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Significance of Nishadha

Nishadha has various interpretations within Jainism and other Indian texts. In Jainism, it refers to a mountain chain with notable height, the father of Sagaracandra, and is depicted as having the color of heated gold. The Purana describes Nishadha as a race of King Nala and a beautiful mountain region. In Natyashastra, it denotes a specific hand gesture, while in Kavya, it highlights the significant area related to Nala's journey. Overall, Nishadha embodies multiple cultural and geographical connotations.

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The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.

Hindu concept of 'Nishadha'

Hinduism Books

Nishadha in Hinduism embodies various meanings: a region linked to Nala鈥檚 quest for glory, a mountain enhancing Ilavrita's beauty, and a symbol of belonging, highlighted by Damayanti's yearning for King Nala.

Significance in Purana and Itihasa (epic history):
Purana Books

From: Devi Bhagavata Purana

(1) A mountain located to the east of Ilavrita, contributing to the area鈥檚 beauty.[1]

From: Mahabharata (English)

(1) The race to which king Nala belongs, represented by the longing of Damayanti for his presence.[2]

The Purana refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Significance in Natyashastra (theatrics and dramaturgy):
Natyashastra Books

From: Natyashastra (English)

(1) A combined gesture indicating acceptance and holding, formed by enclosing one hand with another.[3]

Natyashastra refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

Significance in Kavya (poetry):
Kavya Books

From: Kathasaritsagara (the Ocean of Story)

(1) The region associated with Nala, which becomes significant in the story's resolution as Nala seeks to reclaim his glory.[4]

Kavya refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or 鈥榚pic poetry鈥� and natya, or 鈥榙ramatic poetry鈥�.

Jain concept of 'Nishadha'

Jainism Books

In Jainism, Nishadha can interpret as a significant figure, the father of Sagaracandra, a notable mountain chain between Videhavarsha and Harivarsha, characterized by its substantial height and golden hue.

Significance in Jainism (general):

From: Tattvartha Sutra (with commentary)

(1) Nishadha refers to a mountain depicted as having the color of heated gold in the text.[5] (2) A mountain chain located south of Videhavarsha and north of Harivarsha, with a height of four hundred yojana.[6]

From: Trishashti Shalaka Purusha Caritra

(1) The father of Sagaracandra.[7]

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

Plural form: Nishadhas.