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Essay name: Tilakamanjari of Dhanapala (study)

Author: Shri N. M. Kansara
Affiliation: Maharaja Sayajirao University of Baroda / Department of Sanskrit Pali and Prakrit

This is an English study of the Tilakamanjari of Dhanapala, a Sanskrit poem written in the 11th century. Technically, the Tilaka-manjari is classified as a Gadyakavya (“prose-romance�). The author, Dhanapala was a court poet to the Paramara king Munja, who ruled the Kingdom of Malwa in ancient west-central India.

Chapter 9 - The Sources and the the Author’s design

Page:

27 (of 39)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 27 has not been proofread.

359
lived and enjoyed with her lover in the Nandisvara and
other 'Dvipas' 74 When a god is about to descend to earth
from the heaven he offers worship to all the images of
the Jinas all over the world in order to accumulate
.75
merit. Śrīmatī asks her nurse Paṇḍitā to take her por-
76 trait and search for her beloved by showing it to people.
There is a fine piece of appreciation of a portrait of
Svayaṃprabhā by Vajrajangha. This might have inspired
77 Dhanapāla for the piece of appreciation of Tilakamanjarī's
portrait by Harivāhana. Lovers meet again in the next
78 birth. Ayodhya was planned and constructed by Indra for
.79.
Nābhirāja and Marudevī. Dreams predicting the birth of a
all
divine son as in the case of the first as well as/the
rest of the Tirthankaras, are a regular feature and among
the sixteen dreams the first is that of the Airavata
80 elephant of Indra. An elephant seen in the dream indicates
81 the birth of a glorious son in future. Discussions of
82 poetic pieces as favourite pastime is here mentioned.
This might have induced Dhanapāla to depict the apprecia-
tion of the loverletter in the company of his friends in
his palace garden. The procedure of worshipping an image
74. MPJ.V.283.
75. ibid.VI.32;55.
76. ibid.VI.169�171.
77. ibid.VII.118-135.
78. ibid.VII.151.
79.ibid.XII..69.
80.ibid.XII.5.120
81.ibid. XII.155.
82.ibid.XII.213.
µ¿áṇ⭑ܴܴ¤200.

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