峁泃迟补-办补谤补峁嘺 is as follows, 鈥渉ands, feet and the entire body to be moved violently (lit. thrown up) and then 鲍诲惫峁泃迟腻 C膩r墨 to be observed.鈥�.
A 办补谤补峁嘺 represents a minor dance movements and combines 蝉迟丑腻苍补 (standing position), 肠腻谤墨 (foot and leg movement) and 苍峁泃迟补丑补蝉迟补 (hands in dancing position).
2) 鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い) refers to a gesture (腻峁単颈办补) made with 鈥榙ance hands鈥� (苍峁泃迟补丑补蝉迟补), according to the N膩峁瓂a艣膩stra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (补峁単补) used in dramatic performance. With these limbs are made the various gestures (腻峁単颈办补), which form a part of the histrionic representation (abhinaya).
3) 鲍诲惫峁泃迟腻 (啶夃う啷嵿さ啷冟い啷嵿い啶�) refers to a one of the thirty-two 肠腻谤墨s, according to the N膩峁瓂a艣膩stra chapter 11. The 鲍诲惫峁泃迟腻-肠腻谤墨 is classified as a 腻办腻艣颈办墨, or 鈥渁erial鈥�, of which there are sixteen in total. The term 肠腻谤墨 refers to a 鈥渄ance-step鈥� and refers to the simultaneous movement of the feet (辫腻诲补), shanks (箩补峁単丑腻) and the hip (奴谤耻). From these 肠腻谤墨s proceed dance as well as movements in general.
: archive.org: The mirror of gesture (abhinaya-darpana)One of the 蝉补峁儁耻迟迟补-丑补蝉迟腻苍颈 (Twenty-six combined Hands).鈥敱灞贯箾t迟补 (asunder): one Ha峁僺a-pak峁 hand held face downwards and one face upwards. Patron deity V膩si峁ａ弓ha. Usage: modesty, simile, torment, thorns etc., difference, consideration.
: archive.org: Natya Shastra1) 鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥擜 type of gesture (腻峁単颈办补) made with dance-hands (苍峁泃迟补丑补蝉迟补);鈥�(Instructions): The two Ha峁僺apak峁 hands waved like a palm-leaf (fan). Its alternative name is the T膩lav峁沶ta (palm-leaf). The Dance-hands are to be used in forming Kara峁嘺s.
2) 鲍诲惫峁泃迟腻 (啶夃う啷嵿さ啷冟い啷嵿い啶�).鈥擜 type of aerial (腻办腻艣颈办墨) dance-step (肠腻谤墨);鈥擨nstructions: the (Ku帽cita) foot of the 膧viddha C膩r墨 taken round [the thigh of the remaining leg] and thrown up and then caused to fall [on the ground].
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い) refers to one of the thirty 狈峁泃迟补丑补蝉迟补蝉 or 鈥渄ance hand gestures鈥� (in Indian Dramas), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he 丑补蝉迟补-尘耻诲谤腻蝉 (lit. 鈥渉and-gestures鈥�) are very essential to denote some particular action or state in dancing and these 尘耻诲谤腻蝉 are formed with the help of hands and fingers. In the Vi峁ａ箛udharmottarapur膩峁嘺, thirty kinds of 苍峁泃迟补丑补蝉迟补s (鈥渄ance-hand gestures鈥�) are mentioned. e.g., 耻诲惫峁泃迟补. The practice of these 苍峁泃迟补丑补蝉迟补s is strictly prohibited in sickness of body, in old age, in fear, drunk and anxiety.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionary耻诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥攑 S Licentious, libertine, dissolute, profligate.
--- OR ---
耻诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥攏 S 耻诲惫峁泃迟补艣a峁卥u m S See 耻苍尘补峁囜笉补濒补 & 耻苍尘补峁囜笉补濒补艣a峁卥u.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥�p. p.
1) Raised, elevated (stana, danta, megha &c.). 啶椸ぐ啷嵿啶ㄠ啶むぎ啷佮う啷嵿さ啷冟い啷嵿い啶多た啶むぞ啶椸啶班う啶傕し啷嵿啷嵿ぐ啶 (garjantam耻诲惫峁泃迟补艣it膩grada峁冡梗峁璻am) 搁腻尘.6.59.95.
2) Flowing out, not contained in, swollen, overflowing; 啶灌啶︵く啶ぐ啶苦い啷嬥う啷嵿さ啷冟い啷嵿い- 啶掂た啶膏啶く (h峁沝ayabharitod惫峁泃迟补- vismaya) M膩lat墨m膩dhava (Bombay) 4; 啶呧お啶距ぎ啷佮う啷嵿さ啷冟い啷嵿い啶距え啶距ぎ啷� (补辫腻尘耻诲惫峁泃迟腻苍腻尘) Mu.3.8 overflowing; 啶夃う啷嵿さ啷冟い啶� 啶� 啶囙さ 啶膏啶栢ぞ啶掂す啶� 啶ぐ啷囙し啶距ぎ啷� (udv峁泃a岣� ka iva sukh膩vaha岣� pare峁Ｄ乵) 艢i艣up膩lavadha 8.18. (where 耻掳 means also 'gone astray, ill-behaved').
3) Grown, increased.
4) Exalted, prosperous.
5) Proud, furious, haughty; 啶ぐ啶苦ぇ啶む啶� 啶曕た啶啶︵啶掂啶む啶むぞ 啶班ぞ啶溹う啷嵿ぐ啶掂啶ぞ啶｀啶き啷�啶啶膏ぅ (paridhatta kimudv峁泃t膩 r膩jadravy膩峁噛abh墨psatha) Bh膩gavata 1.41.35. 掳啶啶椸お啶むた (尘峁沢补辫补迟颈) K.9.
6) Vomited up.
7) Left as a remainder.
8) Ill-conducted, ill-mannered, rude.
9) Agitated; 啶夃う啷嵿さ啷冟い啷嵿い啶ㄠ啷嵿ぐ啶距い啷� 啶膏す啶膏啶ㄠ啶ぎ啶溹啶� (耻诲惫峁泃迟补nakr膩t sahasonmamajca) R.16.79.
1) Turned up, opened wide (as eyes).
-迟迟补岣� A particular position of the hands in dancing.
-ttam (in astronomy) The east and west hour circle or six o'clock line.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥攎fn.
(-迟迟补岣�-tt膩-tta峁�) 1. Raised, elevated. 2. Exalted, prosperous. 3. Unrestrained, ill-behaved. 4. Vomited. 5. Left, as a remainder. E. ut above, and 惫峁泃迟补 placed.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い).鈥擺adjective] swollen, turgid, prominent; roused, excited; extravagant, dissolute.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い):鈥擺=ud-惫峁泃迟补] [from 耻诲-惫峁泃] mfn. swollen up, swelling
2) [v.s. ...] prominent, [Su艣ruta; Mah膩bh膩rata; Hariva峁兣沘; Bhart峁沨ari]
3) [v.s. ...] excited, agitated, waving, [Mah膩bh膩rata; Raghuva峁兣沘; Bh膩gavata-pur膩峁嘺; Su艣ruta] etc.
4) [v.s. ...] extravagant, ill-behaved, ill-mannered, proud, arrogant, [Mah膩bh膩rata; R膩m膩ya峁嘺; R膩jatara峁単i峁嚹玗 etc.
5) [v.s. ...] turned up
6) [v.s. ...] opened, opened wide (as eyes), [Mah膩bh膩rata vii, 5405; ix, 432; M膩rka峁囜笉eya-pur膩峁嘺 xiv, 62] (erroneous for 耻诲-惫峁泃a, [Boehtlingk & Roth鈥檚 Sanskrit-Woerterbuch])
7) [v.s. ...] m. a particular position of the hands in dancing
8) [v.s. ...] n. (in [astronomy]) the east and west hour circle or six o'clock line (cf. 耻苍-尘补峁囜笉补濒补).
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い):鈥擺(tta岣�-迟迟补岣�-tta峁�) a.] Vomited.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)鲍诲惫峁泃迟补 (啶夃う啷嵿さ啷冟い啷嵿い) in the Sanskrit language is related to the Prakrit words: 鲍惫惫补峁弓颈测补, Uvvatta.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus鲍诲惫峁泃迟补 (嗖夃拨喑嵿驳喑冟菠喑嵿菠):鈥�
1) [adjective] gone up; moved to a higher place, position, status, rank, etc.; progressed; developed.
2) [adjective] arrogant or overbearing in conduct or behaviour; offensively contemptuous; impertinently insulting.
--- OR ---
鲍诲惫峁泃迟补 (嗖夃拨喑嵿驳喑冟菠喑嵿菠):鈥�
1) [noun] he whose behaviour is marked by arrogance, contempt; he who tends to insults others impertinently.
2) [noun] 嗖夃拨喑嵿驳喑冟菠喑嵿菠嗖ㄠ簿嗖椸硜 [udvrittanagu] 耻诲惫峁泃迟补n膩gu to behave in an arrogant or overbearing manner; to be haughty; 2. to assume lordly airs; to ignore what is wise, decent or normal.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Udvrittahasta, Udvrittaka, Udvrittate.
Full-text: Samudvritta, Urudvritta, Udvrittahasta, Nrittahasta, Uvvattiya, Talavrinta, Ubbatuma, Uvvatta, Abhisavrit, Apasarpita, Vicitra, Udvartana, Alataka, Samyutta-hastani, Akshiptarecita, Urdhva, Urdhvavartana, Shari, Vrit.
Relevant text
Search found 11 books and stories containing Udvritta, 鲍诲惫峁泃迟补, Udvrtta, 鲍诲惫峁泃迟腻, Ud-vritta, Ud-惫峁泃迟补, Ud-vrtta; (plurals include: Udvrittas, 鲍诲惫峁泃迟补s, Udvrttas, 鲍诲惫峁泃迟腻s, vrittas, 惫峁泃迟补s, vrttas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Garga Samhita (English) (by Danavir Goswami)
Verse 5.5.38 < [Chapter 5 - 艢r墨 K峁涐梗峁嘺鈥檚 Entrance Into Mathur膩]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada D膩sa)
Text 8.24 < [Chapter 8 - Literary Qualities]
Text 9.11 < [Chapter 9 - Ornaments of Sound]
Text 7.38 < [Chapter 7 - Literary Faults]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in classical dance form of O岣峣ssi < [Chapter 4 - Practice of Gati]
Performance of C膩r墨 < [Chapter 2 - Concept and technique of Gati]
Gait identified in the martial arts of India < [Chapter 4 - Practice of Gati]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.2. Hand Postures (c): N峁泃ta-hasta < [Chapter 3 - Drama and Dance]
Natyashastra (English) (by Bharata-muni)
Arts in the Puranas (study) (by Meena Devadatta Jeste)
5. Hasta-mudras (gestures of the hands) < [Chapter 2 - Dance in the Puranas]