Ragakavya, 岵屹ⲹ, Raga-kavya: 1 definition
Introduction:
Ragakavya means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)岵屹ⲹ (रागकाव्य) refers to one of the ten Deśī-varieties of ṛtⲹ屹ⲹ, according to the Saṅgītacintāmaṇi of King Vīranārāyaṇa (Vema)—[Cf. M. R. Kavi’s Bharatakośa, p. 841].—Vema says that he has followed the path shown by Kohala and Mataṅga and has also followed current local traditions. He defines the term deśī and then goes on to describe ten varieties of deśī-ṛtⲹ屹ⲹ. [For example, 岵屹ⲹ]. Having listed the ten ṛtⲹ-屹ⲹ, he then says these have been described by Kohala and that he (Vema) will explain each of them. The use of the term ṛtⲹ屹ⲹ instead of ܱ貹ū貹첹 is noteworthy.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Full-text: Nrityakavya.
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Search found 4 books and stories containing Ragakavya, 岵屹ⲹ, Rāga-kāvya, Raga-kavya; (plurals include: Ragakavyas, 岵屹ⲹs, kāvyas, kavyas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and Nāṭya (7): The concept of Uparūpakas < [Chapter 2 - Kohala as seen in citations]
Part 4 - Citations of Kohala in the Abhinavabhāratī < [Chapter 3 - Kohala as seen in citations—an analysis]
Kohala and Nṛtya (1): The concept of Tāṇḍava < [Chapter 2 - Kohala as seen in citations]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Importance of Gati in Uparūpakas < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Analysis of technical terms: Nāṭya, Nṛtta, Nṛtya < [Chapter 1 - Nāṭya]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
10. Lokadharmi and Natyadharmi < [Chapter 2 - Bharata’s Dramaturgy]
Glories of India (Culture and Civilization) (by Prasanna Kumar Acharya)
Ancient Indian Dramas and Plays < [Chapter 7 - Original literatures]