Parshvakranta, 笔腻谤艣惫补办谤腻苍迟补, 笔腻谤艣惫腻办谤腻苍迟补, Parshvakramta, Parshva-kranta: 4 definitions
Introduction:
Parshvakranta means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms 笔腻谤艣惫补办谤腻苍迟补 and 笔腻谤艣惫腻办谤腻苍迟补 can be transliterated into English as Parsvakranta or Parshvakranta, using the IAST transliteration scheme (?).
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1) 笔腻谤艣惫补办谤腻苍迟补 (啶ぞ啶班啶多啶掂啷嵿ぐ啶距え啷嵿い).鈥擮ne of the 108 办补谤补峁嘺蝉 (minor dance movement) mentioned in the N膩峁瓂a艣膩stra chapter 4. The instructions for this 辫腻谤艣惫补办谤腻苍迟补-办补谤补峁嘺 is as follows, 鈥渙bserving the Par艣vakr膩nta C膩r墨, throwing out hands towards the front, and moving them in a manner befitting the dance.鈥�.
A 办补谤补峁嘺 represents a minor dance movements and combines 蝉迟丑腻苍补 (standing position), 肠腻谤墨 (foot and leg movement) and 苍峁泃迟补丑补蝉迟补 (hands in dancing position).
2) 笔腻谤艣惫补办谤腻苍迟腻 (啶ぞ啶班啶多啶掂啷嵿ぐ啶距え啷嵿い啶�) refers to a one of the thirty-two 肠腻谤墨s, according to the N膩峁瓂a艣膩stra chapter 11. The 笔腻谤艣惫补办谤腻苍迟腻-肠腻谤墨 is classified as a 腻办腻艣颈办墨, or 鈥渁erial鈥�, of which there are sixteen in total. The term 肠腻谤墨 refers to a 鈥渄ance-step鈥� and refers to the simultaneous movement of the feet (辫腻诲补), shanks (箩补峁単丑腻) and the hip (奴谤耻). From these 肠腻谤墨s proceed dance as well as movements in general.
: archive.org: Natya Shastra笔腻谤艣惫补办谤腻苍迟腻 (啶ぞ啶班啶多啶掂啷嵿ぐ啶距え啷嵿い啶�).鈥擜 type of aerial (腻办腻艣颈办墨) dance-step (肠腻谤墨);鈥擨nstructions: one foot Ku帽cita and another thrown up and brought near the side.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)笔腻谤艣惫腻办谤腻苍迟补 (啶ぞ啶班啶多啶掂ぞ啶曕啶班ぞ啶ㄠ啶�) refers to one of the 108 kinds of Kara峁嘺 (鈥渃oordination of precise movements of legs and hands鈥�), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擜ccording to the Vi峁ａ箛udharmottarapur膩峁嘺, 办补谤补峁嘺蝉 are the coordination of precise movements of legs and hands performed in a particular posture. The N膩峁瓂a艣膩stra also gives its view point in the same spirit. In the Vi峁ａ箛udharmottarapur膩峁嘺, one hundred and eight kinds of 办补谤补峁嘺蝉 are accepted, e.g., 笔腻谤艣惫腻办谤腻苍迟补.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Kannada-English dictionary
: Alar: Kannada-English corpusP膩r艣vakr膩峁僼a (嗖簿嗖班硩嗖多硩嗖掂矔喑嵿舶嗖距矀嗖�):鈥擺noun] (dance.) standing on one foot, and raising the heel of the other as to make it rest only on toes, raising the later foot and stamping the ground with its heel.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Parshva, Kranta, Akranta.
Full-text: Parshvadamdapada, Sucividdha, Lalitasancara, Vicitra, Kranta, Vamaviddha, Alata, Vihrita, Dandapada, Atikranta, Shari, Lalita.
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Search found 5 books and stories containing Parshvakranta, 笔腻谤艣惫补办谤腻苍迟补, Parsva-kranta, P膩r艣va-kr膩nta, 笔腻谤艣惫腻办谤腻苍迟补, Parshvakramta, 笔腻谤艣惫补办谤腻苍迟腻, Parshva-kranta, Parsvakranta, P膩r艣vakr膩峁僼a, Parsvakramta, P膩r艣va-膩kr膩nta, Parshva-akranta, Parsva-akranta; (plurals include: Parshvakrantas, 笔腻谤艣惫补办谤腻苍迟补s, krantas, kr膩ntas, 笔腻谤艣惫腻办谤腻苍迟补s, Parshvakramtas, 笔腻谤艣惫补办谤腻苍迟腻s, Parsvakrantas, P膩r艣vakr膩峁僼as, Parsvakramtas, 膩kr膩ntas, akrantas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gait of birds and animals < [Chapter 2 - Concept and technique of Gati]
Relevance of Gati in R奴pakas < [Chapter 3 - Application of gati in D峁浥泍a-k膩vyas]
Gati pertaining to Characters < [Chapter 3 - Application of gati in D峁浥泍a-k膩vyas]
Natyashastra (English) (by Bharata-muni)
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.5. Kara峁嘺 (movements of legs and hands) < [Chapter 3 - Drama and Dance]
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.3 - (c) Sculptures of Shiva and Dance < [Volume 2 - Nampi Arurar and Mythology]
Dance Traditions of South India < [May-June 1935]