Kangula, ṅgܱ, ṅgܱ, Kamgula: 10 definitions
Introduction:
Kangula means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraṅgܱ (काङ्गु�) refers to a gesture (ṅg첹) made with a ‘single hand� (ṃyܳٲ), according to the Nāṭyaśāstra chapter 8. The hands (hasta) form a part of the human body which represents one of the six major limbs (ṅg) used in dramatic performance. With these limbs are made the various gestures (ṅg첹), which form a part of the histrionic representation (abhinaya).
: archive.org: Natya Shastraṅgܱ (काङ्गु�).—A type of gesture (ṅg첹) made with a single hand (ṃyܳٲ-hasta);�(Instructions): The middle and the fore-fingers and the thumb to be separated and the ring finger to be bent but the little finger raised.
(Uses): By this are to be represented immature fruits of various kinds and angry words of women.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Kāṅgūla (काङ्गू�) refers to one of the twenty-two ṃyܰٲٲ or “single hand gestures� (in Indian Dramas), according to the վṣṇܻdzٳٲܰṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—The ٲ-ܻ (lit. “hand-gestures�) are very essential to denote some particular action or state in dancing and these ܻ are formed with the help of hands and fingers.—In ṅgū-ٲ, the middle finger is set between the forefinger and thumb while the ring finger is bent and the little finger is quite upward. According to the վṣṇܻdzٳٲܰṇa, this posture is used to denote fruits. In the Բⲹ岹貹ṇa, this posture is said to indicate things as fruits, bell, birds like cakora and ٲ첹, coconut etc.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryṅgܱ (कङ्गुल).—The hand.
Derivable forms: 첹ṅgܱ� (कङ्गुल�).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionaryṅgܱ (कङ्गुल).—m.
(-�) The hand.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionaryṅgܱ (कङ्गुल):�m. a particular position of the hand, [Purāṇa-sarvasva]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionaryṅgܱ (कङ्गुल):�(�) 1. m. The hand.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusKāṃgūla (ಕಾಂಗೂಲ):—[noun] (dance.) a single-hand gesture with slightly hollowed palm, bending the ring-finger, stretching the little finger slightly backward, other two fingers and thumb straightened and held like the eye of a coconut.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Kangulahasta, Kankulam.
Full-text: Kangulahasta, Virikankulam, Mukilkankulam, Fruit, Coconut, Bird, Kankulam, Agni, Bell, Asamyuta, Inaiya-vinaikai, Natai.
Relevant text
Search found 3 books and stories containing Kangula, ṅgܱ, ṅgܱ, Kamgula, Kāṃgūla, Kāṅgūla, Kaṅgūla; (plurals include: Kangulas, ṅgܱs, ṅgܱs, Kamgulas, Kāṃgūlas, Kāṅgūlas, Kaṅgūlas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
3. Relevance of the Abhinaya-darpana < [Chapter 3 - Later developments of dramatic techniques]
3. Gestures employed in Kathakali and Kutiyattam against Hastalaksanadipika < [Chapter 3 - Later developments of dramatic techniques]
5. study of Balaramabharata < [Chapter 3 - Later developments of dramatic techniques]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Part 2.2 - Contents of Dattilakohalīyam < [Chapter 4 - Works attributed to Kohala]
Natyashastra (English) (by Bharata-muni)