Significance of Samaveda
Samaveda is one of the four Vedas in Hinduism, primarily recognized for its focus on musical harmonization, chants, and hymns. It is distinguished for its metrical hymns derived mainly from the Rigveda, playing a crucial role in Indian music and rituals. The Samaveda includes various melodies and is often referred to as the "Veda of Songs." It emphasizes the spiritual significance of musical chants in worship and has been celebrated for its cultural impact and ritualistic traditions throughout Hindu history.
Synonyms: Vedic text, Hindu scripture, Ritual text
In German: Samaveda; In Finnish: Samaveda; In Dutch: Samengevat; In Spanish: 厂补尘补惫茅诲补
The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.
Buddhist concept of 'Samaveda'
In Buddhism, Samaveda is interpreted as one of the four Vedas, emphasizing the musical harmonization of hymns and chants, reflecting its significance in spiritual practice and ritualistic expression.
From: Apadana commentary (Atthakatha)
(1) One of the four Vedas that represents the musical harmonization of hymns and chants.[1]
Hindu concept of 'Samaveda'
Samaveda, one of Hinduism's four Vedas, focuses on musical chants and hymns used in rituals, serving as a source of Indian music while emphasizing spiritual and cultural expressions through its melodic structures and lyrical traditions.
From: Chandogya Upanishad (english Translation)
(1) The third Veda, which contains melodies and chants for musical performance.[2] (2) An ancient scripture that underwent stimulation by the Sama mantras, leading to the emergence of various vital elements.[3] (3) A sacred text from which the stobhas are derived and through which worship can be performed.[4] (4) One of the Vedas, considered to represent the aspect of heaven (ut) due to its high spiritual significance.[5] (5) The third of the four Vedas, consisting of melodies and chants for rituals.[6]
From: Taittiriya Upanishad Bhashya Vartika
(1) One of the forms of the Vyahriti called Bhuvah, considered a sacred text of the Vedas.[7] (2) The third of the Vedas, showcasing the function of the internal organ when referred to as manas.[8]
From: Chandogya Upanishad (Shankara Bhashya)
(1) The Veda focused on melodies and chants, included in the broader understanding derived from Learning.[9] (2) Described as the flower, it is associated with the Sama-verses which produce the essence.[10]
From: Brahma Sutras (Shankara Bhashya)
(1) One of the four Vedas, responsible for the structure and chants of offerings, mentioned in relation to the context of the Upasad offerings.[11] (2) One of the four Vedas, which focuses on melodies and chants; it is where the 'Om' under consideration is derived.[12]
From: Mundaka Upanishad with Shankara鈥檚 Commentary
(1) The Sama Veda consists of mantras characterized by fivefold and sevenfold classifications characterized by sthoba and other gita (music).[13] (2) One of the four Vedas that involves melodies and chants, included in Apara vidya.[14]
From: Thirty minor Upanishads
(1) The Veda that is associated with melodies, which originated from the great Being's exhalation.[15] (2) One of the four Vedas, a collection of melodies associated with rituals.[16]
From: Prashna Upanishad (Madhva commentary)
(1) The text that deals with the knowledge of God and the science of Brahma-Vidya.[17]
From: Kena upanishad (Madhva commentary)
(1) The Vedic text to which the Talavakara Brahmana appertains, indicating its significance within the Vedic tradition.[18]
From: Brihadaranyaka Upanishad
(1) One of the four Samhitas, primarily concerned with melodies and chants.[19]
From: Brahma Sutras (Ramanuja)
(1) A collection of Vedic texts where followers recite initial prayers promoting sacrifice.[20]
From: Manusmriti with the Commentary of Medhatithi
(1) One of the three Vedas, linked to Ravi, the Sun, and noted for its requirement of skilled individuals for the performance of its verses.[21] (2) One of the four Vedas which specifies that the Upakarma should be performed on the full-moon day of Bhadrapada.[22] (3) A Vedic text that has been declared to be related to the Pitris, with its sound described as impure.[23] (4) A Vedic text that is primarily a collection of melodies or chants derived from the Rigveda.[24] (5) The third of the three Vedas, consisting mainly of melodies and chants for rituals.[25]
From: Baudhayana Dharmasutra
(1) A Vedic text that focuses on melodies and chants; it receives honor during the act of drinking water for atonement.[26] (2) The Vedic text that focuses on melodies and chants used in sacrificial rites.[27] (3) One of the Vedic texts referenced by Baudhayana, indicating the breadth of Vedic literature he engaged with in his works.[28]
From: Gobhila-grihya-sutra
(1) One of the four Vedas, from which verses are recited during sacrifices.[29] (2) One of the four Vedas, mentioned in relation to the Grihya-sutra of Gobhila, which contains hymns intended for musical recitation in sacrificial offerings.[30]
From: Vasistha Dharmasutra
(1) One of the four Vedas, mentioned in relation to the Gautama Dharma-sutra and its textual references.[31]
From: Gautama Dharmasutra
(1) One of the four Vedas, which has a connection with both Apastamba's Dharma-sutra and Gautama's work.[32]
From: Paraskara-grihya-sutra
(1) One of the four sacred texts, focusing on melodious chants and their musical notation.[33]
From: Sankhayana-grihya-sutra
(1) The Veda linked to melody and song, recited to the child for auspicious wishes.[34]
From: Hiranyakesi-grihya-sutra
(1) A Veda that specializes in melodies and chants.[35]
From: Khadira-grihya-sutra
(1) One of the four Vedas in Hindu scriptures, characterized by a focus on melodies and chants for rituals.[36]
From: Apastamba Yajna-paribhasa-sutras
(1) The Veda which prescribes certain aspects and rituals of sacrifice.[37]
From: Devi Bhagavata Purana
(1) One of the four Vedas, mentioned as the source of the beautiful stotra composed by Priyavrata.[38] (2) One of the four Vedas, famous for its collection of melodies and hymns used in worship.[39] (3) One of the Vedas, associated with melodic hymns and chants.[40] (4) One of the four Vedas, which contains hymns and verses dedicated to ceremonial worship and chanting.[41] (5) One of the four Vedas, emphasizing melodies and sounds used in worship, particularly associated with chanting and hymns.[42]
From: Mahabharata (English)
(1) Refers to one of the four Vedas, specifically related to melodies and chants, which reflects the spiritual and cultural dimensions of the characters.[43] (2) One of the four Vedas, signifying the Holy One's embodiment of its authority and essence.[44] (3) One of the four Vedas, whose mantras Dhaumya recites, related to spiritual rituals and hymns.[45]
From: Vishnu Purana
(1) A collection of hymns that the priests recited in an attempt to perform rites for Prahlada's destruction.[46] (2) Refers to the compilation of texts that are part of the Vedic literature, as studied by Brahmans in the eastern regions.[47]
From: Yoga Vasistha [English], Volume 1-4
(1) The hymns sung by Chudala in her guise of Kumbha, which help awaken Sikhidvaja.[48]
From: Ramayana of Valmiki (Shastri)
(1) The ancient text of hymns, indicating the type of sacred songs recited by the brahmins.[49]
From: Sanatsujatiya (English translation)
(1) One of the four Vedas, known for its focus on musical chants and hymns.[50]
From: Laghu-yoga-vasistha
(1) One of the four Vedas, associated with melodies and chants used in rituals.[51]
From: Chaitanya Bhagavata
(1) One of the four Vedas, known for its melodic hymns that are sung in praise of the Supreme Lord.[52] (2) The Sama Veda is one of the four Vedas, consisting mainly of hymns and melodies used in rituals.[53]
From: Tiruvaymoli (Thiruvaimozhi): English translation
(1) A collection of hymns sung in joy by liberated souls in Heaven, symbolizing spiritual expression and devotion.[54] (2) The Vedic chants that the Alvar was singing in heaven, reflecting spiritual devotion.[55]
From: Garga Samhita (English)
(1) The Sama Veda is a collection of hymns and melodies that form one of the four Vedas in Hinduism, specifically associated with musical chants.[56]
From: Brihad Bhagavatamrita (commentary)
(1) One of the four Vedas, referred to as the crown jewel; important in the context of the teachings of Shri Jaimini.[57]
From: Bhesajjakkhandhaka (Chapter on Medicine)
(1) A Veda that is a collection of verses intended to be chanted for liturgical purposes.[58]
From: History of Indian Medicine (and Ayurveda)
(1) One of the four Vedas primarily focused on melodies and hymns, often sung during rituals.[59]
From: Kathasaritsagara (the Ocean of Story)
(1) The text associated with the Brahmans, representing their spiritual and ritual responsibilities.[60] (2) One of the sacred texts studied and chanted by Brahmans, illustrating the cultural practices of the time.[61]
From: Vakyapadiya of Bhartrihari
(1) The hymns included in the Sama-veda are found in the Rig-Veda also; they are collected together separately for the purpose of singing them in a particular manner.[62]
The concept of Samaveda in local and regional sources
Samaveda is one of the four Vedas, renowned for its musical hymns and rituals, linked with specific brahmanas, emphasizing melody, chants, and the relationship between humans and their environment, especially in Bengali Brahmin communities.
From: The Complete Works of Swami Vivekananda
(1) Sama-Veda is a book requested by the author, implying it is among the texts Kali should acquire and bring, representing a desired piece of literature.[63] (2) One of the four parts of the Vedas, which is divided into many branches, and had one thousand branches, of which only about five or six remain.[64] (3) The Sama-Veda is part of the lower knowledge, forming one of the essential elements in the comprehensive understanding described within the provided text.[65] (4) The source of sweet chants, these are used to express the greatness of the individual to whom the author directs their worship.[66]
From: Triveni Journal
(1) An ancient Indian scripture that was transmitted through music, highlighting the historical significance of music in spiritual practices.[67] (2) One of the four Vedas known for its musical content, emphasizing the importance of melody in its hymns.[68]