Atodya, Āٴǻⲹ: 12 definitions
Introduction:
Atodya means something in Hinduism, Sanskrit, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstra1) Āٴǻⲹ (आतोद्य) refers to “instrumental music�, according to the Nāṭyaśāstra 6.10 and chapter 28. It is also known as ⲹ.
There are four kinds of ‘musical instruments� defined:
- tata (‘stringed�, instruments with strings ),
- avanaddha (‘covered�, drums etc.),
- ghana (‘solid�, cymbals etc.),
- ṣi (‘hollow�, flutes etc.).
According to the Nāṭyaśāstra, “in connexion with the dramatic performance (ṭa첹) they have threefold application: that in which the stringed instruments (tata) preponderate, that in which the drums (avanaddha) preponderate, and their general application during the dramatic performance (ṭyṛt)�.
2) Āٴǻⲹ (आतोद्य) refers to “drums� (muraja) according to the Nāṭyaśāstra chapter 33. Accordingly, “Vajrekṣaṇa, Śaṅkukarṇa and Mahāgrāmaṇ� are said to be gods of Murajas (drums). Mṛdaṅgas are so called because of being made of ṛt (earth), and they are called Bhāṇḍas because they bhramayati (move about). Murajas are so called because they are placed in an upright position (ū첹ṇa), and they are called Āٴǻⲹ because of relating to ٴǻ岹 (ٰ쾱Բ)�.
: Google Books: Indian Literary CriticismĀٴǻⲹ (आतोद्य).—The musical instruments (ٴǻⲹ) are of four kinds. Their characters are:
- tata (stringed),
- avanaddha (covered),
- ghana (solid),
- ṣi (with holes).
Tata is known to be connected with the stringed lyre; Avanaddha is connected with drum; Ghana is cymbal or gong; and ṣi is flute.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shaivism (Shaiva philosophy)
: Shodhganga: Iconographical representations of ŚivaĀٴǻⲹ (आतोद्य) or Ātodyāgama refers to one of ܱ岵 (supplementary scriptures) of the ʰǻ岵ī岵 which is one of the twenty-eight Գ岵: a classification of the Śaiva division of Ś岵. The Ś岵 represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu. The purpose of revealing ܱ岵 (e.g., Āٴǻⲹ Āgama) is to explain more elaborately than that of ū岵 (e.g., Prodgīta-āgama) and to include any new idea if not dealt in ū岵.

Shaiva (शै�, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Gitashastra (science of music)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (gita)Āٴǻⲹ (आतोद्य) refers to the “instrument� used to produce (instrumental) music, according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Music is totally based on sound and the instrumental Music is nothing but the sound, created with different instruments. In Sanskrit the term ٴǻⲹ is used to denote instrument. According to the Saṃgītaratnākara, instrumental Music is that which manifests 岹 i.e., sound.
The Viṣṇudharmottarapurāṇa also accepts four kinds and gives the divisions of instrumental Music as�
- tata,
- ṣi,
- ghana and
- avanaddha.
Gitashastra (गीतशास्त्र, īٲśٰ) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
India history and geography
: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical GlossaryĀٴǻⲹ.�(EI 23), music. Note: ٴǻⲹ is defined in the “Indian epigraphical glossary� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryĀٴǻⲹ (आतोद्य).—A musical instrument; आतोद्यविन्यासादिका विधय� (ٴǻⲹvinyāsādikā vidhaya�) Ve.1; स्रजमातोद्यशिरोनिवेशिताम� (srajamٴǻⲹśironiveśitām) R.8.34, 15.88; Uttararāmacarita 7.
Derivable forms: ٴǻⲹm (आतोद्यम्).
See also (synonyms): ٴǻⲹka.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryĀٴǻⲹ (आतोद्य).—n.
(-ⲹ�) A musical instrument. E. � before tuda to torment, ṇy aff.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English DictionaryĀٴǻⲹ (आतोद्य):—[=-ٴǻⲹ] [from -ٳܻ] n. ‘to be struck�, a musical instrument, [Jaina literature] (Prākṛt Ჹ), [Raghuvaṃśa; Kathāsaritsāgara]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryĀٴǻⲹ (आतोद्य):—[-ٴǻⲹ] (ⲹ�) 1. n. Musicalinstrument.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusĀtōdya (ಆತೋದ್ಯ):—[adjective] that can be played on (as a musical instrument).
--- OR ---
Ātōdya (ಆತೋದ್ಯ):—[noun] any of various devices producing musical sound, as a piano, drum, violin, oboe, etc.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Atodyaghosha, Atodyaka, Atodyamga, Atodyanada, Atodyarava, Atodyasvana.
Full-text (+44): Ranatodya, Mangalatodya, Putabheda, Atodin, Samgraha, Todya, Susira, Vadya, Ghata, Atodyaka, Tumbakya, Bheri, Mardala, Jhallari, Dhakka, Hudukka, Kudukka, Damaruka, Dakkuli, Ghadasa.
Relevant text
Search found 17 books and stories containing Atodya, Āٴǻⲹ, A-todya, Ā-todya, Ātōdya; (plurals include: Atodyas, Āٴǻⲹs, todyas, Ātōdyas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Amarakoshodghatana of Kshirasvamin (study) (by A. Yamuna Devi)
Musical instruments (e.g., Stringed, Percussions, Cymbals and Wind-blown) < [Chapter 4 - Cultural Aspects]
Tāla (beat) or Measure of time < [Chapter 4 - Cultural Aspects]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
6.2. Atodya-vidhana: Instrumental music < [Chapter 1 - Music in the Puranas]
4. Music in the Markandeya Purana < [Chapter 1 - Music in the Puranas]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
4. Instrumental Music (Vādya) < [Chapter 2 - Music]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
1. Introduction (Bharata’s Dramaturgy) < [Chapter 2 - Bharata’s Dramaturgy]
10. Lokadharmi and Natyadharmi < [Chapter 2 - Bharata’s Dramaturgy]
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Musical Instruments in allied Vedic literature < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
The Ramayana and Music < [Chapter 2 - Origin and evolution of Music and Musical instruments]
References to Musical Instruments by Kalidasa < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and Nāṭya (2): Number of Aṅgas of Nāṭya < [Chapter 2 - Kohala as seen in citations]
Part 1 - Citations of Kohala in the Nāṭyaśāstra < [Chapter 3 - Kohala as seen in citations—an analysis]