Pathos: 3 definitions
Introduction:
Pathos means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Gitashastra (science of music)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (gita)The Pathos Sentiment (in Sanskrit: 办补谤耻峁嘺-谤补蝉补) refers to one of the nine kinds of Sentiment (rasa) in Indian classical Music. They have an inherent relationship with the svaras (鈥渕usical notes鈥�).鈥擳here are nine kinds of sentiments: [e.g., Pathos (办补谤耻峁嘺)]. In the N膩峁瓂a艣膩stra some particular svaras are determined for the delineation of some specific sentiments. In the N膩峁瓂a艣膩stra it is accepted that鈥攖he notes 驳腻苍诲丑腻谤补 and 苍颈峁Ｄ乨补 are used to delineate the sentiment of 办补谤耻峁嘺-谤补蝉补.
Gitashastra (啶椸啶むざ啶距じ啷嵿い啷嵿ぐ, 驳墨迟补艣腻蝉迟谤补) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)The Sentiment of Pathos is denoted by the Sanskrit term 碍补谤耻峁嘺-谤补蝉补, which represents one of the nine kinds of Rasa (鈥渟oul of Drama鈥�), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擪aru峁嘺 i.e., pathos is the sentiment delineated in the circumstances of sorrow. The Vi峁ａ箛udharmottarapur膩峁嘺 says that it is enacted through frightened limbs, crying in grief, pale and dry face. This sentiment arises at the death of the beloved one or lovable friends or because of loss of wealth. In this context the Vi峁ａ箛udharmottarapur膩峁嘺 is seen to follow the N膩峁瓂a艣膩stra. According to the S膩hityadarpa峁嘺, pathos arises in loss of desired things as well as in attainment of unwanted things.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)Pathos refers to one of the Nine Sentiments (citrarasa) in ancient Indian Painting (citra), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擯ainting is a medium of showing the inner feelings and emotions of a painter which can strikes the inherent sentiments of connoisseur鈥檚 mind [e.g., the sentiment of pathos (办补谤耻峁嘺)]. [...] The 办补谤耻峁嘺rasa i.e., the pathetic sentiment is reflected through a Painting in which a painter creates pathos on the basis of the actions projecting begging, separation, calamity, compassion etc.
Shilpashastra (啶多た啶侧啶ざ啶距じ啷嵿い啷嵿ぐ, 艣ilpa艣膩stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
Starts with: Patocam.
Full-text (+13): Karuna, Karunarasa, Adakebiluballi, Shabdasvarasya, Titha, Rasabhanga, Avalaccuvai, Karunya, Dayavira, Ruksha, Svarasa, Begging, Calamity, Compassion, Vidula, Svarasya, Separation, Rasa, Poetry, Tunne.
Relevant text
Search found 63 books and stories containing Pathos; (plurals include: Pathoses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Tragic Potentialities of Bhavabhuti < [April 鈥� June, 1984]
"Shakuntala"鈥揑ts Tragedy < [April 1940]
Tears and Smiles in Charles Lamb < [July 鈥� September 1976]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 1.3b - Karu峁嘺 Rasa (The pathetic sentiment) < [Chapter 2 - Literary Study of the M膩lat墨m膩dhava]
Part 1c - The Works of Bhavabh奴ti < [Chapter 1 - Introduction]
Sankalpa Suryodaya of Venkatanatha (Critical Study) (by R. Laxmi)
Delineation of Karunarasa or Sentiment of Pathos < [Chapter 4b - Rasa delineation of the play]
Kuntaka鈥檚 evaluation of Sanskrit literature (by Nikitha. M)
1. T膩pasavatsar膩ja in Kuntaka鈥檚 treatment < [Chapter 4 - Kuntaka鈥檚 evaluation of Sanskrit Plays of other Poets]
3. Amaru艣ataka in Kuntaka鈥檚 treatment < [Chapter 6 - Kuntaka鈥檚 assessment of Verses Cited in 艢atakas and Anthologies]
3.8 (b): Lexical figurativeness or padap奴rv膩rdha-vakrat膩 < [Chapter 1 - Vakroktij墨vita: A Synoptic Survey]
Discovery of Sanskrit Treasures (seven volumes) (by Satya Vrat Shastri)
2. Karuna Rasa in Sanskrit Literature < [Volume 3 - Classical Sanskrit Literature]
4. A Note on Sri-kalidasa-carita-samgraha < [Volume 4 - Modern Sanskrit Literature]
6.5. The concept of Karuna (compassion) < [Volume 7 - Society and Culture]
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of 碍补谤耻峁嘺-谤补蝉补 < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]